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James Baldwin and The Sound of Soul

CR (East Lansing, Mich.), 2016-10, Vol.16 (2), p.31-46

Lordi, Emily J.

2016

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"Come. Glory in My Wonder's Will": An Interview with Wanda Coleman

Melus, 2015-03, Vol.40 (1), p.195-205

2015

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The Stephen Dedalus Blues: Travel, Trains, and a Blues Sensibility in "A Portrait of the Artist as a Young Man"

James Joyce quarterly, 2011-04, Vol.48 (3), p.477-494

McCombe, John

2011

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"Structure Would Equal Meaning": Blues and Jazz Aesthetics in the Fiction of Nella Larsen

Tulsa studies in women's literature, 2009-09, Vol.28 (2), p.267-289

Harrisoiv-Kahan, Lori

2009

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"JAZZ" AND THE FUTURE BLUES: TONI MORRISON'S URBAN FOLK ZONE

Modern fiction studies, 2006-07, Vol.52 (2), p.470-494

Scheiber, Andrew

2006

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A New Road and a Dead End in Sherman Alexie's Reservation Blues

The Arizona quarterly, 2007-06, Vol.63 (2), p.137-152

Andrews, Scott

2007

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The Role of the Blues in Gayl Jones's "Corregidora"

Callaloo, 2002, Vol.25 (1), p.257-273

Allen, Donia Elizabeth

2002

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Chinua Achebe's Blue Notes: Toward a Critical Recording of Things Fall Apart's Blues and Jazz Sensibility

Research in African literatures, 2016-03, Vol.47 (1), p.109-127

Okonkwo, Christopher N.

2016

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SUBVERTING THE GERMAN VOLK: Racial and Musical Impurity in Esi Edugyan's "Half-Blood Blues"

Callaloo, 2014-04, Vol.37 (2), p.413-431

McKibbin, Molly Littlewood

2014

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'Anarchy on the Rez': The Blues, Popular Culture, and Survival in Sherman Alexie's Reservation Blues

American Indian culture and research journal, 2016-01, Vol.40 (3), p.1-22

Moling, Martin

2016

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A Comparative Analysis of Text and Music and Gender and Audience in Duke Bluebeard's Castle

CLCWeb : Comparative literature and culture, 1999-12, Vol.1 (4)

Fábry, Andrea

1999

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"Crimes of Racial and Generic Mixing in John A. Williams's "Clifford's Blues

Journal of narrative theory, 2014-06, Vol.44 (2), p.267-303

Bollinger, Heidi Elisabeth

2014

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"Dont play no blues": Race, Music, and Mourning in Faulkner's "Sanctuary"

The Faulkner journal, 2009-04, Vol.24 (2), p.77-98

Nunn, Erich

2009

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Novel Sounds: Southern Fiction in the Age of Rock and Roll by Florence Dore (review)

Modern Fiction Studies, 2019-12, Vol.65 (4), p.740-742

Ryan, Tim A

2019

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"THEIR SONG FILLED THE WHOLE NIGHT": "NOT WITHOUT LAUGHTER", HINTERLANDS JAZZ, AND RURAL MODERNITY

College literature, 2014-09, Vol.41 (4), p.94-110

OLER, ANDY

2014

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Unmaking Generations: On Gayl Jones’s Corregidora and the Pastness of the Past

Twentieth century literature, 2018-09, Vol.64 (3), p.275-294

Haddox, Thomas F.

2018

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Dessa's Blues: reimagining the master's narrative in Sherley Anne Williams's Dessa Rose

The Western journal of black studies, 2012-12, Vol.36 (4), p.314-324

Seliger, Mary A

2012

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Seaside Resort Blues: The English Seaside in the 1930s

Hungarian journal of English and American studies, 2021-04, Vol.27 (1), p.33-48

Richter, Virginia

2021

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Faulkner's Persistence

Studies in the Novel, 2018-09, Vol.50 (3), p.441-444

Horn, Patrick E

2018

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Ellison's Rinehart and Count Basie's: Invisible Man and ‘Harvard Blues’

Notes and queries, 2007-06, Vol.54 (2), p.181-183

Conti, Brooke

2007

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A NONNEGOTIABLE BLUES CATHARSIS IN CHARACTER: BILLIE HOLIDAY IN "LADY SINGS THE BLUES" AND URSA CORREGIDORA IN "CORREGIDORA"

CLA journal, 2006-09, Vol.50 (1), p.37-63

Hawkins, Alfonso W.

