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When Horror Becomes Human: Living Conditions in "Buffy the Vampire Slayer"

MLN, 2012-12, Vol.127 (5), p.1059-1070

Gerrits, Jeroen

2012

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ProQuest

Buffy's Voice: Buffy the Vampire Slayer's popular music soundtrack and contemporary feminism

Feminist media studies, 2013-09, Vol.13 (4), p.725-744

Hill, Kathryn

2013

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Performance as Authorship: Sarah Michelle Gellar and Buffy Season 6

Journal of film and video, 2016-12, Vol.68 (3-4), p.51-68

Hunter, Aaron

2016

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Working‐Class Hero? Fighting Neoliberal Precarity in Buffy's Sixth Season

Journal of popular culture, 2018-10, Vol.51 (5), p.1152-1171

Maloney‐Mangold, Michelle

2018

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Online Italian Fandoms of American TV Shows

Transformative works and cultures, 2015-06, Vol.19

Benecchi, Eleonora

2015

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"That Was Nifty": Willow Rosenberg Saves the World in "Buffy the Vampire Slayer"

Shofar (West Lafayette, Ind.), 2007-06, Vol.25 (4), p.64-77

Pateman, Matthew

2007

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"Tell My Mother I'm Sorry": On Chinese as a Minor Discourse

Chinese literature today, 2018-01, Vol.7 (1), p.143-152

Rojas, Carlos

2018

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Exploring the Contemporary Relevance of "Gypsy" Stereotypes in the Buffyverse

Journal of popular culture, 2015-04, Vol.48 (2), p.313-327

Beaudoin, Julianna

2015

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Technophobia and the Cyborg Menace: Buffy Summers as Neo-Human Avatar

Journal of the fantastic in the arts, 2008-09, Vol.19 (3 (74)), p.349-362

Bishop, Kyle

2008

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Solidarity and the Scoobies: an analysis of the -y suffix in the television series Buffy the Vampire Slayer

Language and literature (Harlow, England), 2007-02, Vol.16 (1), p.53-73

Mandala, Susan

2007

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Unlocking The Vampire Diaries: Genre, Authorship, and Quality in Teen TV horror

Gothic studies, 2013-05, Vol.15 (1), p.88-99

Williams, Rebecca

2013

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Shakespeare, television, and girl culture

Borrowers and lenders, 2014, Vol.9 (1)

Balizet, Ariane M

2014

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Horrible histories? Vampire television, period drama and spectacle

Horror studies, 2017-10, Vol.8 (2), p.313-328

Jowett, Lorna

2017

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Cult TV, Hip Hop, Shape-Shifters, and Vampire Slayers: A review of the literature at the intersection of adult education and popular culture

Adult education quarterly, 2009-02, Vol.59 (2), p.118-141

2009

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El espejo de Pandora: identidad y monstruosidad en Penny Dreadful

Brumal : Revista de Investigación sobre lo Fantástico = research journal on the fantastic, 2016-04, Vol.4 (1), p.35

Gagliardi, Lucas

2016

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Exploring Cabins in the Whedonverse Woods

Slayage (Murfreesboro, Tenn.), 2014, Vol.11-12 (2-1), p.23

Weyant, Curtis A

2014

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'Why Don't You Just Go Back Where You Came From?" or 'Slight Yams': 'Pangs" of Regret and Unresolved Ambivalence in Joss Whedon's California

Slayage (Murfreesboro, Tenn.), 2017, Vol.15 (1), p.49

2017

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Problematic Tropes of Bi Women in the Whedonverses

Slayage (Murfreesboro, Tenn.), 2017, Vol.15 (2), p.23

Liddell, Alex

2017

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A New Species of Humanities: The Marvelous Progeny of Humanism and Postmodern Theory

Journal of narrative theory, 2007-07, Vol.37 (2), p.217-245

Birrer, Doryjane

2007

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Gothic Vancouver: Blood Ties and Vampire Television

Gothic studies, 2012-11, Vol.14 (2), p.89-105

Peirse, Alison

2012

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Sound warrior: Voice, music and power in Dark Angel

Science fiction film and television, 2012-10, Vol.5 (2), p.179-199

Butkus, Clarice M

2012

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"I'm Nobody": The somatechnical construction of bodies and identity in Joss Whedon's Dollhouse

Feminist media studies, 2012-06, Vol.12 (2), p.265-280

Randell-Moon, Holly

2012

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Television: Horror's 'original' home

Horror studies, 2013-10, Vol.4 (2), p.159-171

Schmidt, Lisa

2013

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Original sin: Frontier horror, gothic anxiety and colonial monsters in The Vampire Diaries

Horror studies, 2017-10, Vol.8 (2), p.293-312

Lush, Rebecca M.

2017

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"The Lion Fell in Love with the Lamb": Gender, violence, and vampires

Feminist media studies, 2013-02, Vol.13 (1), p.14-28

2013

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When Horror Becomes Human: Living Conditions in "Buffy the Vampire Slayer"

Buffy's Voice: Buffy the Vampire Slayer's popular music soundtrack and contemporary feminism

Performance as Authorship: Sarah Michelle Gellar and Buffy Season 6

Working‐Class Hero? Fighting Neoliberal Precarity in Buffy's Sixth Season

Online Italian Fandoms of American TV Shows

"That Was Nifty": Willow Rosenberg Saves the World in "Buffy the Vampire Slayer"

"Tell My Mother I'm Sorry": On Chinese as a Minor Discourse

Exploring the Contemporary Relevance of "Gypsy" Stereotypes in the Buffyverse

Technophobia and the Cyborg Menace: Buffy Summers as Neo-Human Avatar

Solidarity and the Scoobies: an analysis of the -y suffix in the television series Buffy the Vampire Slayer

Unlocking The Vampire Diaries: Genre, Authorship, and Quality in Teen TV horror

Shakespeare, television, and girl culture

Horrible histories? Vampire television, period drama and spectacle

Cult TV, Hip Hop, Shape-Shifters, and Vampire Slayers: A review of the literature at the intersection of adult education and popular culture

El espejo de Pandora: identidad y monstruosidad en Penny Dreadful

Exploring Cabins in the Whedonverse Woods

'Why Don't You Just Go Back Where You Came From?" or 'Slight Yams': 'Pangs" of Regret and Unresolved Ambivalence in Joss Whedon's California

Problematic Tropes of Bi Women in the Whedonverses

A New Species of Humanities: The Marvelous Progeny of Humanism and Postmodern Theory

Gothic Vancouver: Blood Ties and Vampire Television

Sound warrior: Voice, music and power in Dark Angel

"I'm Nobody": The somatechnical construction of bodies and identity in Joss Whedon's Dollhouse

Television: Horror's 'original' home

Original sin: Frontier horror, gothic anxiety and colonial monsters in The Vampire Diaries

"The Lion Fell in Love with the Lamb": Gender, violence, and vampires

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