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Music Learning as Life in an African American Family: The Story of Charlie Gabriel in New Orleans

Journal of historical research in music education, 2022-04, Vol.43 (2), p.115-141

2022

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Plus ça Change. . . Perceptions of New Orleans English Before and After the Storm

Journal of English linguistics, 2023-06, Vol.51 (2), p.95-132

2023

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In New Orleans, We Might Say It Like This . . .: Authenticity, Place, and HBO’s Treme

Television & new media, 2012-05, Vol.13 (3), p.235-242

2012

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Buskers of New Orleans: Transgressive Sociology in the Urban Underbelly

Journal of contemporary ethnography, 2018-06, Vol.47 (3), p.306-335

Marina, Peter

2018

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Rhythm and Race: Riffs on New Orleans History

Journal of Urban History, 2014-01, Vol.40 (1), p.201-206

Goldsby Kolb, Carolyn

2014

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People Want to See What Happened: Treme, Televisual Tourism, and the Racial Remapping of Post-Katrina New Orleans

Television & new media, 2012-05, Vol.13 (3), p.213-224

2012

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A minor theory of direct action politics and performance in New Orleans’ economic justice movement

Environment and planning. D, Society & space, 2022-02, Vol.40 (1), p.158-174

Keegan, Caroline

2022

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Performing New Orleans: Toward a Political Poetics

The Review of Black political economy, 2011-12, Vol.38 (4), p.349-362

Louis, Ross

2011

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Moving to a shrinking city? Some suggestive observations on why college-educated professionals came to New Orleans and why they stayed

Urban studies (Edinburgh, Scotland), 2018-09, Vol.55 (12), p.2762-2779

2018

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Funk jamming in New Orleans: Musical interaction in practice and theory

International journal of music education, 2018-08, Vol.36 (3), p.430-446

Brinck, Lars

2018

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Personalising disaster: Community storytelling and sharing in New Orleans post-Katrina tourism

Tourist studies, 2021-06, Vol.21 (2), p.156-177

2021

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Children of Omar: Resistance and Reliance in the Expressive Cultures of Black New Orleans Cultures

Journal of urban history, 2009-07, Vol.35 (5), p.656-667

Griffin, Farah Jasmine

2009

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Creole Urbanism: Searching for an Urban Future in the Flooded Streets of New Orleans

Space and culture, 2006-02, Vol.9 (1), p.103-106

Wagner, Jacob A.

2006

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Music and the politics of space: Acoustic territories in New Orleans

Communication and the public, 2017-12, Vol.2 (4), p.305-319

Stiegler, Zack

2017

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Carnival and Spectacle in Krewe de Vieux and the Mystic Krewe of Spermes: The Mingling of Organization and Celebration

Organization studies, 2008-12, Vol.29 (12), p.1565-1589

2008

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The duality of space: The built world of Du Bois’ double-consciousness

Environment and planning. D, Society & space, 2018-02, Vol.36 (1), p.3-22

Brand, Anna Livia

2018

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Resounding Silence in the Streets of a Musical City

Space and culture, 2006-02, Vol.9 (1), p.41-44

Sakakeeny, Matt

2006

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Museums and Meaning-Making: Historical Narratives, Baby Dolls, and Teaching Voodoo in New Orleans

Collections (Walnut Creek, Calif.), 2013-12, Vol.9 (4), p.353-378

Müller-Schwarze, Nina K.

2013

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The Politics of Myth-making: an Analysis of the Struggle for the “Correct” Appropriation of New Orleans' Voodoo Queen Marie Laveaux

Social compass, 1996-12, Vol.43 (4), p.613-628

FANDRICH, Ina Johanna

1996

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A Student Social Worker's Reflection of the Self and Professional Identity Following the Impact of Hurricane Katrina on New Orleans

Traumatology (Tallahassee, Fla.), 2008-12, Vol.14 (4), p.32-37

Boyer, Ellen

2008

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Music Industry Showcase Sessions New Orleans, Louisiana

Music educators journal, 1992-03, Vol.78 (7), p.64-66

1992

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Exhibitors MENC National Biennial In-Service Conference April 8–11, 1992 New Orleans, Louisiana

Music educators journal, 1992-03, Vol.78 (7), p.67-68

1992

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The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

Journal of historical research in music education, 2022-04, Vol.43 (2), p.205-227

2022

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The Marsalis Family and the Democratic Imperative in Jazz

Race & class, 2001-07, Vol.43 (1), p.1-28

Ellison, Mary

2001

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Jazz in New Orleans

Music educators journal, 1957-06, Vol.43 (6), p.42-45

Souchon, Edmund

1957

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Music Learning as Life in an African American Family: The Story of Charlie Gabriel in New Orleans

Plus ça Change. . . Perceptions of New Orleans English Before and After the Storm

In New Orleans, We Might Say It Like This . . .: Authenticity, Place, and HBO’s Treme

Buskers of New Orleans: Transgressive Sociology in the Urban Underbelly

Rhythm and Race: Riffs on New Orleans History

People Want to See What Happened: Treme, Televisual Tourism, and the Racial Remapping of Post-Katrina New Orleans

A minor theory of direct action politics and performance in New Orleans’ economic justice movement

Performing New Orleans: Toward a Political Poetics

Moving to a shrinking city? Some suggestive observations on why college-educated professionals came to New Orleans and why they stayed

Funk jamming in New Orleans: Musical interaction in practice and theory

Personalising disaster: Community storytelling and sharing in New Orleans post-Katrina tourism

Children of Omar: Resistance and Reliance in the Expressive Cultures of Black New Orleans Cultures

Creole Urbanism: Searching for an Urban Future in the Flooded Streets of New Orleans

Music and the politics of space: Acoustic territories in New Orleans

Carnival and Spectacle in Krewe de Vieux and the Mystic Krewe of Spermes: The Mingling of Organization and Celebration

The duality of space: The built world of Du Bois’ double-consciousness

Resounding Silence in the Streets of a Musical City

Museums and Meaning-Making: Historical Narratives, Baby Dolls, and Teaching Voodoo in New Orleans

The Politics of Myth-making: an Analysis of the Struggle for the “Correct” Appropriation of New Orleans' Voodoo Queen Marie Laveaux

A Student Social Worker's Reflection of the Self and Professional Identity Following the Impact of Hurricane Katrina on New Orleans

Music Industry Showcase Sessions New Orleans, Louisiana

Exhibitors MENC National Biennial In-Service Conference April 8–11, 1992 New Orleans, Louisiana

The Development of Marching Band Traditions at Historically Black Colleges and Universities: The Human Jukebox versus the Sonic Boom of the South

The Marsalis Family and the Democratic Imperative in Jazz

Jazz in New Orleans

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