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Two Photographic Albums at the Getty and Their Relation to the Stock-Photography Market in 1860s Chile

Getty research journal, 2021-01, Vol.14 (1), p.81

Schmid, Matthias Johannes Pfaller

2021

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The truth of appearances: nineteenth-century photography at the Getty

Afterimage, 1998-11, Vol.26 (3), p.9-11

Solomon-Godeau, Abigail

1998

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The Internet Mission Photography Archive

The Journal of Pacific history, 2006-09, Vol.41 (2), p.237-238

Stuehrenberg, Paul F.

2006

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A DRAWING BY FRANCESCO PATRIZI (1826–1905) OF THE EXCAVATION OF THE TOMB OF THE SEMPRONII IN THE VIGNA CASALI 1871–2

Papers of the British School at Rome, 2020-10, Vol.88, p.237-258

Marshall, David R.

2020

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Documenting an ‘Age‐Long Struggle’: Paul Strand's Time in the American Southwest

Art history, 2020-02, Vol.43 (1), p.120-153

Haran, Barnaby

2020

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Nikolaus Pevsner, Photography, and the Architecture of Antoni Gaudí

Getty research journal, 2021-01, Vol.14 (1), p.123

Avilés, Pep

2021

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Black and White Landscapes: Topographies of Disorientation in the Works of Carrie Mae Weems and Claudia Rankine

Journal of American studies, 2020-07, Vol.54 (3), p.517-540

GANDER, CATHERINE

2020

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The Body as Measure: Scale, Power, and Human Presence in Marc Ferrez's Obras do novo abastecimento de água do Rio de Janeiro

Getty research journal, 2023-08, Vol.18 (1), p.135

Schoen, Quinn

2023

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Returning Archaeological Objects to Italy

International journal of cultural property, 2018-08, Vol.25 (3), p.283-321

Gill, David W. J.

2018

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Qué pasa a bordo? ¿Qué que pasa en el mundo? The Crossing of Spanish Republican Refugees on the SS Sinaia to Mexico (1939)

Getty research journal, 2023-02, Vol.17 (1), p.81

Schieder, Martin

2023

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Photographs and Spiritual Atmospheres

Journal of interior design, 2019-03, Vol.44 (1), p.45-63

Jacks, Ben

2019

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Notes on historiography of photographs from India

History compass, 2023-05, Vol.21 (5), p.n/a

Roychoudhuri, Ranu

2023

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The “Dravert Affair”: Paperwork and the Administration of Negligent Street Maintenance in Modern Paris

Journal of urban history, 2020-03, Vol.46 (2), p.289-309

2020

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Peeping into China: The Twofold Circulation of Georges Morache's Photographs of Beijing (1865-2003)

History of photography, 2021-01, Vol.45 (1), p.34-52

de Saint-Ours, Édouard

2021

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“A Curious Epitome of the Life of the City”: New York, Broadway, and the Evolution of the Longitudinal View

Journal of urban history, 2018-09, Vol.44 (5), p.953-984

Yablon, Nick

2018

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Technologies of Nature: The Natural History Diorama and the Preserve of Environmental Consciousness

Victorian studies, 2018-01, Vol.60 (2), p.255-268

Rasmussen, Bryan B

2018

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Reviewing the Inclusion of Artists’ Holograms in the Permanent Collections of Fine Art Museums

Arts (Basel), 2019-12, Vol.8 (4), p.147

Dinsmore, Sydney

2019

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The labour of light: gender, technology and the domestic in the photography of Nagashima Yurie and Kawauchi Rinko

Women's history review, 2022-06, Vol.31 (4), p.645-670

2022

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A Hidden Photograph by Julia Margaret Cameron

Metropolitan Museum journal, 2018-01, Vol.53 (1), p.162-171

2018

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Understanding Frédéric Flachéron’s Paper Negative Process through Experimentation and Specular Reflection FTIR Analysis

Heritage, 2023-09, Vol.6 (9), p.6097-6111

2023

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Hybrid Images: From Photography to Church Painting: Iconographic Narratives at the Court of the Ethiopian King of Kings, Menelik II (1880s–1913)

African arts, 2016-03, Vol.49 (1), p.26-39

Sohier, Estelle

2016

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New Insight on Medieval Painting in Sicily: The Virgin Hodegetria Panel in Monreale Cathedral (Palermo, Italy)

Heritage, 2023-06, Vol.6 (6), p.4692-4709

2023

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'The Pictures Which We Publish To-Day Are Fearful to Look Upon': The Circulation of Images of Atrocity During the American Civil War

History of photography, 2021-01, Vol.45 (1), p.20-33

Cross, Anne Strachan

2021

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Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash

History of photography, 2020-10, Vol.44 (4), p.267-286

Henning, Michelle

2020

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Ten Dollar Faces: On Photographic Portraiture and Paper Money in the 1860s

History of photography, 2021-01, Vol.45 (1), p.5-19

Gründig, Matthias

2021

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Two Photographic Albums at the Getty and Their Relation to the Stock-Photography Market in 1860s Chile

The truth of appearances: nineteenth-century photography at the Getty

The Internet Mission Photography Archive

A DRAWING BY FRANCESCO PATRIZI (1826–1905) OF THE EXCAVATION OF THE TOMB OF THE SEMPRONII IN THE VIGNA CASALI 1871–2

Documenting an ‘Age‐Long Struggle’: Paul Strand's Time in the American Southwest

Nikolaus Pevsner, Photography, and the Architecture of Antoni Gaudí

Black and White Landscapes: Topographies of Disorientation in the Works of Carrie Mae Weems and Claudia Rankine

The Body as Measure: Scale, Power, and Human Presence in Marc Ferrez's Obras do novo abastecimento de água do Rio de Janeiro

Returning Archaeological Objects to Italy

Qué pasa a bordo? ¿Qué que pasa en el mundo? The Crossing of Spanish Republican Refugees on the SS Sinaia to Mexico (1939)

Photographs and Spiritual Atmospheres

Notes on historiography of photographs from India

The “Dravert Affair”: Paperwork and the Administration of Negligent Street Maintenance in Modern Paris

Peeping into China: The Twofold Circulation of Georges Morache's Photographs of Beijing (1865-2003)

“A Curious Epitome of the Life of the City”: New York, Broadway, and the Evolution of the Longitudinal View

Technologies of Nature: The Natural History Diorama and the Preserve of Environmental Consciousness

Reviewing the Inclusion of Artists’ Holograms in the Permanent Collections of Fine Art Museums

The labour of light: gender, technology and the domestic in the photography of Nagashima Yurie and Kawauchi Rinko

A Hidden Photograph by Julia Margaret Cameron

Understanding Frédéric Flachéron’s Paper Negative Process through Experimentation and Specular Reflection FTIR Analysis

Hybrid Images: From Photography to Church Painting: Iconographic Narratives at the Court of the Ethiopian King of Kings, Menelik II (1880s–1913)

New Insight on Medieval Painting in Sicily: The Virgin Hodegetria Panel in Monreale Cathedral (Palermo, Italy)

'The Pictures Which We Publish To-Day Are Fearful to Look Upon': The Circulation of Images of Atrocity During the American Civil War

Colorsnap! Colour Photography, the Market in Patents and the 1929 Crash

Ten Dollar Faces: On Photographic Portraiture and Paper Money in the 1860s

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