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Twentieth-century theatre -- The Collected Works of Harold Clurman: Six Decades of Commentary edited by Marjorie Loggia and Glenn Young

New Theatre Quarterly, 1995, Vol.11 (43), p.293

Shorr, William

1995

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Dialogue: Theatre in America

PAJ (Baltimore, Md.), 1978-04, Vol.3 (1), p.19-34

1978

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The Theatre of the Thirties

Tulane Drama Review, 1959-12, Vol.4 (2), p.3-11

Clurman, Harold

1959

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Theatre

The Nation (New York, N.Y.), 1978-03, Vol.226, p.252

Clurman, Harold

1978

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THE IDEA OF THE THEATRE

The Transatlantic review, 1964-07, Vol.16 (16), p.17-24

1964

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4 Directors on Criticism

The Drama review, 1974-09, Vol.18 (3), p.24-33

1974

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BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN AKROPOLIS, AKROPOLIS IN AUSCHWITZ

Theatre survey, 2009-11, Vol.50 (2), p.223-250

Romanska, Magda

2009

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THE VISUAL AND THE PUERILE

The Post-traumatic Theatre of Grotowski and Kantor, 2012, p.209

MAGDA ROMANSKA

2012

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Richard's Himself Again: Journey to an Actors' Theatre

Tulane drama review, 1966-12, Vol.11 (2), p.29-40

Rogoff, Gordon

1966

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The Revolt of Responsibility: A Symbolic Reading of Miller's Incident at Vichy

The Arthur Miller journal, 2007-04, Vol.2 (1), p.25-47

Polster, Joshua E.

2007

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Television’s Tortured Misfits: Authenticity, Method Acting, and Americanness in the Midcentury “Slice-of-Life” Anthology Drama

Journal of film and video, 2016-12, Vol.68 (3-4), p.30-50

Schneider, Molly A.

2016

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Nomadic Chutzpah: The Vilna Troupe's Transnational Yiddish Theatre Paradigm, 1915–1935

Theatre survey, 2014-09, Vol.55 (3), p.296-317

Caplan, Debra

2014

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"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

Melus, 2012-09, Vol.37 (3), p.71-95

Davis, Carol Bunch

2012

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Pearls in Beauteous Ladies' Eyes: Shakespeare, Race, and Riots in the American Metropolis

Journal of narrative theory, 2011-10, Vol.41 (3), p.378-400

Demeter, Jason

2011

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The Creation of the World and Other Business: Archetype and the Rhythm of Decorum

The Arthur Miller journal, 2016-10, Vol.11 (2), p.146-153

Bergmann, Frank

2016

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A Selective, Classified International Bibliography Of Publications About the Drama and Fiction of Arthur Miller

The Arthur Miller journal, 2011-04, Vol.6 (1), p.25-125

Carpenter, Charles A.

2011

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The Losey–Moscow Connection: Experimental Soviet Theatre and the Living Newspaper

New theatre quarterly, 2014-08, Vol.30 (3), p.249-268

Gardner, Colin

2014

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Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

Shakespeare quarterly, 2011-10, Vol.62 (3), p.309-339

Worthen, W. B.

2011

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"Manhattan Women": Jazz, Blues, and Gender in On the Town and Wonderful Town

American music (Champaign, Ill.), 2013-03, Vol.31 (1), p.73-105

Baber, Katherine

2013

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SIN (A Cardinal Deposed)

TDR : Drama review, 2006-09, Vol.50 (3), p.154-181

Murphy, Michael

2006

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Performance and the Writing Life: A Conversation with Bonnie Marranca

Contemporary theatre review, 2014-04, Vol.24 (2), p.262-271

MacDonald, Claire

2014

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Negotiating the Foreign: Language, American Audiences, and Theatre from Japan

Theatre journal (Washington, D.C.), 2009-05, Vol.61 (2), p.249-269

Thornbury, Barbara E.

2009

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This Is

The Kenyon review, 2013-06, Vol.35 (3), p.49-68

Gilbreath, Aaron

2013

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Thinking about the Theatre-and Theatre Critics

Theatre history studies, 2010-01, Vol.30, p.220

Cardullo, Bert

2010

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Friendship as Unifying Motif in "The Fall and After The Fall"

The Arthur Miller journal, 2008-10, Vol.3 (2), p.33-40

Campo, Carlos

2008

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Twentieth-century theatre -- The Collected Works of Harold Clurman: Six Decades of Commentary edited by Marjorie Loggia and Glenn Young

Dialogue: Theatre in America

The Theatre of the Thirties

Theatre

THE IDEA OF THE THEATRE

4 Directors on Criticism

BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN AKROPOLIS, AKROPOLIS IN AUSCHWITZ

THE VISUAL AND THE PUERILE

Richard's Himself Again: Journey to an Actors' Theatre

The Revolt of Responsibility: A Symbolic Reading of Miller's Incident at Vichy

Television’s Tortured Misfits: Authenticity, Method Acting, and Americanness in the Midcentury “Slice-of-Life” Anthology Drama

Nomadic Chutzpah: The Vilna Troupe's Transnational Yiddish Theatre Paradigm, 1915–1935

"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

Pearls in Beauteous Ladies' Eyes: Shakespeare, Race, and Riots in the American Metropolis

The Creation of the World and Other Business: Archetype and the Rhythm of Decorum

A Selective, Classified International Bibliography Of Publications About the Drama and Fiction of Arthur Miller

The Losey–Moscow Connection: Experimental Soviet Theatre and the Living Newspaper

Intoxicating Rhythms: Or, Shakespeare, Literary Drama, and Performance (Studies)

"Manhattan Women": Jazz, Blues, and Gender in On the Town and Wonderful Town

SIN (A Cardinal Deposed)

Performance and the Writing Life: A Conversation with Bonnie Marranca

Negotiating the Foreign: Language, American Audiences, and Theatre from Japan

This Is

Thinking about the Theatre-and Theatre Critics

Friendship as Unifying Motif in "The Fall and After The Fall"

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