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Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

Modern fiction studies, 2020-12, Vol.66 (4), p.702-723

Pepper, Andrew

2020

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WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

Modern fiction studies, 2014-12, Vol.60 (4), p.651-676

Hefner, Brooks E.

2014

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The Politics of Dashiell Hammett's "Red Harvest"

Mosaic (Winnipeg), 2007-12, Vol.40 (4), p.119-134

ZUMOFF, J.A.

2007

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"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Modern fiction studies, 2005-10, Vol.51 (3), p.485-512

Heise, Thomas

2005

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Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

The Arizona quarterly, 2015-09, Vol.71 (3), p.1-26

Mitchell, Lee Clark

2015

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Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

Mosaic (Winnipeg), 2012-12, Vol.45 (4), p.85-102

STOLTZFUS, BEN

2012

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FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Modern fiction studies, 2003-12, Vol.49 (4), p.629-659

Raczkowski, Christopher T.

2003

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Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

The Arizona quarterly, 2021, Vol.77 (1), p.33-56

Rolens, Clare

2021

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T-shirt Modernism and The Performance of Masculinity: The Theatrical Refashionings of Tennessee Williams and William Inge

The Arizona quarterly, 2020-12, Vol.76 (4), p.1-28

Gontarski, S. E

2020

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Saint with a Gun: The Unlawful American Private Eye, and: Dashiell Hammett: A Life, and: Private Investigations: The Novels of Dashiell Hammett (review)

Modern fiction studies, 1985-12, Vol.31 (4), p.769-773

Wolfe, Peter

1985

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Deromanticizing Dead Women: Vera Caspary's "Laura" and the Tradition of the Murderous Male Aesthete

Texas studies in literature and language, 2018-10, Vol.60 (3), p.293-315

URDA, KATHLEEN E.

2018

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From modernity's detection to Modernist detectives: narrative vision in the work of Allan Pinkerton and Dashiell Hammett: Document View

Modern fiction studies, 2003, Vol.49 (4), p.629

Raczkowski, Christopher T

2003

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Private Investigations: The Novels of Dashiell Hammett by Gregory Sinda (review)

Western American literature, 1986, Vol.21 (1), p.76-76

Miller, R. H

1986

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Lead Birds and Falling Beams

Journal of modern literature, 2004-06, Vol.27 (4), p.73-81

DeFino, Dean

2004

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THE DANDIFIED DICK: HARDBOILED NOIR AND THE WILDEAN EPIGRAM

ELH, 2014-12, Vol.81 (4), p.1299-1326

GUTKIN, LEN

2014

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Twelve Fallacies in Contemporary Adaptation Theory

Criticism (Detroit), 2003-03, Vol.45 (2), p.149-171

LEITCH, THOMAS

2003

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Dashiell Hammett, and: The American Private Eye: The Image in Fiction, and: Into Eternity: The Life of James Jones, American Writer (review)

Modern fiction studies, 1986-12, Vol.32 (4), p.631-633

Boyer, Allen D

1986

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The Big Empty: Chandler's Transatlantic Modernism

Modernism/modernity (Baltimore, Md.), 2013-11, Vol.20 (4), p.747-770

Norman, Will

2013

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Taking chances: speculation and games of detection in Dashiell Hammett's Red Harvest: Document View

Mosaic (Winnipeg), 2000, Vol.33 (1), p.145

2000

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Horace McCoy by Mark Royden Winchell, and Will Henry/Clay Fisher by Robert L. Gale, and Jessamyn West by Ann Dahlstrom Farmer, and The New Wild West: The Urban Mysteries of Dashiell Hammett and Raymond Chandler by Paul Skenazy, and Mabel Dodge Luhan by Jane Nelson (review)

Western American literature, 1983, Vol.18 (2), p.176-178

Etulain, Richard W

1983

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Dashiell Hammett: A Life, and: Dockers and Detectives: Popular Reading, Popular Writing (review)

The Minnesota review (Minneapolis, Minn.), 1984, Vol.22 (1), p.127-131

Copek, Peter

1984

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Loose Ends: The Stuff That Movies Are Made of

The Arizona quarterly, 2007-12, Vol.63 (4), p.83-118

Richards, Rashna Wadia

2007

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The Dark Lady: Temple Drake as Femme Fatale

The Southern literary journal, 1999-03, Vol.31 (2), p.50-64

Yarbrough, Scott

1999

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"NOTHING YOU CAN'T FIX": SCREENING MARLOWE'S MASCULINITY

Studies in the novel, 2003-10, Vol.35 (3), p.305-324

ABBOTT, MEGAN E.

2003

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Bodies of Evidence: Post-War Detective Fiction and the Monstrous Origins of the Sexual Psychopath

The Yale journal of criticism, 2005-03, Vol.18 (1), p.149-178

Whiting, Frederick

2005

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Dashiell Hammett’s The Maltese Falcon as World Literature: Global Circuits of Translation, Money, and Exchange

WEIRD INVESTIGATIONS AND NATIVIST SEMIOTICS IN H. P. LOVECRAFT AND DASHIELL HAMMETT

The Politics of Dashiell Hammett's "Red Harvest"

"GOING BLOOD-SIMPLE LIKE THE NATIVES": CONTAGIOUS URBAN SPACES AND MODERN POWER IN DASHIELL HAMMETT'S "RED HARVEST"

Diversions of Furniture and Signature Styles: Hammett, Chandler, Macdonald

Magritte's "La clef de verre" and Hammett's "The Glass Key": An Interarts Dialogue

FROM MODERNITY'S DETECTION TO MODERNIST DETECTIVES: NARRATIVE VISION IN THE WORK OF ALLAN PINKERTON AND DASHIELL HAMMETT

Lying for Kicks: Queer Cross-Dressers and Hardboiled Squares in Chester Himes's All Shot Up

T-shirt Modernism and The Performance of Masculinity: The Theatrical Refashionings of Tennessee Williams and William Inge

Saint with a Gun: The Unlawful American Private Eye, and: Dashiell Hammett: A Life, and: Private Investigations: The Novels of Dashiell Hammett (review)

Deromanticizing Dead Women: Vera Caspary's "Laura" and the Tradition of the Murderous Male Aesthete

From modernity's detection to Modernist detectives: narrative vision in the work of Allan Pinkerton and Dashiell Hammett: Document View

Private Investigations: The Novels of Dashiell Hammett by Gregory Sinda (review)

Lead Birds and Falling Beams

THE DANDIFIED DICK: HARDBOILED NOIR AND THE WILDEAN EPIGRAM

Twelve Fallacies in Contemporary Adaptation Theory

Dashiell Hammett, and: The American Private Eye: The Image in Fiction, and: Into Eternity: The Life of James Jones, American Writer (review)

The Big Empty: Chandler's Transatlantic Modernism

Taking chances: speculation and games of detection in Dashiell Hammett's Red Harvest: Document View

Horace McCoy by Mark Royden Winchell, and Will Henry/Clay Fisher by Robert L. Gale, and Jessamyn West by Ann Dahlstrom Farmer, and The New Wild West: The Urban Mysteries of Dashiell Hammett and Raymond Chandler by Paul Skenazy, and Mabel Dodge Luhan by Jane Nelson (review)

Dashiell Hammett: A Life, and: Dockers and Detectives: Popular Reading, Popular Writing (review)

Loose Ends: The Stuff That Movies Are Made of

The Dark Lady: Temple Drake as Femme Fatale

"NOTHING YOU CAN'T FIX": SCREENING MARLOWE'S MASCULINITY

Bodies of Evidence: Post-War Detective Fiction and the Monstrous Origins of the Sexual Psychopath

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