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Eduardo Paolozzi (1924–2005): Why now?

The British art journal, 2015-09, Vol.16 (2), p.119-122

Thomas, Elly

2015

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Reordering and Redistributing the Visual: The Expanded ‘Field’ of Pattern-Making in Parallel of Life and Art and Hammer Prints

Journal of visual culture, 2013-08, Vol.12 (2), p.222-244

2013

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Paolozzi and Wittgenstein: The Artist and the Philosopher

1st ed. 2019., 2019

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The legacy of Eduardo Paolozzi 1924-2005

Art monthly Australia, 2005-07 (181), p.8-9

Johnston, Ryan

2005

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Eduardo Paolozzi

The Economist (London), 2005-04, Vol.375 (8424), p.82

2005

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The visionary art of Eduardo Paolozzi

The Spectator (London. 1828), 2024-01

Massie, Claudia

2024

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Assembling reminders for a particular purpose: an investigation into meaning in the work of eduardo paolozzi

Burr, Elizabeth Therese

1992

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Master magpie: Claudia Massie celebrates the centenary of Scottish pop-art pioneer Eduardo Paolozzi

The Spectator (London. 1828), 2024-01, Vol.354 (10196), p.40

2024

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Out of line

Design week, 2002-08, Vol.17 (35), p.36

2002

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The Impact of Avant-Garde Art on Brutalist Architecture

Buildings (Basel), 2021-07, Vol.11 (7), p.290

Niebrzydowski, Wojciech

2021

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Assemblage in Practice : Artists, Ethnography and Display in Postwar London (1948-85)

Newby, Lisa

2017

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Portuguese Artists in London: Shaping Identities in Post-War Europe

de Oliveira, Leonor

1, 2020

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Art on your sleeve

Design Week, 2003-03, Vol.18 (12), p.40-40

Lutyens, Dominic

2003

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PRIVATE VIEW: Matters of the art

Design Week, 2010-08, Vol.25 (32), p.10

2010

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Image as Method: Nigel Henderson and the Art of Research

Ram, Rosie

2021

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Little Tin Openers: Ann Quin's Aesthetic of Touch

Women (Oxford, England), 2022-01, Vol.33 (1), p.52-72

Hansen, Denise Rose

2022

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Cybernetics and systems art in Latin America: the art and communication center (CAyC) and its pioneering art and technology network

AI & society, 2022-09, Vol.37 (3), p.1071-1084

Mariátegui, José-Carlos

2022

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Art and archives in the gallery: the archivist's perspective

Museum management and curatorship (1990), 2023-05, Vol.ahead-of-print (ahead-of-print), p.1-16

Lester, Peter

2023

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Between Stone and Screen: The Rise of Printmaking in Post-War Britain with a New Emphasis on Robert Erskine and St. George's Gallery Prints (1955-1963)

Naish, Natalia

2023

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Curatorial practices and 'intrinsically English' art: The British pavilion at the Venice Biennale

Museum history journal, 2023-01, Vol.16 (1), p.99-117

Portinari, Stefania

2023

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3. ALTERNATIVE FORMS OF ARTISTIC RESEARCH IN THE ACADEMIC CONTEXT

Review of artistic education, 2024-01 (28), p.208-215

Brumă, Lucian

2024

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"Signs of inhabitation": The Critical Legacies of Patio and Pavilion

Thresholds (Cambridge, Mass.), 2009-01, Vol.35 (35), p.44-49

Pezolet, Nicola

2009

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Colin St John Wilson and the Independent Group: Art, Science and the Psychologising of Space

Journal of visual culture, 2013-08, Vol.12 (2), p.245-261

2013

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Anton Ehrenzweig, the Artist Teacher and a Psychoanalytic Approach to School Art Education

The international journal of art & design education, 2019-11, Vol.38 (4), p.832-839

Walton, Neil

2019

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Machines at Play: The Attraction of Automation

Selby, Mark

2021

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Eduardo Paolozzi (1924–2005): Why now?

Reordering and Redistributing the Visual: The Expanded ‘Field’ of Pattern-Making in Parallel of Life and Art and Hammer Prints

Paolozzi and Wittgenstein: The Artist and the Philosopher

The legacy of Eduardo Paolozzi 1924-2005

Eduardo Paolozzi

The visionary art of Eduardo Paolozzi

Assembling reminders for a particular purpose: an investigation into meaning in the work of eduardo paolozzi

Master magpie: Claudia Massie celebrates the centenary of Scottish pop-art pioneer Eduardo Paolozzi

Out of line

The Impact of Avant-Garde Art on Brutalist Architecture

Assemblage in Practice : Artists, Ethnography and Display in Postwar London (1948-85)

Portuguese Artists in London: Shaping Identities in Post-War Europe

Art on your sleeve

PRIVATE VIEW: Matters of the art

Image as Method: Nigel Henderson and the Art of Research

Little Tin Openers: Ann Quin's Aesthetic of Touch

Cybernetics and systems art in Latin America: the art and communication center (CAyC) and its pioneering art and technology network

Art and archives in the gallery: the archivist's perspective

Between Stone and Screen: The Rise of Printmaking in Post-War Britain with a New Emphasis on Robert Erskine and St. George's Gallery Prints (1955-1963)

Curatorial practices and 'intrinsically English' art: The British pavilion at the Venice Biennale

3. ALTERNATIVE FORMS OF ARTISTIC RESEARCH IN THE ACADEMIC CONTEXT

"Signs of inhabitation": The Critical Legacies of Patio and Pavilion

Colin St John Wilson and the Independent Group: Art, Science and the Psychologising of Space

Anton Ehrenzweig, the Artist Teacher and a Psychoanalytic Approach to School Art Education

Machines at Play: The Attraction of Automation

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