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Freiheit als Kritik: Sozialphilosophie nach Foucault

Schubert, Karsten

1, 2018

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Franz Schubert and the Sea of Eternity

The Journal of musicology (St. Joseph, Mich.), 2004-04, Vol.21 (2), p.241-266

Lambert, Sterling

2004

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INTO THE LION'S DEN: HELMUT LACHENMANN AT 75

Tempo (London), 2011-07, Vol.65 (257), p.52-61

Swithinbank, Christopher

2011

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Schubert and Fierrabras A Mind in Ferment

The Opera quarterly, 1998-07, Vol.14 (4), p.17-39

Black, Leo

1998

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Resilience and Path Dependence: A Comparative Study of the Port Cities of London, Hamburg, and Philadelphia

Journal of urban history, 2021-03, Vol.47 (2), p.389-419

2021

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Tradition and Innovation in Schubert’s Lieder

The Cambridge Companion to Schubert's ‘Winterreise', 2021, p.24-42

2021

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THE ERROR AESTHETIC: THE OPPORTUNITY TO UNDERSTAND SYSTEMS VIA FRACTURES IN CODING

Tempo (London), 2019-07, Vol.73 (289), p.21-29

Schubert, Alexander

2019

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The Wall as a Kafkaesque Symbol: Helga Schubert's 'Das verbotene Zimmer'

Neophilologus, 1996-10, Vol.80 (4), p.599-612

Mabee, Barbara

1996

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The 'German nation' and the 'black Other': social Darwinism and the cultural mission in German colonial discourse

Patterns of prejudice, 2011-12, Vol.45 (5), p.399-416

Schubert, Michael

2011

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Monuments, Kitsch, and the Sense of Nation in Imperial Germany

Central European history, 2016-12, Vol.49 (3/4), p.322-340

Smith, Helmut Walser

2016

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The diminution of the physical stature of the English male population in the eighteenth century

Cliometrica, 2012, Vol.6 (1), p.45-62

2012

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Quantifying the If, the When, and the What of the Sublime: A Survey and Latent Class Analysis of Incidence, Emotions, and Distinct Varieties of Personal Sublime Experiences

Psychology of aesthetics, creativity, and the arts, 2021-05, Vol.15 (2), p.216-240

2021

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Do You Feel Like I Do? A Study of Spontaneous and Deliberate Emotion Sharing and Understanding Between Artists and Perceivers of Installation Art

Psychology of aesthetics, creativity, and the arts, 2020-08, Vol.14 (3), p.276-293

2020

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Together in the Dark?: Investigating the Understanding and Feeling of Intended Emotions Between Viewers and Professional Artists at the Venice Biennale

Psychology of aesthetics, creativity, and the arts, 2023-12, Vol.17 (6), p.772-792

2023

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Mapping Canada's Music: Selected Writings of Helmut Kallmann

Music Library Association. Notes, 2013, Vol.70 (2), p.279-281

Wolters-Fredlund, Benita

2013

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On Wittgenstein's Notion of Meaning-Blindness: Its Subjective, Objective and Aesthetic Aspects

Philosophical investigations, 2010-07, Vol.33 (3), p.201-219

Wenzel, Christian Helmut

2010

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Gender in Cartoons of German Unification

Journal of women's history, 1998-04, Vol.10 (1), p.127-156

Carstens-Wickham, Belinda

1998

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Transition Metal Carbonyls: From Small Molecules to Giant Clusters

Landmarks in Organo-Transition Metal Chemistry, 2008, p.1-43

Werner, Helmut

2008

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Apartheid Aesthetics and Insignificant Art: The Songs of Stephanus le Roux Marais

The Journal of musicology (St. Joseph, Mich.), 2016-01, Vol.33 (1), p.45-69

MULLER, STEPHANUS

2016

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TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND MUSIC

Music & letters, 2014-08, Vol.95 (3), p.374-403

Weaver, Andrew H.

2014

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Time-Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance-Sensitive Approach to Morphosyntactic Musical Analysis

Music analysis, 2017-07, Vol.36 (2), p.216-256

UTZ, CHRISTIAN

2017

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Afire

Cineaste, 2023-09, Vol.48 (4), p.47-56

Fuller, Graham

2023

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Stefano Gervasoni's Pas si: Staging a Music Theatre Work Based on a Text by Samuel Beckett

Contemporary theatre review, 2013-05, Vol.23 (2), p.220-232

Till, Nicholas

2013

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School, Stage, Salon: Musical Cultures in Haydn’s Vienna

The Journal of modern history, 2004-06, Vol.76 (2), p.251-279

Melton, James Van Horn

2004

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Canadian music (History of Music in Canada 1534-1914; Musical Canada)

Queen's quarterly, 1989-03, Vol.96 (1), p.110-16

Elliott, Robin

1989

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Freiheit als Kritik: Sozialphilosophie nach Foucault

Franz Schubert and the Sea of Eternity

INTO THE LION'S DEN: HELMUT LACHENMANN AT 75

Schubert and Fierrabras A Mind in Ferment

Resilience and Path Dependence: A Comparative Study of the Port Cities of London, Hamburg, and Philadelphia

Tradition and Innovation in Schubert’s Lieder

THE ERROR AESTHETIC: THE OPPORTUNITY TO UNDERSTAND SYSTEMS VIA FRACTURES IN CODING

The Wall as a Kafkaesque Symbol: Helga Schubert's 'Das verbotene Zimmer'

The 'German nation' and the 'black Other': social Darwinism and the cultural mission in German colonial discourse

Monuments, Kitsch, and the Sense of Nation in Imperial Germany

The diminution of the physical stature of the English male population in the eighteenth century

Quantifying the If, the When, and the What of the Sublime: A Survey and Latent Class Analysis of Incidence, Emotions, and Distinct Varieties of Personal Sublime Experiences

Do You Feel Like I Do? A Study of Spontaneous and Deliberate Emotion Sharing and Understanding Between Artists and Perceivers of Installation Art

Together in the Dark?: Investigating the Understanding and Feeling of Intended Emotions Between Viewers and Professional Artists at the Venice Biennale

Mapping Canada's Music: Selected Writings of Helmut Kallmann

On Wittgenstein's Notion of Meaning-Blindness: Its Subjective, Objective and Aesthetic Aspects

Gender in Cartoons of German Unification

Transition Metal Carbonyls: From Small Molecules to Giant Clusters

Apartheid Aesthetics and Insignificant Art: The Songs of Stephanus le Roux Marais

TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND MUSIC

Time-Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance-Sensitive Approach to Morphosyntactic Musical Analysis

Afire

Stefano Gervasoni's Pas si: Staging a Music Theatre Work Based on a Text by Samuel Beckett

School, Stage, Salon: Musical Cultures in Haydn’s Vienna

Canadian music (History of Music in Canada 1534-1914; Musical Canada)

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