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LA REVISTA ANCLAJES EN EL PAÍS DE NOMEACUERDO

Anclajes : revista del Instituto de Análisis Semiótico del Discurso, 2021-09, Vol.25 (3), p.17-26

Deffis, Emilia

2021

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Popular Music and the Underground: Foundations of Jazz, Blues, Country, and Rock, 1900-1950

Notes (Music Library Association), 1997, Vol.54 (2), p.494

1997

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Black music and musicians in the nineteenth century

The Western journal of black studies, 2005-09, Vol.29 (3), p.615-621

Taylor, Fredrick J

2005

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Perspectives on American Music, 1900-1950

Music Library Association. Notes, 2001, Vol.58 (1), p.101-103

Beal, Amy C.

2001

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Blues and Evil

Notes, 1996, Vol.52 (4), p.1183-1184

1996

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Literature as prophecy: Toni Morrison as prophetic writer

Watson, Khalilah Tyri

2009

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Richard Rodgers: The Man and His Music

Music educators journal, 2002-05, Vol.88 (6), p.17-60

Mason, Keith

2002

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Syncope Fever: James Weldon Johnson and the Black Phonographic Voice

Representations (Berkeley, Calif.), 2006-11, Vol.96 (1), p.99-125

BIERS, KATHERINE

2006

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Evolutionary Music Education: Robert W. Claiborne and The Way Man Learned Music (1927)

Journal of historical research in music education, 2019-10, Vol.41 (1), p.33-54

Hanson, Josef

2019

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The Power of Music: Issues of Agency and Social Practice

Social analysis, 2013-07, Vol.57 (2), p.21-40

Long, Norman

2013

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Boys Will Be Boys: Working-Class Masculinities in the Age of Mass Production

International labor and working class history, 2006-03, Vol.69 (1), p.6-34

Heron, Craig

2006

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Musical stratification: Explaining the aesthetic mobility of music genres

Lee, Steve Sungchu

2007

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(In) Secure Times: Constructing White Working-Class Masculinities in the Late 20th Century

Gender & society, 1997-02, Vol.11 (1), p.52-68

1997

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Soul Vibrations: Black Music and Black Freedom in Sound and Space

American quarterly, 2011-09, Vol.63 (3), p.673-696

Wald, Gayle

2011

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Decolonizing Colleen: Gender, Power, and Diaspora in Irish Music in the United States

Connell, Claire

2011

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The Geography of Class in an Industrial American City: Connections between Workplace and Neighborhood Politics

Social Problems, 2003-08, Vol.50 (3), p.319-347

2003

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The Stripping Cowboy: Music, Medium, and Movement in the Male Strip Show(s)

Cultural studies, critical methodologies, 2014-06, Vol.14 (3), p.286-290

Staszel, John Paul

2014

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Vox Americana: Voice, race, and nation in U.S. music, 1890-1924

Carter, Scott A

2014

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The University of Illinois Band Clinics 1930–1954

Journal of historical research in music education, 2021-10, Vol.43 (1), p.53-78

Meyers, Brian D.

2021

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Personality, Character, and Self-Expression: The YMCA and the Construction of Manhood and Class, 1877-1920

Men and masculinities, 2000-01, Vol.2 (3), p.272-285

WINTER, THOMAS

2000

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Going To and Fro and Walking Up and Down Meets “I Do This, I Do That”: Reconnecting Charles Reznikoff and Frank O’Hara

Studies in American Jewish literature (1981), 2023-03, Vol.42 (1), p.31-54

Davis, Allison Pitinii

2023

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John Philip Sousa as Music Educator and Fundraiser during World War I

Journal of historical research in music education, 2019-04, Vol.40 (2), p.143-169

Sullivan, Jill M.

2019

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The filth and the fury: 6 Denmark Street (London) and the Sex Pistols

Antiquity, 2011-12, Vol.85 (330), p.1385-1401

2011

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Trumpeting Down the Walls of Jericho: The Politics of Art, Music and Emotion in German-American Relations, 1870–1920

Journal of social history, 2003-03, Vol.36 (3), p.585-613

Jessica C. E. Gienow-Hecht

2003

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Roti and Doubles as Comfort Foods for the Trinidadian Diaspora in Canada, the United States, and Britain

Social research, 2014-07, Vol.81 (2), p.463-488

Plaza, Dwaine

2014

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LA REVISTA ANCLAJES EN EL PAÍS DE NOMEACUERDO

Popular Music and the Underground: Foundations of Jazz, Blues, Country, and Rock, 1900-1950

Black music and musicians in the nineteenth century

Perspectives on American Music, 1900-1950

Blues and Evil

Literature as prophecy: Toni Morrison as prophetic writer

Richard Rodgers: The Man and His Music

Syncope Fever: James Weldon Johnson and the Black Phonographic Voice

Evolutionary Music Education: Robert W. Claiborne and The Way Man Learned Music (1927)

The Power of Music: Issues of Agency and Social Practice

Boys Will Be Boys: Working-Class Masculinities in the Age of Mass Production

Musical stratification: Explaining the aesthetic mobility of music genres

(In) Secure Times: Constructing White Working-Class Masculinities in the Late 20th Century

Soul Vibrations: Black Music and Black Freedom in Sound and Space

Decolonizing Colleen: Gender, Power, and Diaspora in Irish Music in the United States

The Geography of Class in an Industrial American City: Connections between Workplace and Neighborhood Politics

The Stripping Cowboy: Music, Medium, and Movement in the Male Strip Show(s)

Vox Americana: Voice, race, and nation in U.S. music, 1890-1924

The University of Illinois Band Clinics 1930–1954

Personality, Character, and Self-Expression: The YMCA and the Construction of Manhood and Class, 1877-1920

Going To and Fro and Walking Up and Down Meets “I Do This, I Do That”: Reconnecting Charles Reznikoff and Frank O’Hara

John Philip Sousa as Music Educator and Fundraiser during World War I

The filth and the fury: 6 Denmark Street (London) and the Sex Pistols

Trumpeting Down the Walls of Jericho: The Politics of Art, Music and Emotion in German-American Relations, 1870–1920

Roti and Doubles as Comfort Foods for the Trinidadian Diaspora in Canada, the United States, and Britain

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