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Akustisches Kapital: Wertschöpfung in der Musikwirtschaft [Acoustic Capital: Value Creation in the Music Economy] Edited by BastianLange, Hans‐JoachimBürkner, and ElkeSchüßlerBielefeld, Germany: Transcript, 2013

Economic geography, 2015-10, Vol.91 (4), p.519-521

Fasche, Melanie

2015

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I've heard that brand before: the role of music recognition on consumer choice

International journal of advertising, 2022-11, Vol.41 (8), p.1567-1587

2022

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Music to the individual consumer's ears: how and why does personalizing music in advertising enhance viewing duration and ad effectiveness?

International journal of advertising, 2023-05, Vol.42 (4), p.682-712

2023

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Presenting marketing through music: Alpen sind immer wunderschön

Journal of marketing management, 2022-10, Vol.38 (15-16), p.1796-1809

2022

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Creating a brand community at the bottom of the pyramid: the case of a Cameroonian music platform

Journal of marketing management, 2021-06, Vol.37 (9-10), p.887-913

2021

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The value of using popular music and performers on brand and message recall in television advertising jingles

Journal of media business studies, 2023-10, Vol.20 (4), p.303-319

2023

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Fashion and film stories of (mis)understanding: Introduction to a special issue on cinema and fashion

Journal of global fashion marketing, 2023-10, Vol.14 (4), p.369-373

2023

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Music, time, and international political economy: making coevalness

Review of international political economy : RIPE, 2023-07, Vol.30 (4), p.1560-1581

Davies, Matt

2023

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Value creation and appropriation in the live music industry: a population ecology analysis of live music ticket pricing

Journal of media business studies, 2023-04, Vol.20 (2), p.137-157

Magni, Federico

2023

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Blockchain-based digital rights management systems: Design principles for the music industry

Electronic markets, 2023-12, Vol.33 (1), p.5, Article 5

2023

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The globalization of postcolonial pop music: putting the success of the K-pop industries into theoretical perspectives

Asia Pacific business review, 2023-10, Vol.29 (5), p.1243-1250

2023

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K-pop music diffusion in Korea and East Asia: the convergence of visual technology and concrete narratives

Asia Pacific business review, 2023-10, Vol.29 (5), p.1251-1274

Malik, Tariq H.

2023

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Value Creation in Scene-based Music Production: The Case of Electronic Club Music in Germany

Economic geography, 2013-04, Vol.89 (2), p.149-169

2013

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E-commerce and the market structure of the recorded music industry

Applied economics letters, 2017-05, Vol.24 (9), p.598-601

2017

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Targeting university students in audience development strategies for opera and ballet

The Service industries journal, 2008, Vol.28 (1), p.179-191

2008

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The music industry as a vehicle for economic analysis

The Journal of economic education, 2015-10, Vol.46 (4), p.403-411

Klein, Christopher C.

2015

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The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market

International journal of electronic commerce, 2006-04, Vol.10 (3), p.7-38

2006

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Purchase or Pirate: A Model of Consumer Intellectual Property Theft

Journal of marketing theory and practice, 2012-01, Vol.20 (1), p.73-86

2012

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Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market

Regional studies, 2007-05, Vol.41 (3), p.377-389

2007

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Factors determining UK album success

Applied economics, 2011-12, Vol.43 (30), p.4699-4705

2011

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A distribution revolution: Changes in music distribution in the UK 1950-76

Business history, 2013-04, Vol.55 (3), p.327-347

Tennent, Kevin D.

2013

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Reshaping The Music Distribution Model: An Itunes Opportunity

Journal of media business studies, 2012-01, Vol.9 (4), p.41-68

Small, Oliver

2012

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File Sharing as a Form of Music Consumption

International journal of electronic commerce, 2005-07, Vol.9 (4), p.37-55

Huang, Chun-Yao

2005

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Targeting university students in audience development strategies for opera and ballet

The Service industries journal, 2008-03, Vol.28 (2), p.179-191

2008

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The Music Industry in the Digital Era: Toward New Contracts

Journal of media economics, 2009-04, Vol.22 (2), p.102-113

2009

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Akustisches Kapital: Wertschöpfung in der Musikwirtschaft [Acoustic Capital: Value Creation in the Music Economy] Edited by BastianLange, Hans‐JoachimBürkner, and ElkeSchüßlerBielefeld, Germany: Transcript, 2013

I've heard that brand before: the role of music recognition on consumer choice

Music to the individual consumer's ears: how and why does personalizing music in advertising enhance viewing duration and ad effectiveness?

Presenting marketing through music: Alpen sind immer wunderschön

Creating a brand community at the bottom of the pyramid: the case of a Cameroonian music platform

The value of using popular music and performers on brand and message recall in television advertising jingles

Fashion and film stories of (mis)understanding: Introduction to a special issue on cinema and fashion

Music, time, and international political economy: making coevalness

Value creation and appropriation in the live music industry: a population ecology analysis of live music ticket pricing

Blockchain-based digital rights management systems: Design principles for the music industry

The globalization of postcolonial pop music: putting the success of the K-pop industries into theoretical perspectives

K-pop music diffusion in Korea and East Asia: the convergence of visual technology and concrete narratives

Value Creation in Scene-based Music Production: The Case of Electronic Club Music in Germany

E-commerce and the market structure of the recorded music industry

Targeting university students in audience development strategies for opera and ballet

The music industry as a vehicle for economic analysis

The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market

Purchase or Pirate: A Model of Consumer Intellectual Property Theft

Competitiveness, Local Production Systems and Global Commodity Chains in the Music Industry: Entering the US Market

Factors determining UK album success

A distribution revolution: Changes in music distribution in the UK 1950-76

Reshaping The Music Distribution Model: An Itunes Opportunity

File Sharing as a Form of Music Consumption

Targeting university students in audience development strategies for opera and ballet

The Music Industry in the Digital Era: Toward New Contracts

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