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Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery

Marketing science (Providence, R.I.), 2018-01, Vol.37 (1), p.5-21

2018

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The Sound of Music: The Effect of Timbral Sound Quality in Audio Logos on Brand Personality Perception

Journal of marketing research, 2023-10, Vol.60 (5), p.932-949

2023

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Frontiers: Virus Shook the Streaming Star: Estimating the COVID-19 Impact on Music Consumption

Marketing science (Providence, R.I.), 2022-01, Vol.41 (1), p.19-32

2022

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Come Together, Right Now? An Empirical Study of Collaborations in the Music Industry

Management science, 2023-12, Vol.69 (12), p.7217-7235

2023

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I've heard that brand before: the role of music recognition on consumer choice

International journal of advertising, 2022-11, Vol.41 (8), p.1567-1587

2022

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Music to the individual consumer's ears: how and why does personalizing music in advertising enhance viewing duration and ad effectiveness?

International journal of advertising, 2023-05, Vol.42 (4), p.682-712

2023

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Preventing Digital Music Piracy: The Carrot or the Stick?

Journal of marketing, 2008-01, Vol.72 (1), p.1-15

2008

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E-Commerce-relevante Verhaltensmuster als Herausforderung für das Marketing – dargestellt am Beispiel der Musikwirtschaft

Marketing (London), 2002-09, Vol.24 (3), p.207-223

2002

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Testing File Sharing's Impact on Music Album Sales in Cities

Management science, 2008-04, Vol.54 (4), p.852-859

LIEBOWITZ, Stan J

2008

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Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920-1929

Organization science (Providence, R.I.), 2009-05, Vol.20 (3), p.481-499

2009

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Rock and Roll Bands, (In)complete Contracts, and Creativity

The American economic review, 2011-05, Vol.101 (3), p.217-221

2011

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Don't Think Twice, It's All Right: Music Piracy and Pricing in a DRM-Free Environment

Journal of marketing, 2010-03, Vol.74 (2), p.40-54

2010

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The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market

International journal of electronic commerce, 2006-04, Vol.10 (3), p.7-38

2006

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File Sharing as a Form of Music Consumption

International journal of electronic commerce, 2005-07, Vol.9 (4), p.37-55

Huang, Chun-Yao

2005

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The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy

Environment and planning. A, 1999-11, Vol.31 (11), p.1965-1984

Scott, A J

1999

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A Bayesian Model for Prelaunch Sales Forecasting of Recorded Music

Management science, 2003-02, Vol.49 (2), p.179-196

2003

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An Experimental and Analytical Study of On-Line Digital Music Sampling Strategies

International journal of electronic commerce, 2006-04, Vol.10 (3), p.39-70

2006

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Determinantes del éxito comercial en las industrias culturales. Análisis del sector fonográfico en España

Estudios de economía aplicada, 2009, Vol.27 (1), p.253-271

2009

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The Double Punch of Law and Technology: Fighting Music Piracy or Remaking Copyright in a Digital Age?

Business and Politics, 2004-08, Vol.6 (2), p.3-33

Bach, David

2004

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iPod killers?

Bloomberg businessweek (Online), 2005-04, p.46-53.

2005

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Napster lives again - sort of

Bloomberg businessweek (Online), 2003-10, Vol.20, p.94-95.

Burrows, Peter

2003

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EMI: Technology brings the music giant a whole new spin

Forbes, 1995-02, p.32

Rifkin, Glenn

1995

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The music never stopped

Forbes, 1997-03, Vol.159 (6), p.90

Newcomb, Peter

1997

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Die Bartók-Rezeption in Japan bis 1945 1

Archiv für Musikwissenschaft, 2021-10, Vol.78 (4), p.296-323

Bochmann, Minari

2021

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Die Identifizierung von eMavens auf Internet-Musik-Sites: Ergebnisse einer empirischen Untersuchung zur Online-Mundwerbung

Marketing (London), 2005-01, Vol.27 (1), p.41-54

2005

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Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery

The Sound of Music: The Effect of Timbral Sound Quality in Audio Logos on Brand Personality Perception

Frontiers: Virus Shook the Streaming Star: Estimating the COVID-19 Impact on Music Consumption

Come Together, Right Now? An Empirical Study of Collaborations in the Music Industry

I've heard that brand before: the role of music recognition on consumer choice

Music to the individual consumer's ears: how and why does personalizing music in advertising enhance viewing duration and ad effectiveness?

Preventing Digital Music Piracy: The Carrot or the Stick?

E-Commerce-relevante Verhaltensmuster als Herausforderung für das Marketing – dargestellt am Beispiel der Musikwirtschaft

Testing File Sharing's Impact on Music Album Sales in Cities

Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920-1929

Rock and Roll Bands, (In)complete Contracts, and Creativity

Don't Think Twice, It's All Right: Music Piracy and Pricing in a DRM-Free Environment

The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market

File Sharing as a Form of Music Consumption

The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy

A Bayesian Model for Prelaunch Sales Forecasting of Recorded Music

An Experimental and Analytical Study of On-Line Digital Music Sampling Strategies

Determinantes del éxito comercial en las industrias culturales. Análisis del sector fonográfico en España

The Double Punch of Law and Technology: Fighting Music Piracy or Remaking Copyright in a Digital Age?

iPod killers?

Napster lives again - sort of

EMI: Technology brings the music giant a whole new spin

The music never stopped

Die Bartók-Rezeption in Japan bis 1945 1

Die Identifizierung von eMavens auf Internet-Musik-Sites: Ergebnisse einer empirischen Untersuchung zur Online-Mundwerbung

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