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Inventing Tennessee Williams: The Theatre Guild and His First Professional Production

The Tennessee Williams annual review, 2006-01 (8), p.51-71

Case, Claudia Wilsch

2006

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Arthur Laurents Chronology

American drama, 2003-12, Vol.12 (1), p.1

Miller, Gabriel

2003

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A Drama of Class AND Race: Southern Progressivism in Paul Green's The House of Connelly

North Carolina literary review, 2016-06 (25), p.72-85

Vines, Kelly

2016

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A Rose by any other name

Country life (London), 2018-09, p.154-155

Billington, Michael

2018

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Enter Brando

Raritan, 2015-03, Vol.34 (4), p.85

DeLibero, Linda

2015

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Tennessee Williams's "Serious Comedy": problems of genre and sexuality in Period of Adjustment.(Critical essay)

Philological quarterly, 2012-01, Vol.91 (1), p.97

Pettit, Alexander

2012

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Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre

New theatre quarterly, 2021-02, Vol.37 (1), p.82-99

Gontarski, S. E.

2021

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"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

Melus, 2012-09, Vol.37 (3), p.71-95

Davis, Carol Bunch

2012

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Editor's Note

The Tennessee Williams annual review, 2022-01 (21), p.3-143

Palmer, R Barton

2022

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Dismembering Tennessee Williams: The Global Context of Lee Breuer's A Streetcar Named Desire

Theatre symposium, 2017, Vol.25 (1), p.64-81

Ciba, Daniel

2017

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Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Modern drama, 2017-06, Vol.60 (2), p.189-211

Orem, Sarah

2017

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Meisner Across Paradigms: The Phenomenal Dynamic of Sanford Meisner’s Technique of Acting and its Resonances with Postmodern Performance

McLaughlin, James Anthony

2012

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An Interview with Arthur Laurents

American drama, 2003-12, Vol.12 (1), p.57

Miller, Gabriel

2003

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Bullins and Me: A Remembrance of Past Times

The Journal of arts management, law, and society, 2012-04, Vol.42 (2), p.90-95

Macbeth, Robert

2012

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The Creation of the World and Other Business: Archetype and the Rhythm of Decorum

The Arthur Miller journal, 2016-10, Vol.11 (2), p.146-153

Bergmann, Frank

2016

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Keynote Address: "The Blessed Assurance of Perhaps"

Theatre symposium, 2013, Vol.21 (1), p.7-25

Driver, Tom F.

2013

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Working with Havel

New theatre quarterly, 2014-08, Vol.30 (3), p.208-210

Marowitz, Charles

2014

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The Gnädiges Fräulein: Tennessee Williams's Southernmost Belle

The Tennessee Williams annual review, 2010-01 (11), p.53-64

Quinlan, Stefanie

2010

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The Meaning of the Moon: The Plays of Arthur Laurents

American drama, 2003-12, Vol.12 (1), p.9

Miller, Gabriel

2003

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Artists and stereotypes: Thomas Wolfe's acquaintance with Clifford Odets

The Thomas Wolfe review, 2010-01, Vol.34 (1/2), p.54

Holliday, Shawn

2010

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Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson

New theatre quarterly, 2002-08, Vol.18 (3), p.276-283

DiNapoli, Russell

2002

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Process as Product: the Culture of Development and the Twenty-First Century American Dramatist

Bray, John Patrick

2011

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The Intimate and the Epic: Two Tendencies Beyond Realism in Arthur Miller's Dramatic Works. A Critical Study of Death of a Salesman, A View from the Bridge, After the Fall and The American Clock

Marques, Maria Inês Evangelista de Oliveira

2013

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A FUNNY THING HAPPENED ON THE WAY TO THE CROSS: ARTHUR MILLER'S RESURRECTION BLUES

The Journal of American drama and theatre, 2006-04, Vol.18 (2), p.9

Egerton, Katherine E

2006

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PATRICK, JOHN (1905-1995)

The Columbia Encyclopedia of Modern Drama, 2007

Fisher, James

2007

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Inventing Tennessee Williams: The Theatre Guild and His First Professional Production

Arthur Laurents Chronology

A Drama of Class AND Race: Southern Progressivism in Paul Green's The House of Connelly

A Rose by any other name

Enter Brando

Tennessee Williams's "Serious Comedy": problems of genre and sexuality in Period of Adjustment.(Critical essay)

Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre

"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

Editor's Note

Dismembering Tennessee Williams: The Global Context of Lee Breuer's A Streetcar Named Desire

Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Meisner Across Paradigms: The Phenomenal Dynamic of Sanford Meisner’s Technique of Acting and its Resonances with Postmodern Performance

An Interview with Arthur Laurents

Bullins and Me: A Remembrance of Past Times

The Creation of the World and Other Business: Archetype and the Rhythm of Decorum

Keynote Address: "The Blessed Assurance of Perhaps"

Working with Havel

The Gnädiges Fräulein: Tennessee Williams's Southernmost Belle

The Meaning of the Moon: The Plays of Arthur Laurents

Artists and stereotypes: Thomas Wolfe's acquaintance with Clifford Odets

Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson

Process as Product: the Culture of Development and the Twenty-First Century American Dramatist

The Intimate and the Epic: Two Tendencies Beyond Realism in Arthur Miller's Dramatic Works. A Critical Study of Death of a Salesman, A View from the Bridge, After the Fall and The American Clock

A FUNNY THING HAPPENED ON THE WAY TO THE CROSS: ARTHUR MILLER'S RESURRECTION BLUES

PATRICK, JOHN (1905-1995)

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