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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Journal of American studies, 2010-05, Vol.44 (2), p.333-349

PEPPER, ANDREW

2010

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Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Modern fiction studies, 2020-12, Vol.66 (4), p.702-723

Pepper, Andrew

2020

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Diamonds and racism in Dashiell Hammett's The Dain Curse: an intertextual study

Clues (Bowling Green, Ohio), 2018-04, Vol.36 (1), p.69-77

Bernstein, Matthew

2018

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WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

Modern fiction studies, 2014-12, Vol.60 (4), p.651-676

Hefner, Brooks E.

2014

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The Politics of Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2007-12, Vol.40 (4), p.119-134

ZUMOFF, J.A.

2007

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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Journal of popular culture, 2008-10, Vol.41 (5), p.762-783

GRAY, W. RUSSEL

2008

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Pragmatic Truth, Lies, and the Black Bird: Dashiell Hammett's The Maltese Falcon

Clues (Bowling Green, Ohio), 2020-04, Vol.38 (1), p.92-102

LaViolette, Marc

2020

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Cherchez la Femme: A Good Woman's Place in Hard- Boiled Detective Fiction

Clues (Bowling Green, Ohio), 2018-10, Vol.36 (2), p.29-39

Masten, Keli

2018

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Sof'town Sleuths: The Hard-Boiled Genre Goes to Jo'Burg

Cambridge journal of postcolonial literary inquiry, 2018, Vol.5 (1), p.20-35

Ball, Tyler Scott

2018

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Watchful Eyes and Smiling Masks in The Maltese Falcon

Clues (Bowling Green, Ohio), 2017-10, Vol.35 (2), p.18-27

Clausson, Nils

2017

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"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Modern fiction studies, 2005-10, Vol.51 (3), p.485-512

Heise, Thomas

2005

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Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

The Arizona quarterly, 2015-09, Vol.71 (3), p.1-26

Mitchell, Lee Clark

2015

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Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

Mosaic (Winnipeg), 2012-12, Vol.45 (4), p.85-102

STOLTZFUS, BEN

2012

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Going Blood-Simple in Poisonville: Hard-Boiled Masculinity in Dashiell Hammett’s Red Harvest

Men and masculinities, 2004-07, Vol.7 (1), p.52-76

Breu, Christopher

2004

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(Re)model(ed) towns and the remodeling of American ideology: the expansion of middle-class hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Clues (Bowling Green, Ohio), 2012-04, Vol.30 (1), p.42-53

Decker, Mark T

2012

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Strange Birds: Rewriting The Maltese Falcon

Journal of American studies, 2013-08, Vol.47 (3), p.699-718

HAMILTON, CYNTHIA S.

2013

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Of Never-Nevermore

Poe studies (2008), 2023, Vol.56 (1), p.14-18

Phillips, Gary

2023

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“This Dizzy Affair”: Quantum Measurement, Schrödinger's Cat, and Hammett's Falcon

Novel : a forum on fiction, 2019-08, Vol.52 (2), p.261-283

Harrison, Brady

2019

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Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Journal of popular culture, 2022-12, Vol.55 (6), p.1230-1250

Jones, D michael

2022

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FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Modern fiction studies, 2003-12, Vol.49 (4), p.629-659

Raczkowski, Christopher T.

2003

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Greasy Scummy Sumps: Translating Specialized Terminology in Detective Fiction

Przekładaniec : a journal of literary translation, 2022 (Sp. Iss.), p.70-92

Linder, Daniel

2022

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On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

Clues (Bowling Green, Ohio), 2005, Vol.23 (2), p.11-20

Rivett, Julie M

2005

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The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

Framework, 2008-04, Vol.49 (1), p.7-26

Gates, Philippa

2008

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The post-modern detective: the aesthetic politics of Dashiell Hammett's Continental Op

The Midwest quarterly (Pittsburg), 1995-03, Vol.36 (3), p.237

Wheat, Edward M

1995

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Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

The Arizona quarterly, 2021, Vol.77 (1), p.33-56

Rolens, Clare

2021

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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Diamonds and racism in Dashiell Hammett's The Dain Curse: an intertextual study

WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

The Politics of Dashiell Hammett's "Red Harvest"

Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Pragmatic Truth, Lies, and the Black Bird: Dashiell Hammett's The Maltese Falcon

Cherchez la Femme: A Good Woman's Place in Hard- Boiled Detective Fiction

Sof'town Sleuths: The Hard-Boiled Genre Goes to Jo'Burg

Watchful Eyes and Smiling Masks in The Maltese Falcon

"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

Going Blood-Simple in Poisonville: Hard-Boiled Masculinity in Dashiell Hammett’s Red Harvest

(Re)model(ed) towns and the remodeling of American ideology: the expansion of middle-class hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Strange Birds: Rewriting The Maltese Falcon

Of Never-Nevermore

“This Dizzy Affair”: Quantum Measurement, Schrödinger's Cat, and Hammett's Falcon

Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Greasy Scummy Sumps: Translating Specialized Terminology in Detective Fiction

On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

The post-modern detective: the aesthetic politics of Dashiell Hammett's Continental Op

Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

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