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Dashiell Hammett and the Movies

Mooney, William H

1, 2014

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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Journal of American studies, 2010-05, Vol.44 (2), p.333-349

PEPPER, ANDREW

2010

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Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Modern fiction studies, 2020-12, Vol.66 (4), p.702-723

Pepper, Andrew

2020

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DASHIELL HAMMETT LIVED HERE

The Yale review, 2015-01, Vol.103 (1), p.53-53

SLOSS, HENRY

2015

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The Politics of Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2007-12, Vol.40 (4), p.119-134

ZUMOFF, J.A.

2007

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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Journal of popular culture, 2008-10, Vol.41 (5), p.762-783

GRAY, W. RUSSEL

2008

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Pragmatic Truth, Lies, and the Black Bird: Dashiell Hammett's The Maltese Falcon

Clues (Bowling Green, Ohio), 2020-04, Vol.38 (1), p.92-102

LaViolette, Marc

2020

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Dashiell Hammett, the mystery novel, and the birth of 'film noir'

Sydney studies in English, 2008-01, Vol.34 (2008)

David Kelly

2008

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WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

Modern fiction studies, 2014-12, Vol.60 (4), p.651-676

Hefner, Brooks E.

2014

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"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Modern fiction studies, 2005-10, Vol.51 (3), p.485-512

Heise, Thomas

2005

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Diamonds and Racism in Dashiell Hammett's The Dain Curse: An Intertextual Study

Clues (Bowling Green, Ohio), 2018-04, Vol.36 (1), p.69-77

Bernstein, Matthew

2018

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Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

Mosaic (Winnipeg), 2012-12, Vol.45 (4), p.85-102

STOLTZFUS, BEN

2012

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The ‘Corkscrew’ Journey of an Adaptation: Cultural Mobility in Hammett, Kurosawa, Leone, and Hill

Adaptation : the journal of literature on screen studies, 2022-12, Vol.15 (3), p.348-365

Holtz, Martin

2022

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Taking Chances: Speculation and Games of Detection in Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2000-03, Vol.33 (1), p.145-160

2000

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Of Never-Nevermore

Poe studies (2008), 2023, Vol.56 (1), p.14-18

Phillips, Gary

2023

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Sex, booze, and the Code: four versions of the Maltese Falcon

Literature film quarterly, 2011-01, Vol.39 (1), p.54

Mooney, William

2011

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Le tigre de William Blake: Principes et ingrédients du roman policier noir

Roudaut, Jean

2016

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“This Dizzy Affair”: Quantum Measurement, Schrödinger's Cat, and Hammett's Falcon

Novel : a forum on fiction, 2019-08, Vol.52 (2), p.261-283

Harrison, Brady

2019

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Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

The Arizona quarterly, 2021, Vol.77 (1), p.33-56

Rolens, Clare

2021

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Three Layers of Metaphors in Ross Macdonald’s "Black Money"

Text matters (Łódź), 2019-11, Vol.9 (9), p.259-270

Zdunkiewicz, Lech

2019

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"There's Something Wrong Somewhere": Disenfranchisement and Diegesis in David Goodis's Down There

Connotations (Münster in Westfalen, Germany), 2021-01, Vol.30, p.37-47

Snyder, Robert Lance

2021

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T-shirt Modernism and The Performance of Masculinity: The Theatrical Refashionings of Tennessee Williams and William Inge

The Arizona quarterly, 2020-12, Vol.76 (4), p.1-28

Gontarski, S. E

2020

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FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Modern fiction studies, 2003-12, Vol.49 (4), p.629-659

Raczkowski, Christopher T.

2003

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Forms of Labor in Dashiell Hammett's Red Harvest

PMLA : Publications of the Modern Language Association of America, 1991-03, Vol.106 (2), p.209-221

1991

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Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

The Arizona quarterly, 2015-09, Vol.71 (3), p.1-26

Mitchell, Lee Clark

2015

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Dashiell Hammett and the Movies

“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

DASHIELL HAMMETT LIVED HERE

The Politics of Dashiell Hammett's "Red Harvest"

Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Pragmatic Truth, Lies, and the Black Bird: Dashiell Hammett's The Maltese Falcon

Dashiell Hammett, the mystery novel, and the birth of 'film noir'

WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Diamonds and Racism in Dashiell Hammett's The Dain Curse: An Intertextual Study

Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

The ‘Corkscrew’ Journey of an Adaptation: Cultural Mobility in Hammett, Kurosawa, Leone, and Hill

Taking Chances: Speculation and Games of Detection in Dashiell Hammett's "Red Harvest"

Of Never-Nevermore

Sex, booze, and the Code: four versions of the Maltese Falcon

Le tigre de William Blake: Principes et ingrédients du roman policier noir

“This Dizzy Affair”: Quantum Measurement, Schrödinger's Cat, and Hammett's Falcon

Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

Three Layers of Metaphors in Ross Macdonald’s "Black Money"

"There's Something Wrong Somewhere": Disenfranchisement and Diegesis in David Goodis's Down There

T-shirt Modernism and The Performance of Masculinity: The Theatrical Refashionings of Tennessee Williams and William Inge

FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Forms of Labor in Dashiell Hammett's Red Harvest

Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

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