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The long and saggy sari

Women (Oxford, England), 1997-12, Vol.8 (3), p.278-292

Loomba, Ania

1997

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The Politics of Location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona

Contemporary theatre review, 2009-08, Vol.19 (3), p.269-278

Tompkins, Joanne

2009

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On India: Writing History, Culture, Post-Coloniality

Oxford literary review, 1994, Vol.16 (1-2)

1994

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Césaire's Bard: Shakespeare and the Performance of Change in Césaire's "Une Tempête"

The journal of Caribbean literatures, 2007-04, Vol.4 (3), p.1-16

West, Russell

2007

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Postcolonial feminist discourse in Flora Nwapa's women are different

World literature written in English, 2002, Vol.40 (1), p.125-135

Silkü, Rezzan Kocaöner

2002

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"You're black": Transnational perceptions of race in Chimamanda Ngozi Adichie's Americanah and Andrea Levy's Small Island

Critique - Bolingbroke Society, 2018-03, Vol.59 (2), p.200-212

McMann, Mindi

2018

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From Racism to Redemption: Castelao, Race and Galician Identity

Interventions (London, England), 2014-09, Vol.16 (5), p.693-715

Patterson, Craig

2014

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Practical Magic: Empathy and Alienation in Harlem Duet

Literature, interpretation, theory, 2008-12, Vol.19 (4), p.346-366

Gruber, Elizabeth

2008

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J. M. COETZEE AND COLONIAL VIOLENCE

Interventions (London, England), 2008-07, Vol.10 (2), p.173-187

Spencer, Robert

2008

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NECROIDEALISM, OR THE SUBALTERN'S SACRIFICIAL DEATH

Interventions (London, England), 2009-11, Vol.11 (3), p.275-292

Li, Victor

2009

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"The instant of waking from the nightmare": Emergence theory and postcolonial experience in Season of Migration to the North

Journal of postcolonial writing, 2016-11, Vol.52 (6), p.687-699

Rajiva, Jay

2016

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Terror, globalization and the individual in Salman Rushdie's Shalimar the Clown

Journal of postcolonial writing, 2009-06, Vol.45 (2), p.191-199

Stadtler, Florian

2009

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Looking for Othello's Pearl in Gail Jones's Sorry (2007): Symbolic and Intertextual Questioning of the Notion of "Settler Envy"

Journal of postcolonial writing, 2018-03, Vol.54 (2), p.200-213

Royo-Grasa, Pilar

2018

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World Literature without Goethe: On Pramoedya Ananta Toer’s Labour Camp Memoirs The Mute’s Soliloquy

Seminar : a journal of Germanic studies (Toronto), 2018-05, Vol.54 (2), p.247-266

Niekerk, Carl

2018

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Playing the Fool with Shakespeare: Festivity Falsity, and Feste in Twelfth Night and King of the Masquerade

Borrowers and lenders, 2012, Vol.7 (1), p.3

Rampaul, Giselle

2012

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Critiques of Colonialism in Robin Hobb's Soldier Son Trilogy

Extrapolation, 2014-03, Vol.55 (1), p.33-50

Young, Helen

2014

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A Postcolonial Theory of Universal Humanity: Bessie Head's Ethics of the Margins

Humanity (Philadelphia, Pa.), 2018-12, Vol.9 (3), p.343-510

Paustian, Megan Cole

2018

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Out of time: colonial history in Ibrahim Nasrallah's Time of White Horses

Journal of postcolonial writing, 2014-03, Vol.50 (2), p.176-188

Mattar, Karim

2014

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(In)visible scripts, hidden costs: Narrating the postcolonial globe in Kiran Desai's The Inheritance of Loss

Journal of postcolonial writing, 2014-09, Vol.50 (5), p.547-558

Poon, Angelia

2014

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"THE UNIVERSAL IS THE ENTIRE COLLECTION OF PARTICULARS": GROUNDING IDENTITY IN A SHARED HORIZON OF HUMANITY

College literature, 2013-06, Vol.40 (3), p.81-98

MANGHARAM, MUKTI LAKHI

2013

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Jewish Encounters with Buddhism in German Culture: Between Moses and Buddha, 1890–1940

Musch, Sebastian

1, 2019

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“Whiteness of a Different Color”? Racial profiling in John Updike’s Terrorist

Neohelicon (Budapest), 2008-12, Vol.35 (2), p.13-28

Banerjee, Mita

2008

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Imagining against the nation state: radical singularity and transnationalism in Nuruddin Farah's Maps

Journal of postcolonial writing, 2017-11, Vol.53 (6), p.702-714

Thiruvarangan, Mahendran

2017

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Shakespeare Among the Nyoongar: Post-Colonial Texts, Colonial Intertexts and their Imbrications – Macbeth in Gail Jones’s Sorry

Zeitschrift für Anglistik und Amerikanistik, 2015-12, Vol.63 (4), p.391-410

West-Pavlov, Russell

2015

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Judith Shakespeare’s Brother

Modern language quarterly (Seattle), 2019-03, Vol.80 (1), p.51-74

Dowd, Michelle M.

2019

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The long and saggy sari

The Politics of Location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona

On India: Writing History, Culture, Post-Coloniality

Césaire's Bard: Shakespeare and the Performance of Change in Césaire's "Une Tempête"

Postcolonial feminist discourse in Flora Nwapa's women are different

"You're black": Transnational perceptions of race in Chimamanda Ngozi Adichie's Americanah and Andrea Levy's Small Island

From Racism to Redemption: Castelao, Race and Galician Identity

Practical Magic: Empathy and Alienation in Harlem Duet

J. M. COETZEE AND COLONIAL VIOLENCE

NECROIDEALISM, OR THE SUBALTERN'S SACRIFICIAL DEATH

"The instant of waking from the nightmare": Emergence theory and postcolonial experience in Season of Migration to the North

Terror, globalization and the individual in Salman Rushdie's Shalimar the Clown

Looking for Othello's Pearl in Gail Jones's Sorry (2007): Symbolic and Intertextual Questioning of the Notion of "Settler Envy"

World Literature without Goethe: On Pramoedya Ananta Toer’s Labour Camp Memoirs The Mute’s Soliloquy

Playing the Fool with Shakespeare: Festivity Falsity, and Feste in Twelfth Night and King of the Masquerade

Critiques of Colonialism in Robin Hobb's Soldier Son Trilogy

A Postcolonial Theory of Universal Humanity: Bessie Head's Ethics of the Margins

Out of time: colonial history in Ibrahim Nasrallah's Time of White Horses

(In)visible scripts, hidden costs: Narrating the postcolonial globe in Kiran Desai's The Inheritance of Loss

"THE UNIVERSAL IS THE ENTIRE COLLECTION OF PARTICULARS": GROUNDING IDENTITY IN A SHARED HORIZON OF HUMANITY

Jewish Encounters with Buddhism in German Culture: Between Moses and Buddha, 1890–1940

“Whiteness of a Different Color”? Racial profiling in John Updike’s Terrorist

Imagining against the nation state: radical singularity and transnationalism in Nuruddin Farah's Maps

Shakespeare Among the Nyoongar: Post-Colonial Texts, Colonial Intertexts and their Imbrications – Macbeth in Gail Jones’s Sorry

Judith Shakespeare’s Brother

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