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Fredric Jameson, Henry James: Introduction

The Henry James review, 2015-10, Vol.36 (3), p.197

Griffin, Susan M

2015

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"Extraordinary Understandings" of Composition at the University of Chicago: Frederick Champion Ward, Kenneth Burke, and Henry W. Sams

College composition and communication, 2007-09, Vol.59 (1), p.36-52

Beasley, James P.

2007

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All is True dir. by Kenneth Branagh (review)

Shakespeare Bulletin, 2020-04, Vol.38 (1), p.117-121

Hatfull, Ronan

2020

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National Holiday, National Epic, National Destruction: Second Order Semiology in Independence Day and Beyond

Extrapolation, 2007-12, Vol.48 (3), p.520-542

Thuerwaechter, Sabine

2007

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Michael North. The Baltic: A History

Scandinavian Studies, 2015-12, Vol.87 (4), p.535

Bennett, Dean William

2015

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The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s "Scorpio Rising" and Steven Spielberg’s "Duel"

Text matters (Łódź), 2019-11, Vol.9 (9), p.81-99

Boczkowska, Kornelia

2019

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Dynamite Talk: William Dean Howells, Racial Socialism, and a Legal Theory of Literary Complicity

Nineteenth-century literature, 2019-03, Vol.73 (4), p.522-550

SCHWARTZ, JESSE W.

2019

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Colonial Hauntings: Settler Colonialism and the Abject in Kenneth Cook's Fear Is the Rider

Journal of the Association for the Study of Australian Literature : JASAL, 2022-01, Vol.22 (1), p.1-10

Klik, Lukas

2022

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Embryoyo

Boston review (Cambridge, Mass. : 1982), 2007-05, Vol.32 (3), p.47

Taylor, Tess

2007

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Encountering Kenneth

Chicago review, 2006-09, Vol.52 (2/4), p.100-106

HAMILL, SAM

2006

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Complete Poems

The American poetry review, 2006-11, Vol.35 (6), p.45

Young, Dean

2006

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Young, Dean, 1955-2022

ProQuest Author Pages, 2018

2018

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Choosing a Rhetoric of the Enemy: Kenneth Burke's Comic Frame, Warrantable Outrage, and the Problem of Scapegoating

Rhetoric Society quarterly, 2011-07, Vol.41 (4), p.340-362

2011

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Childhood in the New South as Refl ected in Children's Literature: A Forum Featuring Lorinda B. Cohoon, Martha Hixon, Dianne Johnson-Feelings, Kenneth Kidd, Jennifer M. Miskec, Anita W. Moss, Claudia Nelson, M. Tyler Sasser, and Laureen Tedesco

The Southern quarterly, 2017-04, Vol.54 (3/4), p.126-181

West, Mark I

2017

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Revengers Tragedy: Jacobean Drama, Kenneth Branagh's Cinema and the Politics of the Not-Shakespearean

Shakespeare bulletin, 2011-12, Vol.29 (4), p.543-558

Wray, Ramona

2011

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From the Editor

College composition and communication, 2007-09, Vol.59 (1), p.10

Holdstein, Deborah H

2007

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William Dean Howells: An American Life

American Literature, 1972, Vol.43 (4), p.665-666

Arms, George

1972

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EDITORIAL

American journal of semiotics, 1984-05, Vol.3 (1), p.I

1984

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The Oil Paintings in the Department Store: The Robe and Racialized Tastemaking in 1950s Detroit

American quarterly, 2024-06, Vol.76 (2), p.165-187

Schulze, Joshua

2024

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Continuing Collaboration

Children's Literature Association Quarterly, 2010-04, Vol.35 (1), p.1-3

Smith, Katharine Capshaw

2010

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His humanity and cordiality as a tutor: Remembering C. S. Lewis

Carlyle studies annual, 2015-01, Vol.31 (31), p.291-298

Fielding, Kenneth J.

2015

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Five Interviews with William Dean Howells

The New England Quarterly, 1943, Vol.16 (4), p.683-684

Murdock, Kenneth B.

1943

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What Difference a Definition Makes, or, William Dean Howells and the Sophist's Shoes

Rhetoric Society quarterly, 2006-07, Vol.36 (2), p.143-153

Walker, Jeffrey

2006

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"Not to Creation or Destruction but to Truth": Robert Duncan, Kenneth Anger, and the Conversation between Film and Poetry

Texas studies in literature and language, 2008-03, Vol.50 (1), p.34-57

Kane, Daniel

2008

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Harlem Renaissance or Momentary Aberration?: An Analysis of the Newbery's Progress toward Racial Inclusivity

Children's Literature Association Quarterly, 2022-06, Vol.47 (2), p.134-156

Selden, Sarah

2022

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Fredric Jameson, Henry James: Introduction

"Extraordinary Understandings" of Composition at the University of Chicago: Frederick Champion Ward, Kenneth Burke, and Henry W. Sams

All is True dir. by Kenneth Branagh (review)

National Holiday, National Epic, National Destruction: Second Order Semiology in Independence Day and Beyond

Michael North. The Baltic: A History

The Outlaw Machine, the Monstrous Outsider and Motorcycle Fetishists: Challenging Rebellion, Mobility and Masculinity in Kenneth Anger’s "Scorpio Rising" and Steven Spielberg’s "Duel"

Dynamite Talk: William Dean Howells, Racial Socialism, and a Legal Theory of Literary Complicity

Colonial Hauntings: Settler Colonialism and the Abject in Kenneth Cook's Fear Is the Rider

Embryoyo

Encountering Kenneth

Complete Poems

Young, Dean, 1955-2022

Choosing a Rhetoric of the Enemy: Kenneth Burke's Comic Frame, Warrantable Outrage, and the Problem of Scapegoating

Childhood in the New South as Refl ected in Children's Literature: A Forum Featuring Lorinda B. Cohoon, Martha Hixon, Dianne Johnson-Feelings, Kenneth Kidd, Jennifer M. Miskec, Anita W. Moss, Claudia Nelson, M. Tyler Sasser, and Laureen Tedesco

Revengers Tragedy: Jacobean Drama, Kenneth Branagh's Cinema and the Politics of the Not-Shakespearean

From the Editor

William Dean Howells: An American Life

EDITORIAL

The Oil Paintings in the Department Store: The Robe and Racialized Tastemaking in 1950s Detroit

Continuing Collaboration

His humanity and cordiality as a tutor: Remembering C. S. Lewis

Five Interviews with William Dean Howells

What Difference a Definition Makes, or, William Dean Howells and the Sophist's Shoes

"Not to Creation or Destruction but to Truth": Robert Duncan, Kenneth Anger, and the Conversation between Film and Poetry

Harlem Renaissance or Momentary Aberration?: An Analysis of the Newbery's Progress toward Racial Inclusivity

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