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Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer

The journal of popular film and television, 2022-04, Vol.50 (2), p.80-92

Galati, Carmelo A.

2022

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Buffy's Voice: Buffy the Vampire Slayer's popular music soundtrack and contemporary feminism

Feminist media studies, 2013-09, Vol.13 (4), p.725-744

Hill, Kathryn

2013

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Buffy the Vampire Slayer and Xena: Warrior Princess: Reception of the Texts by a Sample of Lesbian Fans and Web Site Users

Journal of homosexuality, 2009-07, Vol.56 (5), p.575-609

2009

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Abandon All Hope Ye Who Enter...High School? Dante's Commedia and Buffy the Vampire Slayer

The journal of popular film and television, 2022-04, Vol.50 (2), p.80-92

Galati, Carmelo A.

2022

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S/He's a rebel: The James Dean trope in Buffy the Vampire Slayer

Continuum (Mount Lawley, W.A.), 2013-02, Vol.27 (1), p.124-140

Hill, Kathryn

2013

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Cops, Teachers, and Vampire Slayers: Buffy as Street-Level Bureaucrat

Administrative theory & praxis, 2011-12, Vol.33 (4), p.599-603

Mayo, Andrea E.

2011

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Online Italian Fandoms of American TV Shows

Transformative works and cultures, 2015-06, Vol.19

Benecchi, Eleonora

2015

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What are we?: adolescence, sex and intimacy in Buffy the Vampire Slayer

Continuum (Mount Lawley, W.A.), 2004-03, Vol.18 (1), p.121-137

Richards, Chris

2004

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"Tell My Mother I'm Sorry": On Chinese as a Minor Discourse

Chinese literature today, 2018-01, Vol.7 (1), p.143-152

Rojas, Carlos

2018

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'If we hear any inspirational power chords ...': Rock Music, Rock Culture on Buffy the Vampire Slayer

Continuum (Mount Lawley, W.A.), 2004-09, Vol.18 (3), p.406-422

Howell, Amanda

2004

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The X-Files and Buffy the Vampire Slayer: The Ambiguity of Evil in Supernatural Representations

The journal of popular film and television, 2000-07, Vol.28 (2), p.88-94

Braun, Beth

2000

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'Not to Be Toyed With': Drug Addiction, Bullying and Self-empowerment in Buffy the Vampire Slayer

Continuum (Mount Lawley, W.A.), 2005-03, Vol.19 (1), p.85-101

Cover, Rob

2005

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Teaching Buffy : The curriculum and the text in Media Studies

Continuum (Mount Lawley, W.A.), 2003-03, Vol.17 (1), p.19-31

TURNBULL, SUE

2003

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'Bite Me': Buffy and the penetration of the gendered warrior-hero

Continuum (Mount Lawley, W.A.), 2002-06, Vol.16 (2), p.185-199

Buttsworth, Sara

2002

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Postmodern Gothic: Buffy, the X-Files and the Clinton Presidency

Continuum (Mount Lawley, W.A.), 2005-03, Vol.19 (1), p.103-116

Milner, Andrew

2005

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'Best. Show. Eever.': Who killed Veronica Mars?

Journal of popular television, 2013-04, Vol.1 (1), p.39-52

Paproth, Matthew

2013

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Buffy the Vampire Slayer: a critical reading of the series

Historical Journal of Film, Radio, and Television, 2007, Vol.27 (4), p.600

Helfrich, Ronald

2007

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Horrible histories? Vampire television, period drama and spectacle

Horror studies, 2017-10, Vol.8 (2), p.313-328

Jowett, Lorna

2017

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Post-pleasure: Representations, ideologies and affects of a newly post-9/11 "feminist icon"

Feminist media studies, 2007-03, Vol.7 (1), p.1-15

Graham, Helen

2007

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"I'm Nobody": The somatechnical construction of bodies and identity in Joss Whedon's Dollhouse

Feminist media studies, 2012-06, Vol.12 (2), p.265-280

Randell-Moon, Holly

2012

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Television: Horror's 'original' home

Horror studies, 2013-10, Vol.4 (2), p.159-171

Schmidt, Lisa

2013

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Original sin: Frontier horror, gothic anxiety and colonial monsters in The Vampire Diaries

Horror studies, 2017-10, Vol.8 (2), p.293-312

Lush, Rebecca M.

2017

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"The Lion Fell in Love with the Lamb": Gender, violence, and vampires

Feminist media studies, 2013-02, Vol.13 (1), p.14-28

2013

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Muslim male segmentation: the male gaze and girl power in Malaysian vampire movies

Journal of Islamic marketing, 2017-01, Vol.8 (1), p.95-106

2017

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Vampires in Film and Television

The journal of popular film and television, 1999-07, Vol.27 (2), p.2

Heldreth, Leonard G

1999

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Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer

Buffy's Voice: Buffy the Vampire Slayer's popular music soundtrack and contemporary feminism

Buffy the Vampire Slayer and Xena: Warrior Princess: Reception of the Texts by a Sample of Lesbian Fans and Web Site Users

Abandon All Hope Ye Who Enter...High School? Dante's Commedia and Buffy the Vampire Slayer

S/He's a rebel: The James Dean trope in Buffy the Vampire Slayer

Cops, Teachers, and Vampire Slayers: Buffy as Street-Level Bureaucrat

Online Italian Fandoms of American TV Shows

What are we?: adolescence, sex and intimacy in Buffy the Vampire Slayer

"Tell My Mother I'm Sorry": On Chinese as a Minor Discourse

'If we hear any inspirational power chords ...': Rock Music, Rock Culture on Buffy the Vampire Slayer

The X-Files and Buffy the Vampire Slayer: The Ambiguity of Evil in Supernatural Representations

'Not to Be Toyed With': Drug Addiction, Bullying and Self-empowerment in Buffy the Vampire Slayer

Teaching Buffy : The curriculum and the text in Media Studies

'Bite Me': Buffy and the penetration of the gendered warrior-hero

Postmodern Gothic: Buffy, the X-Files and the Clinton Presidency

'Best. Show. Eever.': Who killed Veronica Mars?

Buffy the Vampire Slayer: a critical reading of the series

Horrible histories? Vampire television, period drama and spectacle

Post-pleasure: Representations, ideologies and affects of a newly post-9/11 "feminist icon"

"I'm Nobody": The somatechnical construction of bodies and identity in Joss Whedon's Dollhouse

Television: Horror's 'original' home

Original sin: Frontier horror, gothic anxiety and colonial monsters in The Vampire Diaries

"The Lion Fell in Love with the Lamb": Gender, violence, and vampires

Muslim male segmentation: the male gaze and girl power in Malaysian vampire movies

Vampires in Film and Television

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