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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993

American Journal of Archaeology, 1998, Vol.102 (2), p.453-455

Venit, Marjorie Susan

1998

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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993 . By Kenneth Hamma. Alexandria in Late Antiquity: Topography and Social Conflict . By Christopher Haas

American journal of archaeology, 1998-04, Vol.102 (2), p.453-455

Venit, Marjorie Susan

1998

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HAMMA ED., "Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993" (Book Review)

American Journal of Archaeology, 1998, Vol.102 (2), p.453

Venit, M S

1998

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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993 / Alexandria in Late Antiquity: Topography and Social Conflict

American Journal of Archaeology, 1998, Vol.102 (2), p.453

Venit, Marjorie Susan

1998

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The Getty Center for the History of Art and the Humanities, Santa Monica, California

Architectural record, 1985-09, Vol.173 (11), p.142

1985

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Necipoglu Gulru, The Topkapi Scroll, Geometry and Ornament in Islamic Architecture. The Getty Center for the History of Art and the Humanities, Santa Monica, 1995

Gonzalez, Valérie

2000

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Harry Francis Mallgrave (sous la dir. de): Otto Wagner: Reflections on the Raiment of Modernity. Santa Monica, The Getty Center for the History of Art and the Humanities, collection Issues & Debates, 1993. 423 p. 142 ill. n. et b

Revue de l'Art, 1994, Vol.106 (1), p.106-107

Legault, Réjean

1994

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The Topkapi scroll – geometry and ornament in Islamic architecture. Topkapi Palace Museum Library MS H. 1956. By NecipoǧluGülru, with an essay on the geometry of the muqarnas by Mohammad al-Asad. (Sketchbooks and Albums.) pp. xiii, 397, 61 col., 277 bl. and wh. illus. Santa Monica, Calif., Getty Center for the History of Art and the Humanities, 1995. US $160.00

Journal of the Royal Asiatic Society, 1996, Vol.6 (3), p.434-435

Goodwin, Godfrey

1996

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The Topkapi scroll – geometry and ornament in Islamic architecture. Topkapi Palace Museum Library MS H. 1956. By Gülru Necipoǧlu, with an essay on the geometry of the muqarnas by Mohammad al-Asad. (Sketchbooks and Albums.) pp. xiii, 397, 61 col., 277 bl. and wh. illus. Santa Monica, Calif., Getty Center for the History of Art and the Humanities, 1995. US $160.00

Journal of the Royal Asiatic Society, 1996-11, Vol.6 (3), p.434-435

Goodwin, Godfrey

1996

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A. Bayer éd.: Dosso Dossi. Court Painter in Renaissance Ferrara. New York, The Metropolitan Museum of Art, 1998. 312 p., nbr. ill. n. et bl. et coul.; éd. italienne, Dosso Dossi. Pittore di Corte Ferrara nel Rinascimento. Ferrare, Ferrara Arte, 1998. 311 p., nb. ill. coul. et n. et bl. L. Ciammitti, S.F. Ostrow et S.Settis éd.:,Dosso's Fate. Los Angeles, The Getty Research Institute for the History of Art and Humanities, 1998. 420 p., nb. ill. n. et bl

Revue de l'Art, 1999, Vol.126 (1), p.86-87

Allard, Sébastien

1999

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One-stop shopping: RLIN as a union catalog for research collections at the Getty Center

Library trends, 1988-10, Vol.37 (2), p.252-262

BOWER, J. M

1988

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Restoring Stephan Von Huene's Tap Dancer: Finding Logic within Integrated Circuits

Journal of the American Institute for Conservation, 2021-01, Vol.60 (1), p.50-60

2021

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The Watermark Imaging System: Revealing the Internal Structure of Historical Papers

Heritage, 2023-07, Vol.6 (7), p.5093-5106

2023

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Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel

Journal of the American Institute for Conservation, 2019-04, Vol.58 (1-2), p.54-68

2019

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Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Heritage science, 2019-06, Vol.7 (1), p.1-13, Article 43

2019

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Bestiary Imagery in Hebrew Manuscripts of the Thirteenth Century

Religions (Basel, Switzerland ), 2024-01, Vol.15 (1), p.133

Cohen, Adam S

2024

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Realizing sensations: analyzing Paul Cezanne’s watercolors and assessing their light sensitivity with microfade testing

Heritage science, 2023-02, Vol.11 (1), p.39-14, Article 39

2023

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A Twisted Hand: Affective Iconography in Peter Paul Rubens’s Adoration of the Magi

Arts (Basel), 2023-10, Vol.12 (5), p.189

Jonckheere, Koenraad

2023

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Mapping Art History in the Digital Era

The Art bulletin (New York, N.Y.), 2021-07, Vol.103 (3), p.6-16

Sebastián Lozano, Jorge

2021

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A Day at the Getty Center

Bulletin - American Academy of Arts and Sciences, 1999-05, Vol.52 (5), p.23-35

1999

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The Production of European High Culture in Los Angeles: The J. Paul Getty Trust as Artificial Curiosity

Cultural anthropology, 1990-08, Vol.5 (3), p.314-330

Marcus, George E.

1990

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In Defense of Interiority: Melvin Edwards’ Early Work

Arts (Basel), 2023-12, Vol.12 (6), p.247

Archias, Elise

2023

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Leonardo, Morelli, and the Computational Mirror

Digital humanities quarterly, 2021-01, Vol.15 (1)

2021

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The Affective Byzantine Book: Reflections on Aesthetics of Gospel Lectionaries

Arts (Basel), 2024-06, Vol.13 (3), p.92

Kopta, Joseph R.

2024

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Decolonizing “The Digital” in the Classroom: Reflections on the Intersection of Colonial Latin American Art History and Digital Art History Pedagogy

Digital humanities quarterly, 2020-01, Vol.14 (4)

Kilroy-Ewbank, Lauren G

2020

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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993

HAMMA ED., "Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993" (Book Review)

Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993 / Alexandria in Late Antiquity: Topography and Social Conflict

The Getty Center for the History of Art and the Humanities, Santa Monica, California

Necipoglu Gulru, The Topkapi Scroll, Geometry and Ornament in Islamic Architecture. The Getty Center for the History of Art and the Humanities, Santa Monica, 1995

Harry Francis Mallgrave (sous la dir. de): Otto Wagner: Reflections on the Raiment of Modernity. Santa Monica, The Getty Center for the History of Art and the Humanities, collection Issues & Debates, 1993. 423 p. 142 ill. n. et b

One-stop shopping: RLIN as a union catalog for research collections at the Getty Center

Restoring Stephan Von Huene's Tap Dancer: Finding Logic within Integrated Circuits

The Watermark Imaging System: Revealing the Internal Structure of Historical Papers

Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel

Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Bestiary Imagery in Hebrew Manuscripts of the Thirteenth Century

Realizing sensations: analyzing Paul Cezanne’s watercolors and assessing their light sensitivity with microfade testing

A Twisted Hand: Affective Iconography in Peter Paul Rubens’s Adoration of the Magi

Mapping Art History in the Digital Era

A Day at the Getty Center

The Production of European High Culture in Los Angeles: The J. Paul Getty Trust as Artificial Curiosity

In Defense of Interiority: Melvin Edwards’ Early Work

Leonardo, Morelli, and the Computational Mirror

The Affective Byzantine Book: Reflections on Aesthetics of Gospel Lectionaries

Decolonizing “The Digital” in the Classroom: Reflections on the Intersection of Colonial Latin American Art History and Digital Art History Pedagogy

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