UB Paderborn / Katalog / Suche / in CDI

Revolutionary Appropriation of Disability in Socialist Chinese Literature and Film

China perspectives, 2021-06, Vol.2021 (2 (125)), p.61-69

Wang, Zihan

2021

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'This, please, cannot be that': The constructed world of P.T Anderson's 'Magnolia'

Sydney studies in English, 2016-01, Vol.42, p.59-85

Kim Wilkins

2016

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'This, please, cannot be that': The constructed world of P.T Anderson's 'Magnolia'

Sydney studies in English, 2016-01, Vol.42, p.59-85

Kim Wilkins

2016

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'This, please, cannot be that': The constructed world of P.T Anderson's 'Magnolia'

Sydney studies in English, 2016-01, Vol.42, p.59-85

Kim Wilkins

2016

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Shakespeare and film: a bibliographic index (from film to book)

Early modern literary studies, 2015, Vol.18 (1/2), p.81

Sala Lleal, Jordi

2015

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"HAPPY ACCIDENTS" AN INTERVIEW WITH PAUL AUSTER

Literature film quarterly, 2009-01, Vol.37 (1), p.18-27

2009

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Deconstructing Herbert: "The War of the Worlds" on Film

Literature film quarterly, 2007-10, Vol.35 (4), p.274-281

Downing, Crystal

2007

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Making the Cut: Documentary Work in John Ford's "The Grapes of Wrath"

Literature film quarterly, 2007-10, Vol.35 (4), p.323-329

Smith, John R.

2007

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Bridging Continents: Cinematic and Literary Representations of Spanish and Latin American Themes

Arizona Journal of Hispanic Cultural Studies, 2006-01, Vol.10 (1), p.270-272

Woods, Eva

2006

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Masters of Two Arts: Re-creation of European Literatures in Italian Cinema (review)

University of Toronto Quarterly, 2004-12, Vol.74 (1), p.367-369

Gieri, Manuela

2004

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About Time: Theorizing Adaptation Temporality, and Tense

Literature film quarterly, 2003-04, Vol.31 (2), p.82-92

Cardwell, Sarah

2003

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Cribbing Cleopatra, or How to Turn an Acclaimed Novel Into a Bad TV Movie

Michigan academician, 2002-03, Vol.34 (1), p.23

2002

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Cinema Studies

Michigan academician, 2001-03, Vol.33 (1), p.18

2001

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Once Upon a Time in Hollywood; or, The Commodification of Form in the Adaptation Of Fictional Texts to the Hollywood Cinema

Literature film quarterly, 1996-04, Vol.24 (2), p.201-208

Axelrod, Mark

1996

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Twice-Told Tales: The Rhetoric of the Remake

Literature film quarterly, 1990-07, Vol.18 (3), p.138-149

Leitch, Thomas M.

1990

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"This is a riot you're in": Hollywood and American Mass Culture in Nathanael West's "The Day of the Locust"

Literature film quarterly, 1996-10, Vol.24 (4), p.439-444

Springer, John

1996

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Wyler's Version of Brontë's Storms in "Wuthering Heights"

Literature film quarterly, 1996-10, Vol.24 (4), p.414-422

Mills, Pamela

1996

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Celluloid dreams in Shashi Tharoor's 'Show business'

Commonwealth (Rodez, France), 2007-10, Vol.30 (1), p.83-92

Vincent, Suhasini

2007

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The Self Seen As Other: Akutagawa and Film

Literature film quarterly, 1995-07, Vol.23 (3), p.197-203

Gerow, Aaron A.

1995

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"Suo Gân" and "Empire of the Sun"

Literature film quarterly, 1996-10, Vol.24 (4), p.344-347

Stiller, Lewis

1996

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"It Captivates... It Hypnotizes": Updike Goes to The Movies

Literature film quarterly, 1995-07, Vol.23 (3), p.169-187

De Bellis, Jack

1995

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Von Sternberg, Lubitsch, and Lang in the Work of Manuel Puig

Literature film quarterly, 1994-07, Vol.22 (3), p.181-186

Hall, Kenneth E.

1994

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Literature, Film, Music: Julien Gracq's "Le Roi Cophetua" and André Delvaux's "Rendezvous à Bray"

Literature film quarterly, 1992-04, Vol.20 (2), p.138-145

Mosley, Philip

1992

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The Role of "Beyond The Forest" in Albee's "Who's Afraid of Virginia Woolf?"

Literature film quarterly, 1994-07, Vol.22 (3), p.170-173

Campo, Carlos

1994

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A Delicate Balance: An Interview with Wayne Wang about "The Joy Luck Club"

Literature film quarterly, 1994-01, Vol.22 (1), p.2-6

1994

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Revolutionary Appropriation of Disability in Socialist Chinese Literature and Film

'This, please, cannot be that': The constructed world of P.T Anderson's 'Magnolia'

'This, please, cannot be that': The constructed world of P.T Anderson's 'Magnolia'

'This, please, cannot be that': The constructed world of P.T Anderson's 'Magnolia'

Shakespeare and film: a bibliographic index (from film to book)

"HAPPY ACCIDENTS" AN INTERVIEW WITH PAUL AUSTER

Deconstructing Herbert: "The War of the Worlds" on Film

Making the Cut: Documentary Work in John Ford's "The Grapes of Wrath"

Bridging Continents: Cinematic and Literary Representations of Spanish and Latin American Themes

Masters of Two Arts: Re-creation of European Literatures in Italian Cinema (review)

About Time: Theorizing Adaptation Temporality, and Tense

Cribbing Cleopatra, or How to Turn an Acclaimed Novel Into a Bad TV Movie

Cinema Studies

Once Upon a Time in Hollywood; or, The Commodification of Form in the Adaptation Of Fictional Texts to the Hollywood Cinema

Twice-Told Tales: The Rhetoric of the Remake

"This is a riot you're in": Hollywood and American Mass Culture in Nathanael West's "The Day of the Locust"

Wyler's Version of Brontë's Storms in "Wuthering Heights"

Celluloid dreams in Shashi Tharoor's 'Show business'

The Self Seen As Other: Akutagawa and Film

"Suo Gân" and "Empire of the Sun"

"It Captivates... It Hypnotizes": Updike Goes to The Movies

Von Sternberg, Lubitsch, and Lang in the Work of Manuel Puig

Literature, Film, Music: Julien Gracq's "Le Roi Cophetua" and André Delvaux's "Rendezvous à Bray"

The Role of "Beyond The Forest" in Albee's "Who's Afraid of Virginia Woolf?"

A Delicate Balance: An Interview with Wayne Wang about "The Joy Luck Club"

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