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Acts of Revision: Bernard Shaw, Noël Coward, and “Born Bosses”

Journal of modern literature, 2017-06, Vol.40 (4), p.166-185

Wixson, Christopher

2017

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Bernard Shaw and William Archer ed. by Thomas Postlewait (review)

Theatre Journal, 2018-09, Vol.70 (3), p.426-427

Yde, Matthew

2018

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Comparison and Other 'Modes of Order' in the Plays of Bernard Shaw

International journal of English studies, 2012-07, Vol.12 (2), p.151-169

Rodríguez-Martín, Gustavo A

2012

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Erica Cotterill and the Passionate Self of G. B. Shaw

English literature in transition, 1880-1920, 2018-01, Vol.61 (4), p.450-474

Gibbs, A. M

2018

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Gendered Information Networks and the Telephone Voice in Shaw's "Pygmalion" and "Village Wooing"

Texas studies in literature and language, 2018-03, Vol.60 (1), p.32-55

JANECHEK, JENNIFER

2018

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Bernard Shaw, the British Censorship of Plays, and Modern Celebrity

English literature in transition, 1880-1920, 2014-03, Vol.57 (2), p.231-253

Kent, Brad

2014

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‘The Wooden Heads of the People’: Arnold Daly and Bernard Shaw

New theatre quarterly, 2006-02, Vol.22 (1), p.54-69

Woods, Leigh

2006

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Bernard Shaw's Unproduced Melodrama: The Gadfly, or The Son of the Cardinal

English literature in transition, 1880-1920, 2019-01, Vol.62 (4), p.526-550

Weintraub, Stanley

2019

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Bernard Shaw's Henry Higgins: A Classic Aspergen

English literature in transition, 1880-1920, 2006-09, Vol.49 (4), p.388-397

Weintraub, Rodelle

2006

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Yeats, The Arrow, and the Aesthetics of a “national, moral culture”: The Blanco Posnet Affair

Journal of modern literature, 2015-01, Vol.38 (2), p.16-28

McKenna, Bernard

2015

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Linguistic Means of Manipulation in English Fiction: B. Shaw’s Works

Theory and practice in language studies, 2023-06, Vol.13 (6), p.1394-1402

2023

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To Laugh or Not to Laugh: Shaw’s Comedy on Stage

English literature in transition, 1880-1920, 2014-06, Vol.57 (3), p.324-334

Dukore, Bernard F

2014

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Adaptation and Sound in "Pygmalion": The Subject of the Voice

Literature film quarterly, 2016-01, Vol.44 (1), p.60-75

Utell, Janine

2016

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Nietzsche, Shaw, Stoppard: Theater and Philosophy in the British Tradition

Philosophy and literature, 2012-04, Vol.36 (1), p.79-95

Kornhaber, David

2012

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Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy

Comparative drama, 2011-09, Vol.45 (3), p.271-288

Cardullo, Bert

2011

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Laboratory, Library, Database: London's Avant-Garde Drama Societies and Ephemeral Repertoire

Modernism/modernity (Baltimore, Md.), 2017-09, Vol.24 (3), p.549

Franks, Matthew

2017

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Shaw’s Way with Fanny’s Untitled Play

English literature in transition, 1880-1920, 2016, Vol.59 (1), p.25-43

Dukore, Bernard F

2016

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Major Barbara by George Bernard Shaw, and: The Light in the Piazza by Craig Lucas and Adam Guettel, and: Guys and Dolls by Jo Swerling, Abe Burrows, and Frank Loesser (review)

Theatre journal (Washington, D.C.), 2014-12, Vol.66 (4), p.604-608

Nelson, Byron

2014

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Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935

Theatre history studies, 2009, Vol.29 (1), p.171-199

Cornwell, Paul

2009

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Parodying the [British pound]5 Virgin: Bernard Shaw and the Playing of Pygmalion

The Yale journal of criticism, 2000-10, Vol.13 (2), p.321-341

Marshik, Celia

2000

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William Poel to George Bernard Shaw

Theatre notebook, 2000, Vol.54 (3), p.162-176

Connor, Marion O'

2000

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Disraeli in Shaw

English literature in transition, 1880-1920, 2008-09, Vol.51 (4), p.411-420

Weintraub, Stanley

2008

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Bernard Shaw, The Philanderer, and the (Un)Making of Shavian Drama

Neophilologus, 2012, Vol.96 (1), p.137-150

Cardullo, Robert J.

2012

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Marie Corelli's Satan and Don Juan in Hell

English literature in transition, 1880-1920, 2011-03, Vol.54 (2), p.165-173

Weintraub, Stanley

2011

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Progrès et illusion théâtrale: la scène engagée de George Bernard Shaw dans Heartbreak House (1915)

Etudes anglaises, 2002, Vol.55 (1), p.40

Guy, Stéphane

2002

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Acts of Revision: Bernard Shaw, Noël Coward, and “Born Bosses”

Bernard Shaw and William Archer ed. by Thomas Postlewait (review)

Comparison and Other 'Modes of Order' in the Plays of Bernard Shaw

Erica Cotterill and the Passionate Self of G. B. Shaw

Gendered Information Networks and the Telephone Voice in Shaw's "Pygmalion" and "Village Wooing"

Bernard Shaw, the British Censorship of Plays, and Modern Celebrity

‘The Wooden Heads of the People’: Arnold Daly and Bernard Shaw

Bernard Shaw's Unproduced Melodrama: The Gadfly, or The Son of the Cardinal

Bernard Shaw's Henry Higgins: A Classic Aspergen

Yeats, The Arrow, and the Aesthetics of a “national, moral culture”: The Blanco Posnet Affair

Linguistic Means of Manipulation in English Fiction: B. Shaw’s Works

To Laugh or Not to Laugh: Shaw’s Comedy on Stage

Adaptation and Sound in "Pygmalion": The Subject of the Voice

Nietzsche, Shaw, Stoppard: Theater and Philosophy in the British Tradition

Play Doctor, Doctor Death: Shaw, Ibsen, and Modern Tragedy

Laboratory, Library, Database: London's Avant-Garde Drama Societies and Ephemeral Repertoire

Shaw’s Way with Fanny’s Untitled Play

Major Barbara by George Bernard Shaw, and: The Light in the Piazza by Craig Lucas and Adam Guettel, and: Guys and Dolls by Jo Swerling, Abe Burrows, and Frank Loesser (review)

Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935

Parodying the [British pound]5 Virgin: Bernard Shaw and the Playing of Pygmalion

William Poel to George Bernard Shaw

Disraeli in Shaw

Bernard Shaw, The Philanderer, and the (Un)Making of Shavian Drama

Marie Corelli's Satan and Don Juan in Hell

Progrès et illusion théâtrale: la scène engagée de George Bernard Shaw dans Heartbreak House (1915)

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