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A rewarding experience? Exploring how crowdfunding is affecting music industry business models

Journal of business research, 2017-01, Vol.70, p.25-36

2017

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Continuity, Change, and New Product Performance: The Role of Stream Concentration

The Journal of product innovation management, 2020-05, Vol.37 (3), p.228-248

2020

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Setting the tone with the tune: A meta-analytic review of the effects of background music in retail settings

Journal of business research, 2006-06, Vol.59 (6), p.755-764

2006

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Digital music consumption on the Internet: Evidence from clickstream data

Information economics and policy, 2016-03, Vol.34, p.27-43

2016

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“To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making

Journal of business research, 2009-10, Vol.62 (10), p.1031-1037

2009

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Sales displacement and streaming music: Evidence from YouTube

Information economics and policy, 2016-03, Vol.34, p.16-26

Scott Hiller, R.

2016

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In-store music and consumer–brand relationships: Relational transformation following experiences of (mis)fit

Journal of business research, 2006-09, Vol.59 (9), p.982-989

2006

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Even the losers get lucky sometimes: New products and the evolution of music quality since Napster

Information economics and policy, 2016-03, Vol.34, p.1-15

2016

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Is the music industry stuck between rock and a hard place? The role of the Internet and three possible scenarios

Journal of retailing and consumer services, 2011-03, Vol.18 (2), p.126-131

2011

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The effect of file sharing on record sales, revisited

Information economics and policy, 2016-12, Vol.37, p.61-66

2016

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Understanding music consumption through a tribal lens

Journal of retailing and consumer services, 2011-03, Vol.18 (2), p.152-159

2011

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On the “uniform pricing puzzle” in recorded music

Information economics and policy, 2016-03, Vol.34, p.58-66

2016

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News from somewhere: The poetics of Baby Boomer and Generation Y music consumers in tracking a retail revolution

Journal of retailing and consumer services, 2011-03, Vol.18 (2), p.141-151

McIntyre, Charles

2011

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Superstardom in the US popular music industry revisited

Economics letters, 2006-07, Vol.92 (1), p.68-74

Giles, David E.

2006

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The processual nature of leadership discourses

Scandinavian journal of management, 2007-09, Vol.23 (3), p.285-305

Koivunen, Niina

2007

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The psychological meaning of personal record collections and the impact of changing technological forms

Journal of economic psychology, 2007-08, Vol.28 (4), p.429-443

2007

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Publishers, artists, and copyright enforcement

Information economics and policy, 2006-11, Vol.18 (4), p.374-384

2006

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Online sales, Internet use, file sharing, and the decline of retail music specialty stores

Information economics and policy, 2008-09, Vol.20 (3), p.288-300

Zentner, Alejandro

2008

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Operational, economic and mission elements in not-for-profit organizations: the case of the Chicago Symphony Orchestra

Journal of operations management, 2005-02, Vol.23 (2), p.125-142

2005

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Trust in the development of new channels in the music industry

Journal of retailing and consumer services, 2007-05, Vol.14 (3), p.216-223

2007

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The legal and technological battle in the music industry: Information-push versus information-pull technologies

International review of law and economics, 2006-12, Vol.26 (4), p.565-580

2006

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Simon's travel theorem and the demand for live music

Journal of economic psychology, 2001-06, Vol.22 (3), p.335-358

Earl, Peter E

2001

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Dealing with Piracy:: Intellectual Asset Management in Music and Software

European management journal, 2002-12, Vol.20 (6), p.689-698

van Wijk, Jeroen

2002

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Measurement of quality in monopolistic product market

Japan and the world economy, 2002-08, Vol.14 (3), p.265-280

Nakajima, Takanobu

2002

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The Internet and the revolution in distribution: a cross-industry examination

Technology in society, 1999-08, Vol.21 (3), p.287-306

Rao, Bharat

1999

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A rewarding experience? Exploring how crowdfunding is affecting music industry business models

Continuity, Change, and New Product Performance: The Role of Stream Concentration

Setting the tone with the tune: A meta-analytic review of the effects of background music in retail settings

Digital music consumption on the Internet: Evidence from clickstream data

“To buy or to pirate”: The matrix of music consumers' acquisition-mode decision-making

Sales displacement and streaming music: Evidence from YouTube

In-store music and consumer–brand relationships: Relational transformation following experiences of (mis)fit

Even the losers get lucky sometimes: New products and the evolution of music quality since Napster

Is the music industry stuck between rock and a hard place? The role of the Internet and three possible scenarios

The effect of file sharing on record sales, revisited

Understanding music consumption through a tribal lens

On the “uniform pricing puzzle” in recorded music

News from somewhere: The poetics of Baby Boomer and Generation Y music consumers in tracking a retail revolution

Superstardom in the US popular music industry revisited

The processual nature of leadership discourses

The psychological meaning of personal record collections and the impact of changing technological forms

Publishers, artists, and copyright enforcement

Online sales, Internet use, file sharing, and the decline of retail music specialty stores

Operational, economic and mission elements in not-for-profit organizations: the case of the Chicago Symphony Orchestra

Trust in the development of new channels in the music industry

The legal and technological battle in the music industry: Information-push versus information-pull technologies

Simon's travel theorem and the demand for live music

Dealing with Piracy:: Intellectual Asset Management in Music and Software

Measurement of quality in monopolistic product market

The Internet and the revolution in distribution: a cross-industry examination

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