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A Stone Alabastron in the J. Paul Getty Museum and Its Mediterranean Context

Getty research journal, 2018-02, Vol.10 (1), p.1-16

2018

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Thinking about Antiquities: Museums and Internationalism

International journal of cultural property, 2014-08, Vol.21 (3), p.251-265

Lyons, Claire L.

2014

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CONNECTING TO THE ANCESTORS: WHY ROCK ART IS IMPORTANT FOR INDIGENOUS AUSTRALIANS AND THEIR WELL-BEING

Rock art research, 2019-05, Vol.36 (1), p.5-14

Taçon, Paul S C

2019

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Not just a pretty picture: visual literacy education through art for young children

Journal of documentation, 2016-10, Vol.72 (6), p.1197-1227

2016

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Material nature or perversion: the case of aluminium

Arq (London, England), 2023-03, Vol.27 (1), p.25-36

2023

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From museumization to decolonization: fostering critical dialogues in the history of science with a Haida eagle mask

The British journal for the history of science, 2023-09, Vol.56 (3), p.309-328

Sera-Shriar, Efram

2023

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The Imaginary Museum: Teaching Art History with Mobile Digital Technology

Digital humanities quarterly, 2018-01, Vol.12 (2)

Hollander, Martha

2018

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The Origins of the Postgraduate Programs on Cultural Heritage Knowledge, Management, Conservation, and Communication in Italy: A Vision of the Past as Engine for the Next Future

Heritage, 2021-12, Vol.4 (4), p.2691-2720

2021

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Geometric Construction of Rumî

Nexus network journal, 2023-06, Vol.25 (2), p.465-489

Yazar, Nadide Ebru

2023

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The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage

International journal of cultural property, 2013-05, Vol.20 (2), p.113-153

Campbell, Peter B.

2013

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Genre and the Problems of Description and Visuality

Victorian studies, 2020-01, Vol.62 (2), p.225-229

Helmreich, Anne

2020

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"OUR DAD'S PAINTING IS HIDING, IN SECRET PLACE": REVERBERATIONS OF A ROCK PAINTING EPISODE IN KAKADU NATIONAL PARK, AUSTRALIA

Rock art research, 2021-05, Vol.38 (1), p.59-69

2021

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Beyond the Art Museum: A Phenomenological-Hermeneutic Account of Everyday Aesthetics

The Journal of aesthetic education, 2023-01, Vol.57 (2), p.54-72

2023

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On Provenance and the Long Lives of Antiquities

International journal of cultural property, 2016-08, Vol.23 (3), p.245-253

Lyons, Claire L.

2016

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African Arts at 50: Teaching African Art in the Face of Apartheid

African arts, 2017-03, Vol.50 (1), p.1-4

Nettleton, Anitra

2017

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PRESERVING JUSTICE IN PLACE

Change over time, 2022-09, Vol.11 (2), p.260-270

2022

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Inventive embodiment and sensorial imagination in medieval drawings: The marginalia of the Walters Book of Hours MS W.102

Cogent arts & humanities, 2022-12, Vol.9 (1)

Bolens, Guillemette

2022

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Introduction: Domesticity, Culture, and the Victorian Press

Victorian periodicals review, 2018-06, Vol.51 (2), p.215-229

Codell, Julie

2018

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Global Cultural Conflict and Digital Identity: Transforming Museums

Heritage, 2023-02, Vol.6 (2), p.1986-2005

2023

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Changing Times - A Time for Change: Museums in the COVID-19 Era

Museum worlds, 2022-07, Vol.10 (1), p.145-158

2022

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What Does It Take to Protect Cultural Property? Some Aspects on the Fight against Illegal Trade of Cultural Goods from the Greek Point of View

International journal of cultural property, 2017-08, Vol.24 (3), p.351-376

2017

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To Have and To Hold … Or Not? Deaccessioning Policies, Practices, and the Question of the Public’s Interest

International journal of cultural property, 2017-05, Vol.24 (2), p.113-159

Mann, Deandra Rose

2017

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Katherine Parr's Giftbooks, Henry VIII's Marginalia, and the Display of Royal Power and Piety

Renaissance quarterly, 2023, Vol.76 (1), p.39-83

White, Micheline

2023

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ProQuest

The Sukotyro: On the Extinction of a Nonexistent Animal

Configurations (Baltimore, Md.), 2020-12, Vol.28 (1), p.51-88

Rauch, Alan

2020

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Canon, Value, and Cultural Heritage: New Processes of Assigning Value in the Postdigital Realm

Multimodal technologies and interaction, 2018-06, Vol.2 (2), p.25

Rodríguez-Ortega, Nuria

2018

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A Stone Alabastron in the J. Paul Getty Museum and Its Mediterranean Context

Thinking about Antiquities: Museums and Internationalism

CONNECTING TO THE ANCESTORS: WHY ROCK ART IS IMPORTANT FOR INDIGENOUS AUSTRALIANS AND THEIR WELL-BEING

Not just a pretty picture: visual literacy education through art for young children

Material nature or perversion: the case of aluminium

From museumization to decolonization: fostering critical dialogues in the history of science with a Haida eagle mask

The Imaginary Museum: Teaching Art History with Mobile Digital Technology

The Origins of the Postgraduate Programs on Cultural Heritage Knowledge, Management, Conservation, and Communication in Italy: A Vision of the Past as Engine for the Next Future

Geometric Construction of Rumî

The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage

Genre and the Problems of Description and Visuality

"OUR DAD'S PAINTING IS HIDING, IN SECRET PLACE": REVERBERATIONS OF A ROCK PAINTING EPISODE IN KAKADU NATIONAL PARK, AUSTRALIA

Beyond the Art Museum: A Phenomenological-Hermeneutic Account of Everyday Aesthetics

On Provenance and the Long Lives of Antiquities

African Arts at 50: Teaching African Art in the Face of Apartheid

PRESERVING JUSTICE IN PLACE

Inventive embodiment and sensorial imagination in medieval drawings: The marginalia of the Walters Book of Hours MS W.102

Introduction: Domesticity, Culture, and the Victorian Press

Global Cultural Conflict and Digital Identity: Transforming Museums

Changing Times - A Time for Change: Museums in the COVID-19 Era

What Does It Take to Protect Cultural Property? Some Aspects on the Fight against Illegal Trade of Cultural Goods from the Greek Point of View

To Have and To Hold … Or Not? Deaccessioning Policies, Practices, and the Question of the Public’s Interest

Katherine Parr's Giftbooks, Henry VIII's Marginalia, and the Display of Royal Power and Piety

The Sukotyro: On the Extinction of a Nonexistent Animal

Canon, Value, and Cultural Heritage: New Processes of Assigning Value in the Postdigital Realm

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