UB Paderborn / Katalog / Suche / in CDI

Sortiert nach

Sie befinden Sich nicht im Netzwerk der Universität Paderborn. Der Zugriff auf elektronische Ressourcen ist gegebenenfalls nur via VPN oder Shibboleth (DFN-AAI) möglich. mehr Informationen...

“Give my regards …” A Touch of the Poet on Broadway

The Eugene O'Neill review, 2016-03, Vol.37 (1), p.89-107

Shea, Laura

2016

Link zum Volltext

Verfügbarkeit prüfen

Director's Notes: "Incident at Vichy"

Tulane drama review, 1965-07, Vol.9 (4), p.77-90

Clurman, Harold

1965

Link zum Volltext

Verfügbarkeit prüfen

Notes for a Production of "Heartbreak House"

Tulane drama review, 1961-03, Vol.5 (3), p.58-67

Clurman, Harold

1961

Link zum Volltext

Verfügbarkeit prüfen

Sheaffer, Louis. O'Neill, son and artist

Nation (USA), 1974, p.54

Clurman, Harold

1974

Link zum Volltext

Verfügbarkeit prüfen

O'Neill, Eugene. Long Day's Journey into Night

Nation (USA), 1955, p.182

Clurman, Harold

1955

Link zum Volltext

Verfügbarkeit prüfen

'Suddenly Last Summer': Williams and Melville

Modern drama, 1961-02, Vol.3 (4), p.396-400

Hurt, James R

1961

Link zum Volltext

Verfügbarkeit prüfen

The Revolt of Responsibility: A Symbolic Reading of Miller's Incident at Vichy

The Arthur Miller journal, 2007-04, Vol.2 (1), p.25-47

Polster, Joshua E.

2007

Link zum Volltext

Verfügbarkeit prüfen

"We are the Storm": Audience Collaboration in W. H. Auden's "The Dance of Death"

Texas studies in literature and language, 2015-12, Vol.57 (4), p.491-518

Sheets, Ryan

2015

Link zum Volltext

Verfügbarkeit prüfen

"...then she came, and she cried. And I went back home with her": Arthur Miller's "All My Sons" and The Prison-House of Gender

The Arthur Miller journal, 2013-10, Vol.8 (2), p.27-42

Gleitman, Claire

2013

Link zum Volltext

Verfügbarkeit prüfen

Pearls in Beauteous Ladies' Eyes: Shakespeare, Race, and Riots in the American Metropolis

Journal of narrative theory, 2011-10, Vol.41 (3), p.378-400

Demeter, Jason

2011

Link zum Volltext

Verfügbarkeit prüfen

Tennessee Williams's 'serious comedy': problems of genre and sexuality in (and after) Period of Adjustment

Philological quarterly, 2012-01, Vol.91 (1), p.97

Pettit, Alexander

2012

Link zum Volltext

Verfügbarkeit prüfen

"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

Melus, 2012-09, Vol.37 (3), p.71-95

Davis, Carol Bunch

2012

Link zum Volltext

Verfügbarkeit prüfen

'Und ist ein Mensch gefallen': After the Fall and The Magic Flute

The Arthur Miller journal, 2014-04, Vol.9 (1/2), p.17-25

Bergmann, Frank

2014

Link zum Volltext

Verfügbarkeit prüfen

Before and After the Fall

The Arthur Miller journal, 2014-04, Vol.9 (1/2), p.1-16

Dominik, Jane K

2014

Link zum Volltext

Verfügbarkeit prüfen

The Dutch Courtesan Online

Shakespeare bulletin, 2015-12, Vol.33 (4), p.623-639

Jones, Oliver

2015

Link zum Volltext

Verfügbarkeit prüfen

The Creation of the World and Other Business: Archetype and the Rhythm of Decorum

