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"That Was Nifty": Willow Rosenberg Saves the World in "Buffy the Vampire Slayer"

Shofar (West Lafayette, Ind.), 2007-06, Vol.25 (4), p.64-77

Pateman, Matthew

2007

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Post-Vampire: The Politics of Drinking Humans and Animals in "Buffy the Vampire Slayer, Twilight", and "True Blood"

Journal of the fantastic in the arts, 2014-03, Vol.25 (2/3 (91)), p.347-365

Wright, Laura

2014

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Neologize Much?

American speech, 2004-02, Vol.79 (1), p.92-97

Bailey, Richard W

2004

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A New Species of Humanities: The Marvelous Progeny of Humanism and Postmodern Theory

Journal of narrative theory, 2007-07, Vol.37 (2), p.217-245

Birrer, Doryjane

2007

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Music, Sound and Silence in Buffy the Vampire Slayer. Edited by PaulAttinello, Janet K.Halfyard and VanessaKnights. Farnham: Ashgate, 2010. 278 pp. ISBN 978-0-7546-6041-2

Popular Music, 2012, Vol.31 (3), p.502-504

Lindelof, Anja Mølle

2012

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Hell on Earth: Threats, Citizens and the State from Buffy to Beck

Cooperation and conflict, 2009-12, Vol.44 (4), p.400-419

BUUS, STEPHANIE

2009

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Casting, Plotting, and Enchanting: Arthurian Women in Starz's "Camelot" and the BBC's "Merlin"

Arthuriana (Dallas, Tex.), 2015-03, Vol.25 (1), p.57-81

EDWARDS, JENNIFER C.

2015

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"Of Course There Are Werewolves and Vampires": "True Blood" and the Right to Rights for Other Species

American quarterly, 2013-09, Vol.65 (3), p.661-687

Hudson, Dale

2013

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Game of Thrones: Music in Complex TV

Music and the moving image, 2020-04, Vol.13 (1), p.21-42

Broad, Leah

2020

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WARM-BLOODED: TRUE BLOOD AND LET THE RIGHT ONE IN

Film quarterly, 2009-12, Vol.63 (2), p.31-37

Tyree, J. M

2009

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Vigilantes, Witches and Vampires: How Moral Populism Shapes Social Accountability in Northern Uganda

International journal on minority and group rights, 2015-01, Vol.22 (3), p.360-386

Allen, Tim

2015

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FROM SHERLOCK AND BUFFY TO KLINGON AND NORRATHIAN PLATINUM PIECES: PRETENSE, CONTEXTALISM, AND THE MYTH OF FICTION1

Philosophical issues, 2006-09, Vol.16 (1), p.162-183

Ludlow, Peter

2006

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How to Buy for the Children of the Night: Building a Collection on Vampire Myths

Reference and user services quarterly, 2000-10, Vol.40 (1), p.16-23

O'Keefe, Janet T.

2000

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Television and the Teenage Literate: Discourses of Felicity: Document View

College English, 2003, Vol.65 (4), p.389

Mackey, Margaret

2003

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Introduction: AfterLives: What's Next for Humanity

Journal of the fantastic in the arts, 2014-03, Vol.25 (2/3 (91)), p.223-225

Bishop, Kyle William

2014

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Black Girls Are from the Future: Afrofuturist Feminism in Octavia E. Butler's Fledgling

Women's studies quarterly, 2012-10, Vol.40 (3/4), p.148

Morris, Susana M

2012

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How to Buy for the Children of the Night.(building a library collection on vampire myths)

Reference and user services quarterly, 2000-09, Vol.40 (1), p.16-16

O'Keefe, Janet T

2000

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Beyond the Horizon of the Possible Worlds: A Historical Overview of Japanese Media Franchises

Mechademia, 2015-01, Vol.10, p.143-161

Saito, Satomi

2015

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A Monstrous Pedagogy

Rocky Mountain review (Rocky Mountain Modern Language Association), 2009-03, Vol.63 (1), p.96-104

Hughes, Jacob

2009

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Rhetorical Homologies in Walter Benjamin, The Ring, and Capital

Rhetoric Society quarterly, 2006-12, Vol.36 (4), p.449-469

Brummett, Barry

2006

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Librarian's Library: Where Scholars Meet Slayers

American Libraries, 2007, Vol.38 (4), p.80-81

Quinn, Mary Ellen

2007

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Rethinking singing on screen: the case for contemporary American ‘screensong’ across the film musical, music television and the music video

Popular music, 2021-05, Vol.40 (2), p.210-229

Macrossan, Phoebe

2021

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Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV’s Awkward

JCMS : Journal of cinema and media studies, 2021-08, Vol.60 (5), p.217-242

Vesey, Alyxandra

2021

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Television Genre / Musical Genre / Expressive Genre: Here's the story, of a lovely lady, Who was bringing up three very lovely girls

American music (Champaign, Ill.), 2019-12, Vol.37 (4), p.435

Rodman, Ron

2019

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The Disneyfication of Authorship: Above-the-Line Creative Labor in the Franchise Era

Journal of film and video, 2021-10, Vol.73 (3), p.3-22

Kidman, Shawna

2021

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"That Was Nifty": Willow Rosenberg Saves the World in "Buffy the Vampire Slayer"

Post-Vampire: The Politics of Drinking Humans and Animals in "Buffy the Vampire Slayer, Twilight", and "True Blood"

Neologize Much?

A New Species of Humanities: The Marvelous Progeny of Humanism and Postmodern Theory

Music, Sound and Silence in Buffy the Vampire Slayer. Edited by PaulAttinello, Janet K.Halfyard and VanessaKnights. Farnham: Ashgate, 2010. 278 pp. ISBN 978-0-7546-6041-2

Hell on Earth: Threats, Citizens and the State from Buffy to Beck

Casting, Plotting, and Enchanting: Arthurian Women in Starz's "Camelot" and the BBC's "Merlin"

"Of Course There Are Werewolves and Vampires": "True Blood" and the Right to Rights for Other Species

Game of Thrones: Music in Complex TV

WARM-BLOODED: TRUE BLOOD AND LET THE RIGHT ONE IN

Vigilantes, Witches and Vampires: How Moral Populism Shapes Social Accountability in Northern Uganda

FROM SHERLOCK AND BUFFY TO KLINGON AND NORRATHIAN PLATINUM PIECES: PRETENSE, CONTEXTALISM, AND THE MYTH OF FICTION1

How to Buy for the Children of the Night: Building a Collection on Vampire Myths

Television and the Teenage Literate: Discourses of Felicity: Document View

Introduction: AfterLives: What's Next for Humanity

Black Girls Are from the Future: Afrofuturist Feminism in Octavia E. Butler's Fledgling

How to Buy for the Children of the Night.(building a library collection on vampire myths)

Beyond the Horizon of the Possible Worlds: A Historical Overview of Japanese Media Franchises

A Monstrous Pedagogy

Rhetorical Homologies in Walter Benjamin, The Ring, and Capital

Librarian's Library: Where Scholars Meet Slayers

Rethinking singing on screen: the case for contemporary American ‘screensong’ across the film musical, music television and the music video

Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV’s Awkward

Television Genre / Musical Genre / Expressive Genre: Here's the story, of a lovely lady, Who was bringing up three very lovely girls

The Disneyfication of Authorship: Above-the-Line Creative Labor in the Franchise Era

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