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Screening and disclosing fantasy: rear projection in Hitchcock

Screen (London), 2015-03, Vol.56 (1), p.1-24

Bronfen, Elisabeth

2015

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Reviews -- Over Her Dead Body: Death, Femininity and the Aesthetic by Elisabeth Bronfen / Death Comes to the Maiden: Sex and Execution 1431-1933 by Camille Naish

Tulsa Studies in Women's Literature, 1994, Vol.13 (2), p.391

Boyer, Pat E

1994

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Gaze and voice as love objects

1996

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Ophelia, the Singing Corpse: Pleasure and the Gaze in Where the Wild Roses Grow

Neo-Victorian studies, 2010, Vol.3 (2), p.56

Zeleny, Rachael Baitch

2010

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ACADEMY AWARD: A new volume analyzes Dietrich in and out of the seminar room

Bookforum, 2007, Vol.14 (3)

Weber, Caroline

2007

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Specters of Mob in David Cronenberg’s Eastern Promises

Humanities (Basel), 2021-12, Vol.10 (4), p.116

Bayer, Gerd

2021

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Veiling and unveiling: Ill, dying, and dead bodies in contemporary elegies

Orbis litterarum, 2022-02, Vol.77 (1), p.70-81

Lambrecht, Bram

2022

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fake_fashion_agency: Aesthetical making and vestimentary tactics between geniuses, creativity and Shanzhai

Clothing cultures, 2019-03, Vol.6 (1), p.77-96

Venohr, Dagmar

2019

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Desire, Deviation, Double Entendre: The Aesthetics of Sexuality in Der blaue Engel Revisited

The journal of popular film and television, 2014-04, Vol.42 (2), p.91-104

Pilipp, Frank

2014

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Tracing Ophelia from Millais to Contemporary Art: Literary, Pictorial and Digital Icons

Cahiers victoriens & édouardiens, 2019-06, Vol.89 (89 Spring), p.1-12

Roussillon-Constanty, Laurence

2019

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"Many a time and oft had I broken my Neck for their amusement": The Corpse, the Child, and the Aestheticization of Death in Shakespeare's "Richard III" and "King John"

Comparative drama, 2016-06, Vol.50 (2/3), p.209-232

Miller, Gemma

2016

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Show and Tell: Sleeping Beauty as Verbal Icon and Seductive Story

Marvels & tales, 2014-01, Vol.28 (1), p.142-158

Tatar, Maria

2014

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Painted Portraits and Androgynous Apparitions in the Haunted-Portrait Narratives of Vernon Lee and E. Nesbit

Women's writing : the Elizabethan to Victorian period, 2021-10, Vol.28 (4), p.589-604

Murphy, Ian

2021

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Noli Me Tangere: the efflorescence of the third skin in the torsions of pain in Howard Barker's The Europeans

Textual practice, 2019-01, Vol.33 (1), p.99-133

Fakhrkonandeh, Alireza

2019

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Narrative Ethics and Alterity in Adichie's Novel Americanah

CLCWeb : Comparative literature and culture, 2015-12, Vol.17 (5), p.9

Berning, Nora

2015

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Freedom from Oneself: Artistry and the Postcolonial Woman Artist in Nina Bouraoui's "La Voyeuse interdite"

French forum, 2013, Vol.38 (1/2), p.237-250

KEMP, ANNA

2013

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Radcliffe's Aesthetics: Or, The Problem With Burke And Lewis

Women's writing : the Elizabethan to Victorian period, 2015-07, Vol.22 (3), p.317-330

Smith, Andrew

2015

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Promising Monsters: Pregnant Bodies, Artistic Subjectivity, and Maternal Imagination

Hypatia, 2006-01, Vol.21 (1), p.80-100

Betterton, Rosemary

2006

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Rethinking Theatrical Images of the New Woman in China's Republican Era

CLCWeb : Comparative literature and culture, 2013-06, Vol.15 (2), p.10

Guo, Li

2013

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Jessie Fauset's Not-So-New Negro Womanhood: The Harlem Renaissance, the Long Nineteenth Century, and Legacies of Feminine Representation

Legacy (Amherst, Mass.), 2015-01, Vol.32 (2), p.258-280

Goldsmith, Meredith

2015

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Francesca Woodman's Dark Gaze: The Diazotypes and Other Late Works

Raymond, Claire

1, 2016

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Of Holes and Wounds: Postcolonial Trauma and the Gothic in Catherine Jinks's The Road

ES review (Internet), 2018-01, Vol.39 (39), p.193-214

Arizti Martín, Bárbara

2018

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'Es schmeckt nach Kino': Provocative Display and Gestures of Exposure in and around Gottfried Benn's Morgue und andere Gedichte

German studies review, 2019-05, Vol.42 (2), p.213-238

McIsaac, Peter M

2019

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Figuring the past: period film and the mannerist aesthetic

Vidal, Belén

1st ed., 2012

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Dead Bodies on Stage

Journal of Contemporary Drama in English, 2013-05, Vol.1 (1), p.43-53

Hesse, Beatrix

2013

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Screening and disclosing fantasy: rear projection in Hitchcock

Reviews -- Over Her Dead Body: Death, Femininity and the Aesthetic by Elisabeth Bronfen / Death Comes to the Maiden: Sex and Execution 1431-1933 by Camille Naish

Gaze and voice as love objects

Ophelia, the Singing Corpse: Pleasure and the Gaze in Where the Wild Roses Grow

ACADEMY AWARD: A new volume analyzes Dietrich in and out of the seminar room

Specters of Mob in David Cronenberg’s Eastern Promises

Veiling and unveiling: Ill, dying, and dead bodies in contemporary elegies

fake_fashion_agency: Aesthetical making and vestimentary tactics between geniuses, creativity and Shanzhai

Desire, Deviation, Double Entendre: The Aesthetics of Sexuality in Der blaue Engel Revisited

Tracing Ophelia from Millais to Contemporary Art: Literary, Pictorial and Digital Icons

"Many a time and oft had I broken my Neck for their amusement": The Corpse, the Child, and the Aestheticization of Death in Shakespeare's "Richard III" and "King John"

Show and Tell: Sleeping Beauty as Verbal Icon and Seductive Story

Painted Portraits and Androgynous Apparitions in the Haunted-Portrait Narratives of Vernon Lee and E. Nesbit

Noli Me Tangere: the efflorescence of the third skin in the torsions of pain in Howard Barker's The Europeans

Narrative Ethics and Alterity in Adichie's Novel Americanah

Freedom from Oneself: Artistry and the Postcolonial Woman Artist in Nina Bouraoui's "La Voyeuse interdite"

Radcliffe's Aesthetics: Or, The Problem With Burke And Lewis

Promising Monsters: Pregnant Bodies, Artistic Subjectivity, and Maternal Imagination

Rethinking Theatrical Images of the New Woman in China's Republican Era

Jessie Fauset's Not-So-New Negro Womanhood: The Harlem Renaissance, the Long Nineteenth Century, and Legacies of Feminine Representation

Francesca Woodman's Dark Gaze: The Diazotypes and Other Late Works

Of Holes and Wounds: Postcolonial Trauma and the Gothic in Catherine Jinks's The Road

'Es schmeckt nach Kino': Provocative Display and Gestures of Exposure in and around Gottfried Benn's Morgue und andere Gedichte

Figuring the past: period film and the mannerist aesthetic

Dead Bodies on Stage

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