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Reordering and Redistributing the Visual: The Expanded ‘Field’ of Pattern-Making in Parallel of Life and Art and Hammer Prints

Journal of visual culture, 2013-08, Vol.12 (2), p.222-244

2013

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Brutalist Wallpaper and the Independent Group

Journal of visual culture, 2013-08, Vol.12 (2), p.205-221

2013

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The Mother of Pop? Dorothy Morland and the Independent Group

Journal of visual culture, 2013-08, Vol.12 (2), p.262-278

Massey, Anne

2013

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D'Arcy Thompson's On Growth and Form and the Concept of Dynamic Form in Postwar Avant-Garde Art Theory

Interdisciplinary science reviews, 2013-03, Vol.38 (1), p.63-73

Kaniari, Assimina

2013

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The cybernetic moment: Roy Ascott and the British cybernetic pioneers, 1955-1965

Interdisciplinary science reviews, 2017-04, Vol.42 (1-2), p.42-53

Lambert, Nick

2017

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Colin St John Wilson and the Independent Group: Art, Science and the Psychologising of Space

Journal of visual culture, 2013-08, Vol.12 (2), p.245-261

2013

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The Independent Group Looks at London’s West End

Journal of visual culture, 2013-08, Vol.12 (2), p.292-312

2013

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Introduction to the Themed Issue: The Independent Group

Journal of visual culture, 2013-08, Vol.12 (2), p.203-204

Massey, Anne

2013

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‘Way out-of This World!’ Delia Derbyshire, Doctor Who and the British Public's Awareness of Electronic Music in the 1960s

Critical studies in television, 2014-03, Vol.9 (1), p.62-76

Butler, David

2014

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‘Not Another Museum’: The Search for Contemporary Connection

Journal of visual culture, 2013-08, Vol.12 (2), p.313-331

2013

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Editorial

Interdisciplinary science reviews, 2013-03, Vol.38 (1), p.1-11

Jarron, Matthew

2013

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Robo Renga: Or a Tele-Discussion about Art and Robotics

Convergence (London, England), 2002-09, Vol.8 (3), p.27-38

2002

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Transformation scenes: The television interior makeover

International journal of cultural studies, 2005-06, Vol.8 (2), p.213-229

Philips, Deborah

2005

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Field Manoeuvres: Bourdieu and the Young British Artists

Space and culture, 2003-02, Vol.6 (1), p.19-34

2003

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From social to cognitive archaeology: An interview with Colin Renfrew

Journal of social archaeology, 2001-06, Vol.1 (1), p.13-34

2001

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Introduction: Object Realities

Cultural dynamics, 1995-03, Vol.7 (1), p.5-14

Shelton, Anthony Alan

1995

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Art under Fire

Index on censorship, 2011-09, Vol.40 (3), p.103-112

Beardsley, Aubrey

2011

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Reordering and Redistributing the Visual: The Expanded ‘Field’ of Pattern-Making in Parallel of Life and Art and Hammer Prints

Brutalist Wallpaper and the Independent Group

The Mother of Pop? Dorothy Morland and the Independent Group

D'Arcy Thompson's On Growth and Form and the Concept of Dynamic Form in Postwar Avant-Garde Art Theory

The cybernetic moment: Roy Ascott and the British cybernetic pioneers, 1955-1965

Colin St John Wilson and the Independent Group: Art, Science and the Psychologising of Space

The Independent Group Looks at London’s West End

Introduction to the Themed Issue: The Independent Group

‘Way out-of This World!’ Delia Derbyshire, Doctor Who and the British Public's Awareness of Electronic Music in the 1960s

‘Not Another Museum’: The Search for Contemporary Connection

Editorial

Robo Renga: Or a Tele-Discussion about Art and Robotics

Transformation scenes: The television interior makeover

Field Manoeuvres: Bourdieu and the Young British Artists

From social to cognitive archaeology: An interview with Colin Renfrew

Introduction: Object Realities

Art under Fire

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