The Arthur Miller journal, 2016-10, Vol.11 (2), p.146-153

Bergmann, Frank

2016

Link zum Volltext

Verfügbarkeit prüfen

Who Does Little but Listen: Playing O’Neill’s Hughie

The Eugene O'Neill review, 2013-09, Vol.34 (2), p.145-166

Maloney, Peter

2013

Link zum Volltext

Verfügbarkeit prüfen

Dorothy Parker and the politics of McCarthyism

Theatre history studies, 2006, Vol.26, p.7

Barranger, Milly S

2006

Link zum Volltext

Verfügbarkeit prüfen

Reconsidering "the American Style": Black Performers and Black Music in Streetcar and Cat

Theatre journal (Washington, D.C.), 2016-03, Vol.68 (1), p.1-15

McGinley, Paige A.

2016

Link zum Volltext

Verfügbarkeit prüfen

Father-son conflict in Arthur Miller's Death of a Salesman and August Wilson's Fences

The Arthur Miller journal, 2010, Vol.5 (2), p.1

Wattley, Ama

2010

Link zum Volltext

Verfügbarkeit prüfen

The Old Men and the “Sea of Masscult”: T. S. Eliot, Ernest Hemingway, and Middlebrow Aesthetics

American literature, 2012-03, Vol.84 (1), p.151-174

Perrin, Thomas Gordon

2012

Link zum Volltext

Verfügbarkeit prüfen

Mr. Outside and Mr. Inside: Football as Prop and Pastime in "Death of a Salesman"

The Arthur Miller journal, 2009-10, Vol.4 (2), p.43-50

Dugan, Timothy

2009

Link zum Volltext

Verfügbarkeit prüfen

An interview with Arthur Laurents: Document View

American drama, 2003, Vol.12 (1/2), p.57

Miller, Gabriel

2003

Link zum Volltext

Verfügbarkeit prüfen

Artists and stereotypes: Thomas Wolfe's acquaintance with Clifford Odets

The Thomas Wolfe review, 2010, Vol.34 (1-2), p.54

Holliday, Shawn

2010

Link zum Volltext

Verfügbarkeit prüfen

Paul Green and the movies

North Carolina literary review, 2012-06, Vol.21 (21), p.34-46

Avery, Lauren G

2012

Link zum Volltext

Verfügbarkeit prüfen

1 – 25 von 75

Menü

Weitere Dienste

Einstellungen

“Give my regards …” A Touch of the Poet on Broadway

Director's Notes: "Incident at Vichy"

Notes for a Production of "Heartbreak House"

Sheaffer, Louis. O'Neill, son and artist

O'Neill, Eugene. Long Day's Journey into Night

'Suddenly Last Summer': Williams and Melville

The Revolt of Responsibility: A Symbolic Reading of Miller's Incident at Vichy

"We are the Storm": Audience Collaboration in W. H. Auden's "The Dance of Death"

"...then she came, and she cried. And I went back home with her": Arthur Miller's "All My Sons" and The Prison-House of Gender

Pearls in Beauteous Ladies' Eyes: Shakespeare, Race, and Riots in the American Metropolis

Tennessee Williams's 'serious comedy': problems of genre and sexuality in (and after) Period of Adjustment

"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

'Und ist ein Mensch gefallen': After the Fall and The Magic Flute

Before and After the Fall

The Dutch Courtesan Online

The Creation of the World and Other Business: Archetype and the Rhythm of Decorum

Who Does Little but Listen: Playing O’Neill’s Hughie

Dorothy Parker and the politics of McCarthyism

Reconsidering "the American Style": Black Performers and Black Music in Streetcar and Cat

Father-son conflict in Arthur Miller's Death of a Salesman and August Wilson's Fences

The Old Men and the “Sea of Masscult”: T. S. Eliot, Ernest Hemingway, and Middlebrow Aesthetics

Mr. Outside and Mr. Inside: Football as Prop and Pastime in "Death of a Salesman"

An interview with Arthur Laurents: Document View

Artists and stereotypes: Thomas Wolfe's acquaintance with Clifford Odets

Paul Green and the movies

Aktive Filter

Suchergebnisse filtern