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When Horror Becomes Human: Living Conditions in "Buffy the Vampire Slayer"

MLN, 2012-12, Vol.127 (5), p.1059-1070

Gerrits, Jeroen

2012

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Performance as Authorship: Sarah Michelle Gellar and Buffy Season 6

Journal of film and video, 2016-12, Vol.68 (3-4), p.51-68

Hunter, Aaron

2016

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Working‐Class Hero? Fighting Neoliberal Precarity in Buffy's Sixth Season

Journal of popular culture, 2018-10, Vol.51 (5), p.1152-1171

Maloney‐Mangold, Michelle

2018

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Exploring the Contemporary Relevance of "Gypsy" Stereotypes in the Buffyverse

Journal of popular culture, 2015-04, Vol.48 (2), p.313-327

Beaudoin, Julianna

2015

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Horrible histories? Vampire television, period drama and spectacle

Horror studies, 2017-10, Vol.8 (2), p.313-328

Jowett, Lorna

2017

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A New Species of Humanities: The Marvelous Progeny of Humanism and Postmodern Theory

Journal of narrative theory, 2007-07, Vol.37 (2), p.217-245

Birrer, Doryjane

2007

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Sound warrior: Voice, music and power in Dark Angel

Science fiction film and television, 2012-10, Vol.5 (2), p.179-199

Butkus, Clarice M

2012

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Television: Horror's 'original' home

Horror studies, 2013-10, Vol.4 (2), p.159-171

Schmidt, Lisa

2013

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Original sin: Frontier horror, gothic anxiety and colonial monsters in The Vampire Diaries

Horror studies, 2017-10, Vol.8 (2), p.293-312

Lush, Rebecca M.

2017

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Cannibals in the Brecon Beacons: Torchwood, Place and Television Horror

Critical studies in television, 2011-09, Vol.6 (2), p.61-73

Williams, Rebecca

2011

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'Not an apocalypse, the apocalypse': Existential proletarisation and the possibility of soul in Joss Whedon's Dollhouse

Science fiction film and television, 2011-10, Vol.4 (2), p.225-248

Vinci, Tony M

2011

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Navigating uncertainty: trouble in Haven

Science fiction film and television, 2017-06, Vol.10 (2), p.251-265

Sexton, Max

2017

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Speaking about the Nation: Critiques from the Canadian Margins

Critical studies in television, 2011-09, Vol.6 (2), p.141-153

Byers, Michele

2011

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Arthur and Adaptation

Arthuriana (Dallas, Tex.), 2015-12, Vol.25 (4), p.36-50

HOWEY, ANN F.

2015

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Curating a fan history of vampires: 'What We Vid in the Shadows' at VidUKon 2016

Journal of adaptation in film & performance, 2017-12, Vol.10 (3), p.263-275

Stevens, E. Charlotte

2017

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Casting, Plotting, and Enchanting: Arthurian Women in Starz's "Camelot" and the BBC's "Merlin"

Arthuriana (Dallas, Tex.), 2015-03, Vol.25 (1), p.57-81

EDWARDS, JENNIFER C.

2015

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All Laura Palmer's Children: "Twin Peaks" and Gendering the Discourse of Influence

Cinema journal, 2016-04, Vol.55 (3), p.131-136

Och, Dana

2016

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To boldly grow up: navigating female adolescence in Star Trek and Lost in Space

Science fiction film and television, 2016-10, Vol.9 (3), p.393-415

Wilkinson, Zara T

2016

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Two of a Kind: Revaluing the Work of Acting Doubles in Orphan Black

Journal of film and video, 2016-12, Vol.68 (3-4), p.69-82

Shacklock, Zoë

2016

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Ontological Security, Authorship, and Resurrection: Exploring "Twin Peaks"' Social Media Afterlife

Cinema journal, 2016-04, Vol.55 (3), p.143-147

Williams, Rebecca

2016

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"Of Course There Are Werewolves and Vampires": "True Blood" and the Right to Rights for Other Species

American quarterly, 2013-09, Vol.65 (3), p.661-687

Hudson, Dale

2013

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Bringing Doctor Who back for the masses: regenerating cult, commodifying class

Science fiction film and television, 2016-06, Vol.9 (2), p.209-227

Haslop, Craig

2016

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Durham County Season 1: Genre and Genre Subversion

Canadian Journal of Film Studies, 2014-10, Vol.23 (2), p.2-25

Beard, William

2014

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Pushing boundaries?: Challenging traditional gender roles in Kyle XY

Science fiction film and television, 2015-04, Vol.8 (1), p.91-100

Brown, Shane

2015

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Fighting a war you've already lost: Zombies and zombis in Firefly/Serenity and Dollhouse

Science fiction film and television, 2011-10, Vol.4 (2), p.173-203

Canavan, Gerry

2011

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When Horror Becomes Human: Living Conditions in "Buffy the Vampire Slayer"

Performance as Authorship: Sarah Michelle Gellar and Buffy Season 6

Working‐Class Hero? Fighting Neoliberal Precarity in Buffy's Sixth Season

Exploring the Contemporary Relevance of "Gypsy" Stereotypes in the Buffyverse

Horrible histories? Vampire television, period drama and spectacle

A New Species of Humanities: The Marvelous Progeny of Humanism and Postmodern Theory

Sound warrior: Voice, music and power in Dark Angel

Television: Horror's 'original' home

Original sin: Frontier horror, gothic anxiety and colonial monsters in The Vampire Diaries

Cannibals in the Brecon Beacons: Torchwood, Place and Television Horror

'Not an apocalypse, the apocalypse': Existential proletarisation and the possibility of soul in Joss Whedon's Dollhouse

Navigating uncertainty: trouble in Haven

Speaking about the Nation: Critiques from the Canadian Margins

Arthur and Adaptation

Curating a fan history of vampires: 'What We Vid in the Shadows' at VidUKon 2016

Casting, Plotting, and Enchanting: Arthurian Women in Starz's "Camelot" and the BBC's "Merlin"

All Laura Palmer's Children: "Twin Peaks" and Gendering the Discourse of Influence

To boldly grow up: navigating female adolescence in Star Trek and Lost in Space

Two of a Kind: Revaluing the Work of Acting Doubles in Orphan Black

Ontological Security, Authorship, and Resurrection: Exploring "Twin Peaks"' Social Media Afterlife

"Of Course There Are Werewolves and Vampires": "True Blood" and the Right to Rights for Other Species

Bringing Doctor Who back for the masses: regenerating cult, commodifying class

Durham County Season 1: Genre and Genre Subversion

Pushing boundaries?: Challenging traditional gender roles in Kyle XY

Fighting a war you've already lost: Zombies and zombis in Firefly/Serenity and Dollhouse

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