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Uncle Sam Presents: A Memoir of the Federal Theatre, 1935-1939

1, 1982

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Theatre

The Nation (New York, N.Y.), 1978-02, Vol.226, p.125

Clurman, Harold

1978

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How to Read a Play: Script Analysis for Directors

Kiely, Damon

1, 2016

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BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN AKROPOLIS, AKROPOLIS IN AUSCHWITZ

Theatre survey, 2009-11, Vol.50 (2), p.223-250

Romanska, Magda

2009

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The Kazan Method : Marlon Brando and James Dean

Vagos, Mariana Araújo

2020

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"An Advance to New": Interstitial Modernism and Toronto's Theatre of Action, 1936–40

Theatre journal (Washington, D.C.), 2013-12, Vol.65 (4), p.507-522

Filewod, Alan

2013

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Women's Romantic Theatre and Drama: History, Agency and Performativity

New theatre quarterly, 2011, Vol.27 (1), p.90

2011

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The Interwar Family and American Jewish Identity in Clifford Odets's "Awake and Sing!"

Jewish social studies, 2006-10, Vol.13 (1), p.2-30

Krasner, Jonathan B

2006

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Enter Brando

Raritan, 2015-03, Vol.34 (4), p.85

DeLibero, Linda

2015

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A Psychological Exploration of the Experience of Acting

Creativity research journal, 2019-10, Vol.31 (4), p.428-442

Panero, Maria Eugenia

2019

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The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians

European journal of American studies, 2021-04, Vol.16 (1)

Smith, Philip

2021

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Television’s Tortured Misfits: Authenticity, Method Acting, and Americanness in the Midcentury “Slice-of-Life” Anthology Drama

Journal of film and video, 2016-12, Vol.68 (3-4), p.30-50

Schneider, Molly A.

2016

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Still Fervent: Phoebe Brand at 96: the last of the Group Theatre and of the first generation of American Stanislavsky System actors

Theatre history studies, 2005-01, Vol.25, p.125

Andrews, Matthew

2005

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A 'great anti-war play': Bury the dead on the world stage

Australasian drama studies, 2018-04 (72), p.31-65

Milner, Lisa

2018

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Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage

Jewish social studies, 2018-01, Vol.23 (2), p.1-23

Shandler, Jeffrey

2018

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St. Brecht and the Theatrical Stock Exchange

Monthly review (New York. 1949), 2013-07, Vol.65 (3), p.65-75

Hakim, Eleanor

2013

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Tennessee Williams's "Serious Comedy": problems of genre and sexuality in Period of Adjustment.(Critical essay)

Philological quarterly, 2012-01, Vol.91 (1), p.97

Pettit, Alexander

2012

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Editor's Note

The Tennessee Williams annual review, 2022-01 (21), p.3-143

Palmer, R Barton

2022

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Pearls in Beauteous Ladies' Eyes: Shakespeare, Race, and Riots in the American Metropolis

Journal of narrative theory, 2011-10, Vol.41 (3), p.378-400

Demeter, Jason

2011

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Theatre-Making: Interplay Between Text and Performance in the 21st Century

Radosavljevic, D

1, 2013

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Theatrical Voyeurism: Performing Rehearsal in the Spanish "Comedia Nueva"

MLN, 2016-03, Vol.131 (2), p.356-377

García-Reidy, Alejandro

2016

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Fantasy, A Means to Propagate Ideologies: A Foucauldian Reading of Albee's The Zoo Story

International journal of applied linguistics & English literature, 2016, Vol.5 (7), p.147

2016

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Clifford Odets' Social Criticism and Economic Determinism

Language in India, 2019-06, Vol.19 (6), p.231

2019

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Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Modern drama, 2017-06, Vol.60 (2), p.189-211

Orem, Sarah

2017

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Authoring Performance: The Director in Contemporary Theatre

Sidiropoulou, A

1, 2011

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Uncle Sam Presents: A Memoir of the Federal Theatre, 1935-1939

Theatre

How to Read a Play: Script Analysis for Directors

BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN AKROPOLIS, AKROPOLIS IN AUSCHWITZ

The Kazan Method : Marlon Brando and James Dean

"An Advance to New": Interstitial Modernism and Toronto's Theatre of Action, 1936–40

Women's Romantic Theatre and Drama: History, Agency and Performativity

The Interwar Family and American Jewish Identity in Clifford Odets's "Awake and Sing!"

Enter Brando

A Psychological Exploration of the Experience of Acting

The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians

Television’s Tortured Misfits: Authenticity, Method Acting, and Americanness in the Midcentury “Slice-of-Life” Anthology Drama

Still Fervent: Phoebe Brand at 96: the last of the Group Theatre and of the first generation of American Stanislavsky System actors

A 'great anti-war play': Bury the dead on the world stage

Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage

St. Brecht and the Theatrical Stock Exchange

Tennessee Williams's "Serious Comedy": problems of genre and sexuality in Period of Adjustment.(Critical essay)

Editor's Note

Pearls in Beauteous Ladies' Eyes: Shakespeare, Race, and Riots in the American Metropolis

Theatre-Making: Interplay Between Text and Performance in the 21st Century

Theatrical Voyeurism: Performing Rehearsal in the Spanish "Comedia Nueva"

Fantasy, A Means to Propagate Ideologies: A Foucauldian Reading of Albee's The Zoo Story

Clifford Odets' Social Criticism and Economic Determinism

Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Authoring Performance: The Director in Contemporary Theatre

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