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Harold Clurman

Newsweek, 1980-12, Vol.96, p.53

1980

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Video Reviews -- Harold Clurman: A Life of Theatre

Library Journal, 1989, Vol.114 (1), p.114

Cohen, Martha J

1989

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The Lab Where the Method Was Born: A look at the American Laboratory Theatre, where Richard Boleslavsky and Maira Ouspenskaya introduced young American actors to their version of Stanislavski's system

American theatre, 2022-02

Butler, Isaac

2022

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Getting Stanislavsky Wrong

New theatre quarterly, 2014-08, Vol.30 (3), p.210-212

Marowitz, Charles

2014

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What Becomes a Legend Most?: The brilliant, infuriating personalities behind the invention of Method acting

Bookforum, 2022, Vol.29 (1)

Walker, Natalie

2022

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Reassessing Obscurity: The Case for Big Data in Theatre History

Theatre journal (Washington, D.C.), 2016-12, Vol.68 (4), p.555-573

Caplan, Debra

2016

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Convicts on the Loose in All My Sons and John Gabriel Borkman

The Arthur Miller journal, 2020-11, Vol.15 (2), p.101-120

Brucher, Richard

2020

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From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy

Arts (Basel), 2023-06, Vol.12 (4), p.134

Davidson, Andrew

2023

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Days with the group theatre: An interview with Clifford Odets

Michigan quarterly review, 2002-04, Vol.41 (2), p.174

Hethmon, Robert H

2002

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A Psychological Exploration of the Experience of Acting

Creativity research journal, 2019-10, Vol.31 (4), p.428-442

Panero, Maria Eugenia

2019

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Leonard Cabell Pronko: An Appreciation

Asian theatre journal, 2021-03, Vol.38 (1), p.1-15

Sorgenfrei, Carol Fisher

2021

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The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians

European journal of American studies, 2021-04, Vol.16 (1)

Smith, Philip

2021

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Television’s Tortured Misfits: Authenticity, Method Acting, and Americanness in the Midcentury “Slice-of-Life” Anthology Drama

Journal of film and video, 2016-12, Vol.68 (3-4), p.30-50

Schneider, Molly A.

2016

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Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage

Jewish social studies, 2018-01, Vol.23 (2), p.1-23

Shandler, Jeffrey

2018

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Still fervent: Phoebe Brand at 96: the last of the Group Theatre and of the first generation of American Stanislavsky System actors

Theatre history studies, 2005, Vol.25, p.125

Andrews, Matthew

2005

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“Hey, asshole: you had your say”: The Performance of Theatre Criticism

Theatre topics, 2014-06, Vol.24 (2), p.103-124

Hatton, Oona

2014

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The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics

Theatre, dance and performance training, 2023-01, Vol.14 (1), p.5-23

Davidson, Andrew

2023

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Theatrical Voyeurism: Performing Rehearsal in the Spanish "Comedia Nueva"

MLN, 2016-03, Vol.131 (2), p.356-377

García-Reidy, Alejandro

2016

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ProQuest

Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948

CINEJ cinema journal, 2021-07, Vol.9 (1), p.200-245

McGuire, John Thomas

2021

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How might Embodied Cognition, Contact Improvisation and Meisner's Standard Repetition Exercise together illuminate actor movement training?

Theatre, dance and performance training, 2020-01, Vol.11 (1), p.44-59

Damborg, Tine

2020

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Reconsidering "the American Style": Black Performers and Black Music in Streetcar and Cat

Theatre journal (Washington, D.C.), 2016-03, Vol.68 (1), p.1-15

McGinley, Paige A.

2016

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Crossings: An Interview with Kristin Linklater

Mosaic (Winnipeg), 2017-03, Vol.50 (1), p.245-288

2017

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THE GROUP THEATRE

Miller, Jordan

2007

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Worlds within: Hayes Gordon, Zika Nester, Henri Szeps and the transformations of Australian theatre

Journal of the Association for the Study of Australian Literature : JASAL, 2015-05, Vol.15 (3), p.1

Pender, Anne

2015

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Marlon Brando as Thinker and Actor in Julius Caesar, The Young Lions, One-Eyed Jacks, Last Tango in Paris, and A Dry White Season

Offscreen, 2015-01, Vol.19 (1)

Garrett, Daniel

2015

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Harold Clurman

Video Reviews -- Harold Clurman: A Life of Theatre

The Lab Where the Method Was Born: A look at the American Laboratory Theatre, where Richard Boleslavsky and Maira Ouspenskaya introduced young American actors to their version of Stanislavski's system

Getting Stanislavsky Wrong

What Becomes a Legend Most?: The brilliant, infuriating personalities behind the invention of Method acting

Reassessing Obscurity: The Case for Big Data in Theatre History

Convicts on the Loose in All My Sons and John Gabriel Borkman

From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy

Days with the group theatre: An interview with Clifford Odets

A Psychological Exploration of the Experience of Acting

Leonard Cabell Pronko: An Appreciation

The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians

Television’s Tortured Misfits: Authenticity, Method Acting, and Americanness in the Midcentury “Slice-of-Life” Anthology Drama

Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage

Still fervent: Phoebe Brand at 96: the last of the Group Theatre and of the first generation of American Stanislavsky System actors

“Hey, asshole: you had your say”: The Performance of Theatre Criticism

The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics

Theatrical Voyeurism: Performing Rehearsal in the Spanish "Comedia Nueva"

Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948

How might Embodied Cognition, Contact Improvisation and Meisner's Standard Repetition Exercise together illuminate actor movement training?

Reconsidering "the American Style": Black Performers and Black Music in Streetcar and Cat

Crossings: An Interview with Kristin Linklater

THE GROUP THEATRE

Worlds within: Hayes Gordon, Zika Nester, Henri Szeps and the transformations of Australian theatre

Marlon Brando as Thinker and Actor in Julius Caesar, The Young Lions, One-Eyed Jacks, Last Tango in Paris, and A Dry White Season

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