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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993

American Journal of Archaeology, 1998, Vol.102 (2), p.453-455

Venit, Marjorie Susan

1998

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A Silver Service and a Gold Coin

International journal of cultural property, 2017-08, Vol.24 (3), p.253-294

Walsh, Justin St P.

2017

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Modern Antiquities: The Looted and the Faked

International journal of cultural property, 2013-02, Vol.20 (1), p.49-75

Scott, David A.

2013

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The Enduring Collaboration of the Getty Conservation Institute and the Dunhuang Academy in Conservation and Management at the Buddhist Cave Temples of Dunhuang, China

The Public historian, 2012-08, Vol.34 (3), p.7-20

2012

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A DRAWING BY FRANCESCO PATRIZI (1826–1905) OF THE EXCAVATION OF THE TOMB OF THE SEMPRONII IN THE VIGNA CASALI 1871–2

Papers of the British School at Rome, 2020-10, Vol.88, p.237-258

Marshall, David R.

2020

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“A Man in His Duty”: An Ushabti of Neferibresaneith and a Case Study in the Dispersal of Egyptian Antiquities

Getty research journal, 2018-01, Vol.10 (1), p.191-206

2018

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Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers

Studies in conservation, 2016-08, Vol.61 (sup3), p.3-27

2016

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Some observations on the composition of Chinese lacquer

Studies in conservation, 2016-08, Vol.61 (sup3), p.28-37

2016

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PICTURING NAYOMBOLMI: THE MOST PROLIFIC KNOWN ROCK ART ARTIST IN THE WORLD

Rock art research, 2022-11, Vol.39 (2), p.155-167

2022

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Ancient Marbles: Philosophical Reflections on the Restoration of Sculpture

Studies in conservation, 2023-05, Vol.68 (4), p.388-406

Scott, David A.

2023

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CONNECTING TO THE ANCESTORS: WHY ROCK ART IS IMPORTANT FOR INDIGENOUS AUSTRALIANS AND THEIR WELL-BEING

Rock art research, 2019-05, Vol.36 (1), p.5-14

Taçon, Paul S C

2019

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The Past Is Evolutionary, the Future Is Byzantine: Kurt Weitzmann’s Contribution to the Research on Pictorial Narration

Arts (Basel), 2023-04, Vol.12 (3), p.86

Horváth, Gyöngyvér

2023

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A History of the Department of Conservation and Technology at the Courtauld Institute of Art

Studies in conservation, 2023-01, Vol.68 (1), p.102-127

2023

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The Forger’s tale: an insider’s account of corrupting the corpus of Cycladic figures

International journal of cultural property, 2022-08, Vol.29 (3), p.369-385

2022

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NOTES FROM ROME 2022–23

Papers of the British School at Rome, 2023-10, Vol.91, p.307-319

Siwicki, Christopher

2023

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Returning Archaeological Objects to Italy

International journal of cultural property, 2018-08, Vol.25 (3), p.283-321

Gill, David W. J.

2018

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The Origins of the Postgraduate Programs on Cultural Heritage Knowledge, Management, Conservation, and Communication in Italy: A Vision of the Past as Engine for the Next Future

Heritage, 2021-12, Vol.4 (4), p.2691-2720

2021

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Electrotypes in science and art

Studies in conservation, 2013-07, Vol.58 (3), p.189-198

2013

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Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance

African arts, 2020-10, Vol.53 (4), p.17-23

2020

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"OUR DAD'S PAINTING IS HIDING, IN SECRET PLACE": REVERBERATIONS OF A ROCK PAINTING EPISODE IN KAKADU NATIONAL PARK, AUSTRALIA

Rock art research, 2021-05, Vol.38 (1), p.59-69

2021

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The lacquer crafting of Ba state: Insights from a Warring States lacquer scabbard excavated from Lijiaba site (Chongqing, southwest China)

Journal of archaeological science, reports, 2022-04, Vol.42, p.103416, Article 103416

2022

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THE IMPORTANCE OF CONSERVING ROCK ART: A CONVERSATION AT THE JIBBON PETROGLYPH SITE, ROYAL NATIONAL PARK, AUSTRALIA

Rock art research, 2019-11, Vol.36 (2), p.189-198

2019

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On Provenance and the Long Lives of Antiquities

International journal of cultural property, 2016-08, Vol.23 (3), p.245-253

Lyons, Claire L.

2016

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The Establishment and Defeat of Hierarchy: Inalienable Possessions and the History of Collective Prestige Structures in the Pueblo Southwest

American anthropologist, 2004-06, Vol.106 (2), p.238-251

Mills, Barbara J.

2004

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The Cataloging and Conservation of Digital Survey in Archaeology: A Photogrammetry Protocol in the Context of Digital Data Curation

Heritage, 2023-03, Vol.6 (3), p.3113-3136

2023

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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993

A Silver Service and a Gold Coin

Modern Antiquities: The Looted and the Faked

The Enduring Collaboration of the Getty Conservation Institute and the Dunhuang Academy in Conservation and Management at the Buddhist Cave Temples of Dunhuang, China

A DRAWING BY FRANCESCO PATRIZI (1826–1905) OF THE EXCAVATION OF THE TOMB OF THE SEMPRONII IN THE VIGNA CASALI 1871–2

“A Man in His Duty”: An Ushabti of Neferibresaneith and a Case Study in the Dispersal of Egyptian Antiquities

Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers

Some observations on the composition of Chinese lacquer

PICTURING NAYOMBOLMI: THE MOST PROLIFIC KNOWN ROCK ART ARTIST IN THE WORLD

Ancient Marbles: Philosophical Reflections on the Restoration of Sculpture

CONNECTING TO THE ANCESTORS: WHY ROCK ART IS IMPORTANT FOR INDIGENOUS AUSTRALIANS AND THEIR WELL-BEING

The Past Is Evolutionary, the Future Is Byzantine: Kurt Weitzmann’s Contribution to the Research on Pictorial Narration

A History of the Department of Conservation and Technology at the Courtauld Institute of Art

The Forger’s tale: an insider’s account of corrupting the corpus of Cycladic figures

NOTES FROM ROME 2022–23

Returning Archaeological Objects to Italy

The Origins of the Postgraduate Programs on Cultural Heritage Knowledge, Management, Conservation, and Communication in Italy: A Vision of the Past as Engine for the Next Future

Electrotypes in science and art

Knowledge, Ethics, and Power: Publishing African Objects Without Clear African Provenance

"OUR DAD'S PAINTING IS HIDING, IN SECRET PLACE": REVERBERATIONS OF A ROCK PAINTING EPISODE IN KAKADU NATIONAL PARK, AUSTRALIA

The lacquer crafting of Ba state: Insights from a Warring States lacquer scabbard excavated from Lijiaba site (Chongqing, southwest China)

THE IMPORTANCE OF CONSERVING ROCK ART: A CONVERSATION AT THE JIBBON PETROGLYPH SITE, ROYAL NATIONAL PARK, AUSTRALIA

On Provenance and the Long Lives of Antiquities

The Establishment and Defeat of Hierarchy: Inalienable Possessions and the History of Collective Prestige Structures in the Pueblo Southwest

The Cataloging and Conservation of Digital Survey in Archaeology: A Photogrammetry Protocol in the Context of Digital Data Curation

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