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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993 / Alexandria in Late Antiquity: Topography and Social Conflict

American Journal of Archaeology, 1998, Vol.102 (2), p.453

Venit, Marjorie Susan

1998

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Inside the Getty

2008

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The Bust of Ottavio Farnese at the J. Paul Getty Museum: An Addition to the Corpus of Giovanni Battista della Porta

Getty research journal, 2021-01, Vol.14 (1), p.21

Annibali, Luca

2021

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A Stone Alabastron in the J. Paul Getty Museum and Its Mediterranean Context

Getty research journal, 2018-02, Vol.10 (1), p.1-16

2018

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An Urartian Belt in the J. Paul Getty Museum and the Origins of the Parthian Shot

Getty research journal, 2020-01, Vol.12 (1), p.195

2020

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The Ongoing Translation of the Getty Art & Architecture Thesaurus® into Portuguese: An Art Information Access and Retrieval Tool for Cultural Institutions in Portuguese-Speaking Countries

Getty research journal, 2022-08, Vol.16 (1), p.209

da Silva, Camila

2022

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Updating Records of Nazi Art Looting from an Art Dealer's Archive: A Case Study from Gustav Cramer's Archive at the Getty

Getty research journal, 2019-01, Vol.11, p.197

Zuralski-Yeager, Isabella

2019

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The Getty Stag Rhyton and Parthian Aristocratic Culture: New Epigraphic and Technical Discoveries

Getty research journal, 2021-01, Vol.13 (1), p.1

Canepa, Matthew P

2021

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A Silver Service and a Gold Coin

International journal of cultural property, 2017-08, Vol.24 (3), p.253-294

Walsh, Justin St P.

2017

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Two Photographic Albums at the Getty and Their Relation to the Stock-Photography Market in 1860s Chile

Getty research journal, 2021-01, Vol.14 (1), p.81

Schmid, Matthias Johannes Pfaller

2021

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“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection

International journal of cultural property, 2014-11, Vol.21 (4), p.465-480

2014

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Modern Antiquities: The Looted and the Faked

International journal of cultural property, 2013-02, Vol.20 (1), p.49-75

Scott, David A.

2013

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News from the Field: Getty Research Portal

Visual resources, 2012-09, Vol.28 (3), p.217-219

Baca, Murtha

2012

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The Getty Triton "Mutulus" Plaque and Acheloös Waterspout

Getty research journal, 2013-01, Vol.5 (5), p.165-172

Hopkins, John North

2013

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A Murder, a Mummy, and a Bust: The Newly Discovered Portrait of Simon of Trent at the Getty

Getty research journal, 2018-01, Vol.10 (1), p.37-60

Kohl, Jeanette

2018

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Paul Gauguin (Paris, 1848–Atuona, 1903): Inventor of the Readymade?

Getty research journal, 2021-01, Vol.13 (1), p.157

Pingeot, Anne

2021

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Vittae Auratae: Interpreting the History and Technology of a Group of Roman Gold Textile Fragments

Getty research journal, 2021-01, Vol.14 (1), p.1

2021

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"A Performance for the Service of a Table": New Light on Eighteenth-Century Dining

Getty research journal, 2021-01, Vol.14 (1), p.181

Murdoch, Tessa

2021

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Manet's Portrait of Madame Brunet: Recent Investigations

Getty research journal, 2021-01, Vol.14 (1), p.103

Allan, Scott

2021

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What Is a Parergon?

The Journal of aesthetics and art criticism, 2019-12, Vol.77 (1), p.23-33

DURO, PAUL

2019

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A DRAWING BY FRANCESCO PATRIZI (1826–1905) OF THE EXCAVATION OF THE TOMB OF THE SEMPRONII IN THE VIGNA CASALI 1871–2

Papers of the British School at Rome, 2020-10, Vol.88, p.237-258

Marshall, David R.

2020

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El Lissitzky and the Biocentric Project "1=1"

Getty research journal, 2022-08, Vol.16 (1), p.91

Castellani, Carlotta

2022

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"What a Small World": Interpreting Works of Art in the Age of Global Art History

Getty research journal, 2021-01, Vol.13 (1), p.121

Shalem, Avinoam

2021

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The Three States of the Architectural Fragment as a Collective Archive of Concepts: Tracing an Alternative Genealogy of Aldo Rossi's Analogous Cities

Getty research journal, 2022-08, Vol.16 (1), p.137

Angelidou, Ioanna

2022

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The Maison Kiewert Restoration Studio in Paris and the Practice of Active Conservation

Getty research journal, 2022-01, Vol.15 (1), p.113

Caupin, Guillemette

2022

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Alexandria and Alexandrianism: Papers Delivered at a Symposium Organized by the J. Paul Getty Museum and by the Getty Center for the History of Art and the Humanities and Held at the Museum, April 22-25, 1993 / Alexandria in Late Antiquity: Topography and Social Conflict

Inside the Getty

The Bust of Ottavio Farnese at the J. Paul Getty Museum: An Addition to the Corpus of Giovanni Battista della Porta

A Stone Alabastron in the J. Paul Getty Museum and Its Mediterranean Context

An Urartian Belt in the J. Paul Getty Museum and the Origins of the Parthian Shot

The Ongoing Translation of the Getty Art & Architecture Thesaurus® into Portuguese: An Art Information Access and Retrieval Tool for Cultural Institutions in Portuguese-Speaking Countries

Updating Records of Nazi Art Looting from an Art Dealer's Archive: A Case Study from Gustav Cramer's Archive at the Getty

The Getty Stag Rhyton and Parthian Aristocratic Culture: New Epigraphic and Technical Discoveries

A Silver Service and a Gold Coin

Two Photographic Albums at the Getty and Their Relation to the Stock-Photography Market in 1860s Chile

“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection

Modern Antiquities: The Looted and the Faked

News from the Field: Getty Research Portal

The Getty Triton "Mutulus" Plaque and Acheloös Waterspout

A Murder, a Mummy, and a Bust: The Newly Discovered Portrait of Simon of Trent at the Getty

Paul Gauguin (Paris, 1848–Atuona, 1903): Inventor of the Readymade?

Vittae Auratae: Interpreting the History and Technology of a Group of Roman Gold Textile Fragments

"A Performance for the Service of a Table": New Light on Eighteenth-Century Dining

Manet's Portrait of Madame Brunet: Recent Investigations

What Is a Parergon?

A DRAWING BY FRANCESCO PATRIZI (1826–1905) OF THE EXCAVATION OF THE TOMB OF THE SEMPRONII IN THE VIGNA CASALI 1871–2

El Lissitzky and the Biocentric Project "1=1"

"What a Small World": Interpreting Works of Art in the Age of Global Art History

The Three States of the Architectural Fragment as a Collective Archive of Concepts: Tracing an Alternative Genealogy of Aldo Rossi's Analogous Cities

The Maison Kiewert Restoration Studio in Paris and the Practice of Active Conservation

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