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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Journal of American studies, 2010-05, Vol.44 (2), p.333-349

PEPPER, ANDREW

2010

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Diamonds and racism in Dashiell Hammett's The Dain Curse: an intertextual study

Clues (Bowling Green, Ohio), 2018-04, Vol.36 (1), p.69-77

Bernstein, Matthew

2018

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WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

Modern fiction studies, 2014-12, Vol.60 (4), p.651-676

Hefner, Brooks E.

2014

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The Politics of Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2007-12, Vol.40 (4), p.119-134

ZUMOFF, J.A.

2007

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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Journal of popular culture, 2008-10, Vol.41 (5), p.762-783

GRAY, W. RUSSEL

2008

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Watchful Eyes and Smiling Masks in The Maltese Falcon

Clues (Bowling Green, Ohio), 2017-10, Vol.35 (2), p.18-27

Clausson, Nils

2017

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"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Modern fiction studies, 2005-10, Vol.51 (3), p.485-512

Heise, Thomas

2005

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Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

The Arizona quarterly, 2015-09, Vol.71 (3), p.1-26

Mitchell, Lee Clark

2015

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Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

Mosaic (Winnipeg), 2012-12, Vol.45 (4), p.85-102

STOLTZFUS, BEN

2012

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(Re)model(ed) towns and the remodeling of American ideology: the expansion of middle-class hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Clues (Bowling Green, Ohio), 2012-04, Vol.30 (1), p.42-53

Decker, Mark T

2012

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Tijuana the American town: images of the corrupt city in Hammett's The Golden Horseshoe

Clues (Bowling Green, Ohio), 2008-07, Vol.26 (4), p.35-48

Zumoff, J. A

2008

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Sex, Booze, and the Code: Four Versions of The Maltese Falcon

Literature film quarterly, 2011, Vol.39 (1), p.54

Mooney, William

2011

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On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

Clues (Bowling Green, Ohio), 2005, Vol.23 (2), p.11-20

Rivett, Julie M

2005

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The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

Framework, 2008-04, Vol.49 (1), p.7-26

Gates, Philippa

2008

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The post-modern detective: the aesthetic politics of Dashiell Hammett's Continental Op

The Midwest quarterly (Pittsburg), 1995-03, Vol.36 (3), p.237

Wheat, Edward M

1995

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Nature vs. Culture in Dashiell Hammett's 'Nightmare Town'

Clues (Bowling Green, Ohio), 1994-04, Vol.15 (1), p.53

Beunat, Nathalie

1994

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Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Literature film quarterly, 2006-07, Vol.34 (3), p.240-248

Harris, Martin

2006

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Clues (Bowling Green, Ohio), 1995-04, Vol.16 (1), p.99

Nyman, Jopi

1995

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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Diamonds and racism in Dashiell Hammett's The Dain Curse: an intertextual study

WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

The Politics of Dashiell Hammett's "Red Harvest"

Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Watchful Eyes and Smiling Masks in The Maltese Falcon

"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

(Re)model(ed) towns and the remodeling of American ideology: the expansion of middle-class hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Tijuana the American town: images of the corrupt city in Hammett's The Golden Horseshoe

Sex, Booze, and the Code: Four Versions of The Maltese Falcon

On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

The post-modern detective: the aesthetic politics of Dashiell Hammett's Continental Op

Nature vs. Culture in Dashiell Hammett's 'Nightmare Town'

Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Banned, censored, harassed and jailed writers receive grants: 48 writers from 23 countries recognized by Lillian Hellman/Dashiell Hammett Funds

Hammett and Macdonald

Deromanticizing Dead Women: Vera Caspary's "Laura" and the Tradition of the Murderous Male Aesthete

Reading the Rara Avis: Seventy-Five Years of Maltese Falcon Criticism

Economic Discourse in The Maltese Falcon

The Maltese Falcon and the hard-boiled sentimental

From modernity's detection to Modernist detectives: narrative vision in the work of Allan Pinkerton and Dashiell Hammett: Document View

Dutch Jake Wahl and Pete the Finn: A Brief Look into the Representation of Ethnic Crime in Dashiell Hammett's Red Harvest

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