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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Journal of American studies, 2010-05, Vol.44 (2), p.333-349

PEPPER, ANDREW

2010

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Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Modern fiction studies, 2020-12, Vol.66 (4), p.702-723

Pepper, Andrew

2020

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Diamonds and racism in Dashiell Hammett's The Dain Curse: an intertextual study

Clues (Bowling Green, Ohio), 2018-04, Vol.36 (1), p.69-77

Bernstein, Matthew

2018

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WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

Modern fiction studies, 2014-12, Vol.60 (4), p.651-676

Hefner, Brooks E.

2014

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The Politics of Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2007-12, Vol.40 (4), p.119-134

ZUMOFF, J.A.

2007

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Sof'town Sleuths: The Hard-Boiled Genre Goes to Jo'Burg

Cambridge journal of postcolonial literary inquiry, 2018, Vol.5 (1), p.20-35

Ball, Tyler Scott

2018

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Watchful Eyes and Smiling Masks in The Maltese Falcon

Clues (Bowling Green, Ohio), 2017-10, Vol.35 (2), p.18-27

Clausson, Nils

2017

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"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Modern fiction studies, 2005-10, Vol.51 (3), p.485-512

Heise, Thomas

2005

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Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

The Arizona quarterly, 2015-09, Vol.71 (3), p.1-26

Mitchell, Lee Clark

2015

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Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

Mosaic (Winnipeg), 2012-12, Vol.45 (4), p.85-102

STOLTZFUS, BEN

2012

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(Re)model(ed) towns and the remodeling of American ideology: the expansion of middle-class hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Clues (Bowling Green, Ohio), 2012-04, Vol.30 (1), p.42-53

Decker, Mark T

2012

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Tijuana the American town: images of the corrupt city in Hammett's The Golden Horseshoe

Clues (Bowling Green, Ohio), 2008-07, Vol.26 (4), p.35-48

Zumoff, J. A

2008

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Sex, Booze, and the Code: Four Versions of The Maltese Falcon

Literature film quarterly, 2011, Vol.39 (1), p.54

Mooney, William

2011

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On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

Clues (Bowling Green, Ohio), 2005, Vol.23 (2), p.11-20

Rivett, Julie M

2005

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The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

Framework, 2008-04, Vol.49 (1), p.7-26

Gates, Philippa

2008

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The post-modern detective: the aesthetic politics of Dashiell Hammett's Continental Op

The Midwest quarterly (Pittsburg), 1995-03, Vol.36 (3), p.237

Wheat, Edward M

1995

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Nature vs. Culture in Dashiell Hammett's 'Nightmare Town'

Clues (Bowling Green, Ohio), 1994-04, Vol.15 (1), p.53

Beunat, Nathalie

1994

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IN A LONELY JOURNAL: A SELECTED BIBLIOGRAPHY OF SCHOLARLY ARTICLES ON FILM NOIR, 1946-2019

Post script, 2020-09, Vol.40 (1), p.51-85

Hulet, Clayton H

2020

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Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Literature film quarterly, 2006-07, Vol.34 (3), p.240-248

Harris, Martin

2006

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Hammett and Macdonald

Clues (Bowling Green, Ohio), 2005, Vol.23 (2), p.51-63

Nolan, Tom

2005

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Deromanticizing Dead Women: Vera Caspary's "Laura" and the Tradition of the Murderous Male Aesthete

Texas studies in literature and language, 2018-10, Vol.60 (3), p.293-315

URDA, KATHLEEN E.

2018

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Reading the Rara Avis: Seventy-Five Years of Maltese Falcon Criticism

Clues (Bowling Green, Ohio), 2005, Vol.23 (2), p.65-77

Metress, Christopher

2005

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Economic Discourse in The Maltese Falcon

Clues (Bowling Green, Ohio), 2005, Vol.23 (2), p.21-30

Peltier, Josiane

2005

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The Maltese Falcon and the hard-boiled sentimental

Clues (Bowling Green, Ohio), 2005, Vol.23 (2), p.32

Cassuto, Leonard

2005

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From modernity's detection to Modernist detectives: narrative vision in the work of Allan Pinkerton and Dashiell Hammett: Document View

Modern fiction studies, 2003, Vol.49 (4), p.629

Raczkowski, Christopher T

2003

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“Hegemony Protected by the Armour of Coercion”: Dashiell Hammett's Red Harvest and the State

Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Diamonds and racism in Dashiell Hammett's The Dain Curse: an intertextual study

WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

The Politics of Dashiell Hammett's "Red Harvest"

Sof'town Sleuths: The Hard-Boiled Genre Goes to Jo'Burg

Watchful Eyes and Smiling Masks in The Maltese Falcon

"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

(Re)model(ed) towns and the remodeling of American ideology: the expansion of middle-class hegemony in Allan Pinkerton's The Model Town and the Detectives and Dashiell Hammett's Red Harvest

Tijuana the American town: images of the corrupt city in Hammett's The Golden Horseshoe

Sex, Booze, and the Code: Four Versions of The Maltese Falcon

On Samuel Spade and Samuel Dashiell Hammett: A Granddaughter's Perspective

The Three Sam Spades: The Shifting Model of American Masculinity in the Three Films of "The Maltese Falcon"

The post-modern detective: the aesthetic politics of Dashiell Hammett's Continental Op

Nature vs. Culture in Dashiell Hammett's 'Nightmare Town'

IN A LONELY JOURNAL: A SELECTED BIBLIOGRAPHY OF SCHOLARLY ARTICLES ON FILM NOIR, 1946-2019

Hammett's Flitcraft Parable, "The Stepfather", and the Significance of Falling Beams

Hammett and Macdonald

Deromanticizing Dead Women: Vera Caspary's "Laura" and the Tradition of the Murderous Male Aesthete

Reading the Rara Avis: Seventy-Five Years of Maltese Falcon Criticism

Economic Discourse in The Maltese Falcon

The Maltese Falcon and the hard-boiled sentimental

From modernity's detection to Modernist detectives: narrative vision in the work of Allan Pinkerton and Dashiell Hammett: Document View

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