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“Thinking's a Dizzy Business”: Ratiocination's Collapse in Dashiell Hammett's The Dain Curse

Journal of American culture (Malden, Mass.), 2020-09, Vol.43 (3), p.198-207

Snyder, Robert Lance

2020

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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Journal of American studies, 2010-05, Vol.44 (2), p.333-349

PEPPER, ANDREW

2010

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DASHIELL HAMMETT LIVED HERE

The Yale review, 2015-01, Vol.103 (1), p.53-53

SLOSS, HENRY

2015

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Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Modern fiction studies, 2020-12, Vol.66 (4), p.702-723

Pepper, Andrew

2020

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WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

Modern fiction studies, 2014-12, Vol.60 (4), p.651-676

Hefner, Brooks E.

2014

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The Politics of Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2007-12, Vol.40 (4), p.119-134

ZUMOFF, J.A.

2007

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Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Journal of popular culture, 2008-10, Vol.41 (5), p.762-783

GRAY, W. RUSSEL

2008

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Dashiell Hammett, the mystery novel, and the birth of 'film noir'

Sydney studies in English, 2008-01, Vol.34 (2008), p.109

Kelly, David

2008

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Sof'town Sleuths: The Hard-Boiled Genre Goes to Jo'Burg

Cambridge journal of postcolonial literary inquiry, 2018, Vol.5 (1), p.20-35

Ball, Tyler Scott

2018

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"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Modern fiction studies, 2005-10, Vol.51 (3), p.485-512

Heise, Thomas

2005

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Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

The Arizona quarterly, 2015-09, Vol.71 (3), p.1-26

Mitchell, Lee Clark

2015

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Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

Mosaic (Winnipeg), 2012-12, Vol.45 (4), p.85-102

STOLTZFUS, BEN

2012

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The ‘Corkscrew’ Journey of an Adaptation: Cultural Mobility in Hammett, Kurosawa, Leone, and Hill

Adaptation : the journal of literature on screen studies, 2022-12, Vol.15 (3), p.348-365

Holtz, Martin

2022

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Strange Birds: Rewriting The Maltese Falcon

Journal of American studies, 2013-08, Vol.47 (3), p.699-718

HAMILTON, CYNTHIA S.

2013

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Taking Chances: Speculation and Games of Detection in Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2000-03, Vol.33 (1), p.145-160

2000

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“This Dizzy Affair”: Quantum Measurement, Schrödinger's Cat, and Hammett's Falcon

Novel : a forum on fiction, 2019-08, Vol.52 (2), p.261-283

Harrison, Brady

2019

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Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

Journal of popular culture, 2022-12, Vol.55 (6), p.1230-1250

Jones, D michael

2022

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FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Modern fiction studies, 2003-12, Vol.49 (4), p.629-659

Raczkowski, Christopher T.

2003

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Sex, Booze, and the Code: Four Versions of The Maltese Falcon

Literature film quarterly, 2011, Vol.39 (1), p.54

Mooney, William

2011

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How The Pink Panther came alive and how The Thin Man grew fatter: Hungry franchises and the adaptation industry

Journal of adaptation in film & performance, 2020-05, Vol.13 (2), p.149-162

Schwanebeck, Wieland

2020

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Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

The Arizona quarterly, 2021, Vol.77 (1), p.33-56

Rolens, Clare

2021

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Three Layers of Metaphors in Ross Macdonald’s "Black Money"

Text matters (Łódź), 2019-11, Vol.9 (9), p.259-270

Zdunkiewicz, Lech

2019

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T-shirt Modernism and The Performance of Masculinity: The Theatrical Refashionings of Tennessee Williams and William Inge

The Arizona quarterly, 2020-12, Vol.76 (4), p.1-28

Gontarski, S. E

2020

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Briefcases for Hire: American Hardboiled to Legal Fiction

Journal of American culture (Malden, Mass.), 2006-09, Vol.29 (3), p.307-320

2006

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Deromanticizing Dead Women: Vera Caspary's "Laura" and the Tradition of the Murderous Male Aesthete

Texas studies in literature and language, 2018-10, Vol.60 (3), p.293-315

URDA, KATHLEEN E.

2018

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“Thinking's a Dizzy Business”: Ratiocination's Collapse in Dashiell Hammett's The Dain Curse

“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

DASHIELL HAMMETT LIVED HERE

Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

The Politics of Dashiell Hammett's "Red Harvest"

Jimmying the Back Door of Literature: Dashiell Hammett's Blue-Collar Modernism

Dashiell Hammett, the mystery novel, and the birth of 'film noir'

Sof'town Sleuths: The Hard-Boiled Genre Goes to Jo'Burg

"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

The ‘Corkscrew’ Journey of an Adaptation: Cultural Mobility in Hammett, Kurosawa, Leone, and Hill

Strange Birds: Rewriting The Maltese Falcon

Taking Chances: Speculation and Games of Detection in Dashiell Hammett's "Red Harvest"

“This Dizzy Affair”: Quantum Measurement, Schrödinger's Cat, and Hammett's Falcon

Hardboiled Hysterics: Shell Shock and Tough Guys in The Maltese Falcon, 1929/1941

FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Sex, Booze, and the Code: Four Versions of The Maltese Falcon

How The Pink Panther came alive and how The Thin Man grew fatter: Hungry franchises and the adaptation industry

Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

Three Layers of Metaphors in Ross Macdonald’s "Black Money"

T-shirt Modernism and The Performance of Masculinity: The Theatrical Refashionings of Tennessee Williams and William Inge

Briefcases for Hire: American Hardboiled to Legal Fiction

Deromanticizing Dead Women: Vera Caspary's "Laura" and the Tradition of the Murderous Male Aesthete

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