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The Transformative Potential of Popular Television: The Case of Buffy the Vampire Slayer

Journal of transformative education, 2011-07, Vol.9 (3), p.165-182

2011

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III. Sex and Censorship: The Case of Buffy the Vampire Slayer

Feminism & psychology, 2009-02, Vol.19 (1), p.123-127

Burr, Vivien

2009

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DVD time: temporality, audience engagement and the new TV culture of digital video

Media international Australia incorporating Culture & policy, 2005-11 (117), p.137-147

Rob Cover

2005

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In ‘The Demon Section of the Card Catalogue’: Buffy Studies and Television Studies

Critical studies in television, 2006-03, Vol.1 (1), p.37-48

Wilcox, Rhonda

2006

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Buffy the Vampire Slayer: What Being Jewish has to do with it

Television & new media, 2005-05, Vol.6 (2), p.176-199

Stratton, Jon

2005

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‘It’s all my interpretation: Reading Spike through the subcultural celebrity of James Marsters

European Journal of Cultural Studies, 2005-08, Vol.8 (3), p.345-365

2005

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Friends are the family we choose for ourselves: Young people and families in the TV series Buffy the Vampire Slayer

Young (Stockholm, Sweden), 2005-08, Vol.13 (3), p.269-283

2005

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Solidarity and the Scoobies: an analysis of the -y suffix in the television series Buffy the Vampire Slayer

Language and literature (Harlow, England), 2007-02, Vol.16 (1), p.53-73

Mandala, Susan

2007

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Imagining the Family: Representations of Alternative Lifestyles in Buffy the Vampire Slayer

Qualitative social work : QSW : research and practice, 2007-09, Vol.6 (3), p.263-280

2007

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Fans with a lot at stake: Serious play and mimetic excess in Buffy the Vampire Slayer

European Journal of Cultural Studies, 2002-11, Vol.5 (4), p.427-449

Bloustien, Geraldine

2002

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Ambiguity and Sexuality in Buffy the Vampire Slayer: A Sartrean Analysis

Sexualities, 2003-11, Vol.6 (3-4), p.343-360

Burr, Vivien

2003

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Buffy the Vampire Slayer/Doctor Who/The Office/Our Friends in the North/The Singing Detective/Queer as Folk/Edge of Darkness

Critical studies in television, 2009-05, Vol.4 (1), p.108

Nelson, Robin

2009

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Cult TV, Hip Hop, Shape-Shifters, and Vampire Slayers: A review of the literature at the intersection of adult education and popular culture

Adult education quarterly, 2009-02, Vol.59 (2), p.118-141

2009

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Teen TV Meets T4: Assimilating The O.C. into British Youth Television

Critical studies in television, 2013-03, Vol.8 (1), p.14-35

Woods, Faye

2013

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Cannibals in the Brecon Beacons: Torchwood, Place and Television Horror

Critical studies in television, 2011-09, Vol.6 (2), p.61-73

Williams, Rebecca

2011

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The Queer Politics of Television/Queer TV: Theories, Histories, Politics

Critical studies in television, 2011-05, Vol.6 (1), p.128

Pettitt, Lance

2011

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Hell on Earth: Threats, Citizens and the State from Buffy to Beck

Cooperation and conflict, 2009-12, Vol.44 (4), p.400-419

BUUS, STEPHANIE

2009

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Speaking about the Nation: Critiques from the Canadian Margins

Critical studies in television, 2011-09, Vol.6 (2), p.141-153

Byers, Michele

2011

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Violence and Sex in Television Programs Do Not Sell Products in Advertisements

Psychological science, 2005-09, Vol.16 (9), p.702-708

Bushman, Brad J.

2005

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The Girls Who Waited? Female Companions and Gender in Doctor Who

Critical studies in television, 2014-03, Vol.9 (1), p.77-94

Jowett, Lorna

2014

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“Gypsies, Tramps & Thieves”: Examining Representations of Roma Culture in 70 Years of American Television

Journalism & mass communication quarterly, 2017-12, Vol.94 (4), p.1146-1171

2017

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Telecinematic stylistics: Language and style in fantasy TV series

Language and literature (Harlow, England), 2024-02, Vol.33 (1), p.3-24

Castro, Adrián

2024

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‘Youthification’ of drama through real-time storytelling: A production study of blank and the legacy of SKAM

Critical studies in television, 2021-06, Vol.16 (2), p.145-162

2021

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‘Great, she’s super-strong and she can alter time: Angel, visual pleasure and the cult action heroine

Critical studies in television, 2017-03, Vol.12 (1), p.21-34

Calvert, Bronwen

2017

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Distinguishing television: the changing meanings of television liveness

Media, culture & society, 2008-05, Vol.30 (3), p.393-409

Levine, Elana

2008

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The Transformative Potential of Popular Television: The Case of Buffy the Vampire Slayer

III. Sex and Censorship: The Case of Buffy the Vampire Slayer

DVD time: temporality, audience engagement and the new TV culture of digital video

In ‘The Demon Section of the Card Catalogue’: Buffy Studies and Television Studies

Buffy the Vampire Slayer: What Being Jewish has to do with it

‘It’s all my interpretation: Reading Spike through the subcultural celebrity of James Marsters

Friends are the family we choose for ourselves: Young people and families in the TV series Buffy the Vampire Slayer

Solidarity and the Scoobies: an analysis of the -y suffix in the television series Buffy the Vampire Slayer

Imagining the Family: Representations of Alternative Lifestyles in Buffy the Vampire Slayer

Fans with a lot at stake: Serious play and mimetic excess in Buffy the Vampire Slayer

Ambiguity and Sexuality in Buffy the Vampire Slayer: A Sartrean Analysis

Buffy the Vampire Slayer/Doctor Who/The Office/Our Friends in the North/The Singing Detective/Queer as Folk/Edge of Darkness

Cult TV, Hip Hop, Shape-Shifters, and Vampire Slayers: A review of the literature at the intersection of adult education and popular culture

Teen TV Meets T4: Assimilating The O.C. into British Youth Television

Cannibals in the Brecon Beacons: Torchwood, Place and Television Horror

The Queer Politics of Television/Queer TV: Theories, Histories, Politics

Hell on Earth: Threats, Citizens and the State from Buffy to Beck

Speaking about the Nation: Critiques from the Canadian Margins

Violence and Sex in Television Programs Do Not Sell Products in Advertisements

The Girls Who Waited? Female Companions and Gender in Doctor Who

“Gypsies, Tramps & Thieves”: Examining Representations of Roma Culture in 70 Years of American Television

Telecinematic stylistics: Language and style in fantasy TV series

‘Youthification’ of drama through real-time storytelling: A production study of blank and the legacy of SKAM

‘Great, she’s super-strong and she can alter time: Angel, visual pleasure and the cult action heroine

Distinguishing television: the changing meanings of television liveness

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