2006

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Blues Tradition and Culture in Ellen Douglas's "Can't Quit You, Baby"

The Mississippi quarterly, 2009-06, Vol.62 (4), p.605-619

REA, ROBERT

2009

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Jacques Poulin’s Volkswagen Blues: A journey through American texts

THÉLÈME : Revista complutense de estudios franceses, 2020-01, Vol.35 (2), p.269

Sanz-Lázaro, Fernando

2020

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The Elsewhere Swerve: Polyrhythmic Epistemology and Inclusive History in Charlotte Carter’s Jazz Detective Fiction Novel Coq au Vin (1999)

The Arizona quarterly, 2016-03, Vol.72 (1), p.105-126

Istomina, Julia

2016

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A non-negotiable Blues catharsis: Billie and Ursa: Lady Sings the Blues and Corregidora

The Western journal of black studies, 2005-09, Vol.29 (3), p.656-665

Hawkins, Alfonso

2005

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James Baldwin and The Sound of Soul

"Come. Glory in My Wonder's Will": An Interview with Wanda Coleman

The Stephen Dedalus Blues: Travel, Trains, and a Blues Sensibility in "A Portrait of the Artist as a Young Man"

"Structure Would Equal Meaning": Blues and Jazz Aesthetics in the Fiction of Nella Larsen

"JAZZ" AND THE FUTURE BLUES: TONI MORRISON'S URBAN FOLK ZONE

A New Road and a Dead End in Sherman Alexie's Reservation Blues

The Role of the Blues in Gayl Jones's "Corregidora"

Chinua Achebe's Blue Notes: Toward a Critical Recording of Things Fall Apart's Blues and Jazz Sensibility

SUBVERTING THE GERMAN VOLK: Racial and Musical Impurity in Esi Edugyan's "Half-Blood Blues"

'Anarchy on the Rez': The Blues, Popular Culture, and Survival in Sherman Alexie's Reservation Blues

A Comparative Analysis of Text and Music and Gender and Audience in Duke Bluebeard's Castle

"Crimes of Racial and Generic Mixing in John A. Williams's "Clifford's Blues

"Dont play no blues": Race, Music, and Mourning in Faulkner's "Sanctuary"

Novel Sounds: Southern Fiction in the Age of Rock and Roll by Florence Dore (review)

"THEIR SONG FILLED THE WHOLE NIGHT": "NOT WITHOUT LAUGHTER", HINTERLANDS JAZZ, AND RURAL MODERNITY

Unmaking Generations: On Gayl Jones’s Corregidora and the Pastness of the Past

Dessa's Blues: reimagining the master's narrative in Sherley Anne Williams's Dessa Rose

Seaside Resort Blues: The English Seaside in the 1930s

Faulkner's Persistence

Ellison's Rinehart and Count Basie's: Invisible Man and ‘Harvard Blues’

A NONNEGOTIABLE BLUES CATHARSIS IN CHARACTER: BILLIE HOLIDAY IN "LADY SINGS THE BLUES" AND URSA CORREGIDORA IN "CORREGIDORA"

Blues Tradition and Culture in Ellen Douglas's "Can't Quit You, Baby"

Jacques Poulin’s Volkswagen Blues: A journey through American texts

The Elsewhere Swerve: Polyrhythmic Epistemology and Inclusive History in Charlotte Carter’s Jazz Detective Fiction Novel Coq au Vin (1999)

A non-negotiable Blues catharsis: Billie and Ursa: Lady Sings the Blues and Corregidora

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