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The Getty Center for the History of Art and the Humanities, Santa Monica, California

Architectural record, 1985-09, Vol.173 (11), p.142

1985

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Necipoglu Gulru, The Topkapi Scroll, Geometry and Ornament in Islamic Architecture. The Getty Center for the History of Art and the Humanities, Santa Monica, 1995

Gonzalez, Valérie

2000

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Harry Francis Mallgrave (sous la dir. de): Otto Wagner: Reflections on the Raiment of Modernity. Santa Monica, The Getty Center for the History of Art and the Humanities, collection Issues & Debates, 1993. 423 p. 142 ill. n. et b

Revue de l'Art, 1994, Vol.106 (1), p.106-107

Legault, Réjean

1994

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A. Bayer éd.: Dosso Dossi. Court Painter in Renaissance Ferrara. New York, The Metropolitan Museum of Art, 1998. 312 p., nbr. ill. n. et bl. et coul.; éd. italienne, Dosso Dossi. Pittore di Corte Ferrara nel Rinascimento. Ferrare, Ferrara Arte, 1998. 311 p., nb. ill. coul. et n. et bl. L. Ciammitti, S.F. Ostrow et S.Settis éd.:,Dosso's Fate. Los Angeles, The Getty Research Institute for the History of Art and Humanities, 1998. 420 p., nb. ill. n. et bl

Revue de l'Art, 1999, Vol.126 (1), p.86-87

Allard, Sébastien

1999

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Inside the Getty

2008

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Between nature and culture: photographs of the Getty Center by Joe Deal

1999

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A Wealth of Scholarship: The J. Paul Getty Library

Wilson library bulletin, 1983-06, Vol.57 (10), p.828

Malkoff-Smith, Susan

1983

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Rubens and the Eloquence of Drawing

Lusheck, Catherine H

1, 2017

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The J. Paul Getty Museum and its collections: a museum for the new century

1997

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Walker Evans: No Politics

Schwartz, Stephanie

1, 2023

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Cultural Diplomacy and the Heritage of Empire: Negotiating Post-Colonial Returns

Scott, Cynthia

1, 2019

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Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Heritage science, 2019-06, Vol.7 (1), p.1-13, Article 43

2019

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An art acropolis in the West

The Magazine antiques (1971), 1997-12, Vol.152 (6), p.770

Allison Eckardt Ledes

1997

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Realizing sensations: analyzing Paul Cezanne’s watercolors and assessing their light sensitivity with microfade testing

Heritage science, 2023-02, Vol.11 (1), p.1-14, Article 39

2023

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THE DESIGN OF DATABASES AND OTHER INFORMATION RESOURCES FOR HUMANITIES SCHOLARS: THE GETTY ONLINE SEARCHING PROJECT REPORT NO. 4

Online & CDROM review, 1994-06, Vol.18 (6), p.331-340

Bates, Marcia J

1994

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A Day at the Getty Center

Bulletin - American Academy of Arts and Sciences, 1999-05, Vol.52 (5), p.23-35

1999

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Shattered States: Reconstituting Political Authority in the Aftermath of Civil War in Russia and Greece

Journal of modern European history, 2022-11, Vol.20 (4), p.498-512

Kokosalakis, Yiannis

2022

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A lavish place in the sun. (Los Angeles, CA, headquarters for J. Paul Getty Trust)

Newsweek, 1991-10, Vol.118 (17), p.64

McGuigan, Cathleen

1991

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Death and redemption : the Gulag and the shaping of Soviet society

Barnes, Steven Anthony

1, 2011

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Crowd-sourcing and the evolution of the microstock photography industry: the case of iStockphoto and Getty Images

International Perspectives on Business Innovation and Disruption in the Creative Industries, 2014, p.223-246

2014

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Opening Access to the University of California Libraries

Silver, Barbara

1987

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The big rock candy mountain

The New York Review of Books, 1997, Vol.44 (20), p.29

Filler, Martin

1997

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The Getty's give and take

ARTnews, 1999-02, Vol.98 (2), p.40

Muchnic, Suzanne

1999

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The eye of Walker Evans

The New York Review of Books, 1998, Vol.45 (16), p.24

Sante, Luc

1998

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Getty's Synoname™ and its cousins: A survey of applications of personal name-matching algorithms

Journal of the American Society for Information Science, 1992-08, Vol.43 (7), p.459-476

1992

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The Getty Center for the History of Art and the Humanities, Santa Monica, California

Necipoglu Gulru, The Topkapi Scroll, Geometry and Ornament in Islamic Architecture. The Getty Center for the History of Art and the Humanities, Santa Monica, 1995

Harry Francis Mallgrave (sous la dir. de): Otto Wagner: Reflections on the Raiment of Modernity. Santa Monica, The Getty Center for the History of Art and the Humanities, collection Issues & Debates, 1993. 423 p. 142 ill. n. et b

Inside the Getty

Between nature and culture: photographs of the Getty Center by Joe Deal

A Wealth of Scholarship: The J. Paul Getty Library

Rubens and the Eloquence of Drawing

The J. Paul Getty Museum and its collections: a museum for the new century

Walker Evans: No Politics

Cultural Diplomacy and the Heritage of Empire: Negotiating Post-Colonial Returns

Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

An art acropolis in the West

Realizing sensations: analyzing Paul Cezanne’s watercolors and assessing their light sensitivity with microfade testing

THE DESIGN OF DATABASES AND OTHER INFORMATION RESOURCES FOR HUMANITIES SCHOLARS: THE GETTY ONLINE SEARCHING PROJECT REPORT NO. 4

A Day at the Getty Center

Shattered States: Reconstituting Political Authority in the Aftermath of Civil War in Russia and Greece

A lavish place in the sun. (Los Angeles, CA, headquarters for J. Paul Getty Trust)

Death and redemption : the Gulag and the shaping of Soviet society

Crowd-sourcing and the evolution of the microstock photography industry: the case of iStockphoto and Getty Images

Opening Access to the University of California Libraries

The big rock candy mountain

The Getty's give and take

The eye of Walker Evans

Getty's Synoname™ and its cousins: A survey of applications of personal name-matching algorithms

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Suchergebnisse filtern