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'Break her will, and bruise no bone sir': colonial and sexual mastery in Fletcher's The Island Princess

Journal for early modern cultural studies, 2002, Vol.2 (1), p.58

Loomba, Ania

2002

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Bartels, Emily C.. Speaking of the Moor: from Alcazar to Othello

Shakespeare Studies, 2010, Vol.38, p.266

Loomba, Ania

2010

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Behdad, Ali. A forgetful nation: on immigration and cultural identity in the United States

Comparative Literature, 2009, Vol.61 (2), p.181

Loomba, Ania

2009

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Persia and Kingship in William Cartwright's "The Royall Slave" (1636)

Studies in English literature, 1500-1900, 2014-04, Vol.54 (2), p.455-473

HOUSTON, CHLOË

2014

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Postcolonial feminist discourse in Flora Nwapa's women are different

World literature written in English, 2002, Vol.40 (1), p.125-135

Silkü, Rezzan Kocaöner

2002

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From the Knight’s Tale to The Two Noble Kinsmen: Rethinking race, class and whiteness in romance

Postmedieval a journal of medieval cultural studies, 2015-04, Vol.6 (1), p.64-78

Britton, Dennis Austin

2015

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Anglophone Indian Women Writers, 1870–1920

Brinks, Ellen

1, 2013

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'All the World's a Stage': William Shakespeare's Cultural Capital 400 Years after his Death

Changing English, 2017-01, Vol.24 (1), p.67-80

Muñoz-Valdivieso, Sofía

2017

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Diva's Culturally Sustaining Black Feminism: Tales from an Afro-Brazilian Teacher-Activist-Mother

Comparative education review, 2023-02, Vol.67 (S1), p.149-S170

Goins, Marla Roschelle

2023

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"You're black": Transnational perceptions of race in Chimamanda Ngozi Adichie's Americanah and Andrea Levy's Small Island

Critique - Bolingbroke Society, 2018-03, Vol.59 (2), p.200-212

McMann, Mindi

2018

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Vitium Curiositatis and Stereotypes in Chaucer’s Squire’s Tale

Mosaic (Winnipeg), 2019-06, Vol.52 (2), p.129-145

2019

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Wole Soyinka's A Play of Giants and King Baabu: the crises between ideology and (social) vision

Tydskrif vir letterkunde, 2017-01, Vol.54 (1), p.158-169, Article 158-169

Afolayan, Kayode

2017

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At Sea about Hamlet at Sea: A Detective Story

Shakespeare quarterly, 2011-07, Vol.62 (2), p.180-204

Kliman, Bernice W.

2011

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Of Degenerated Heroes and Failed Romance: King Léopold's Congo in Popular European Literatures

English studies in Africa, 2016-01, Vol.59 (1), p.52-62

Gehrmann, Susanne

2016

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An Alien Nation: Postcoloniality and the Alienated Subject in Vandana Singh's Science Fiction

Extrapolation, 2012-09, Vol.53 (3), p.283-306

Bannerjee, Suparno

2012

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Translating Spain: Purity of Blood and Orientalism in Mabbe’s Rogue and Guzmán de Alfarache

Modern philology, 2017-02, Vol.114 (3), p.552-572

WEISSBOURD, EMILY

2017

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Ancient empires and early modern colonialism in William Alexander’s Monarchicke Tragedies (1603-07)

Renaissance studies, 2017-06, Vol.31 (3), p.346-364

Sandrock, Kirsten

2017

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The “Secrets of Nature” and Early Modern Constructions of a Global South

Journal for early modern cultural studies, 2015-07, Vol.15 (3), p.5-39

Young, Sandra

2015

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Terror, globalization and the individual in Salman Rushdie's Shalimar the Clown

Journal of postcolonial writing, 2009-06, Vol.45 (2), p.191-199

Stadtler, Florian

2009

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Looking for Othello's Pearl in Gail Jones's Sorry (2007): Symbolic and Intertextual Questioning of the Notion of "Settler Envy"

Journal of postcolonial writing, 2018-03, Vol.54 (2), p.200-213

Royo-Grasa, Pilar

2018

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Dramatizing Aborted Ritual: Postmodernist Imaginings in Wole Soyinka's Death and the King's Horseman

English Academy review, 2017-07, Vol.34 (2), p.22-34

2017

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The Cybogre Manifesto: Time, Utopia, and Globality in Ngũgĩ's Wizard of the Crow

Research in African literatures, 2016-03, Vol.47 (1), p.57-75

MacDonald, Ian P.

2016

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Playing the Fool with Shakespeare: Festivity Falsity, and Feste in Twelfth Night and King of the Masquerade

Borrowers and lenders, 2012, Vol.7 (1), p.3

Rampaul, Giselle

2012

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Amortizing Memory: Debt as Mnemonic Device in Caribbean Canadian Literature

Small axe : a journal of criticism, 2017-11, Vol.21 (3), p.17-39

van der Marel, L. Camille

2017

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The Roared-at Boys? Repertory casting and gender politics in the RSC's 2014 Swan season

Shakespeare (London, England), 2015-07, Vol.11 (3), p.247-261

Kirwan, Peter

2015

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'Break her will, and bruise no bone sir': colonial and sexual mastery in Fletcher's The Island Princess

Bartels, Emily C.. Speaking of the Moor: from Alcazar to Othello

Behdad, Ali. A forgetful nation: on immigration and cultural identity in the United States

Persia and Kingship in William Cartwright's "The Royall Slave" (1636)

Postcolonial feminist discourse in Flora Nwapa's women are different

From the Knight’s Tale to The Two Noble Kinsmen: Rethinking race, class and whiteness in romance

Anglophone Indian Women Writers, 1870–1920

'All the World's a Stage': William Shakespeare's Cultural Capital 400 Years after his Death

Diva's Culturally Sustaining Black Feminism: Tales from an Afro-Brazilian Teacher-Activist-Mother

"You're black": Transnational perceptions of race in Chimamanda Ngozi Adichie's Americanah and Andrea Levy's Small Island

Vitium Curiositatis and Stereotypes in Chaucer’s Squire’s Tale

Wole Soyinka's A Play of Giants and King Baabu: the crises between ideology and (social) vision

At Sea about Hamlet at Sea: A Detective Story

Of Degenerated Heroes and Failed Romance: King Léopold's Congo in Popular European Literatures

An Alien Nation: Postcoloniality and the Alienated Subject in Vandana Singh's Science Fiction

Translating Spain: Purity of Blood and Orientalism in Mabbe’s Rogue and Guzmán de Alfarache

Ancient empires and early modern colonialism in William Alexander’s Monarchicke Tragedies (1603-07)

The “Secrets of Nature” and Early Modern Constructions of a Global South

Terror, globalization and the individual in Salman Rushdie's Shalimar the Clown

Looking for Othello's Pearl in Gail Jones's Sorry (2007): Symbolic and Intertextual Questioning of the Notion of "Settler Envy"

Dramatizing Aborted Ritual: Postmodernist Imaginings in Wole Soyinka's Death and the King's Horseman

The Cybogre Manifesto: Time, Utopia, and Globality in Ngũgĩ's Wizard of the Crow

Playing the Fool with Shakespeare: Festivity Falsity, and Feste in Twelfth Night and King of the Masquerade

Amortizing Memory: Debt as Mnemonic Device in Caribbean Canadian Literature

The Roared-at Boys? Repertory casting and gender politics in the RSC's 2014 Swan season

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