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Godard Gets the Blues: Movies, Music, and Baraka

L'Esprit créateur, 2018-12, Vol.58 (4), p.149-167

Melehy, Hassan

2018

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White Woods and "Blue Jasmine": Woody Allen Rewrites "A Streetcar Named Desire"

Literature film quarterly, 2015-07, Vol.43 (3), p.188-201

Foster, Verna A.

2015

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How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s

Estudios irlandeses, 2021-03 (16), p.298-301

Mangaoang, Aine

2021

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Kurt Weill's The River Is Blue: “Film-Opera” and Politics in 1930s Hollywood

Journal of the Society for American Music, 2017-08, Vol.11 (3), p.313-353

GRABER, NAOMI

2017

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Spain in My Heart: Songs of the Spanish Civil War

Journal of American Folklore, 2016-03, Vol.129 (512), p.238-239

Olson, Ted

2016

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Woody Allen’s Blue Jasmine: A Streetcar sans Desire

The Tennessee Williams annual review, 2022-01 (21), p.86-104

Palmer, R. Barton

2022

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Artist as Savior, Artist in Need of Salvation: Val Xavier’s Evolution from Jesus to Orpheus

The Tennessee Williams annual review, 2016-01 (15), p.53-69

Sykes, John

2016

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I am the Blues (2016, Daniel Cross): Keeping the Blues Alive With Daniel Cross

Offscreen, 2016-09, Vol.20 (9)

Totaro, Donato

2016

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The Qatsi Trilogy. Godfrey Reggio, dir. Criterion Collection CC2211BD, 2012, Blue-ray Disc

Journal of the Society for American Music, 2015-05, Vol.9 (2), p.256-258

Harris, Michael W.

2015

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Deep Blue Geomediations: Following Lapis Lazuli in Three Ecological Assemblages

SubStance, 2018-01, Vol.47 (2), p.36-58

Pisters, Patricia

2018

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“As Usual, I'll Have to Take an IOU”: W. E. B. Du Bois, the Gift of Black Music and the Cultural Politics of Obligation

Journal of American studies, 2018-11, Vol.52 (4), p.1095-1121

HEFFERNAN, NICK

2018

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Take the Money and Run—1968

The Bilingual review, 2012-05, Vol.31 (2), p.192-200

Lucero, Linda Zamora

2012

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Their Satanic Majesties' Celluloid Regret

Discourse, 2018-01, Vol.40 (1), p.132-137

Morris, Justin J

2018

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Wild Things: Music and Masculinity in Something Wild and Blue Velvet

Music, sound and the moving image, 2012-10, Vol.6 (2), p.163-183

Walter, Brian

2012

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The Beatles and Film: From Youth Culture to Counterculture

Glynn, Stephen

1st edition, 2021

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ETHER TODAY, GONE TOMORROW: 21ST CENTURY SOUND RECORDING COLLECTION IN CRISIS

Notes (Music Library Association), 2016-03, Vol.72 (3), p.461-483

2016

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O brother, let's go down home: loss, nostalgia and the blues

Popular music, 2007-01, Vol.26 (1), p.47-64

MIDDLETON, RICHARD

2007

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Flickers of the Spirit:“Black Independent Film,” Reflexive Reception, and a Blues Cinema Sublime

Black camera : the newsletter of the Black Film Center/Archives, 2010-07, Vol.1 (2), p.7-24

Francis, Terri Simone

2010

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Feelin' bad this morning: why the British blues?

Popular music, 2007-01, Vol.26 (1), p.141-156

ALLEN, DAVE

2007

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The Transnationalism of American Culture: Literature, Film, and Music

1, 2013

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Red Films, Blue Prints: Early Soviet Cinema's Architectural Imaginary

Framework, 2020-10, Vol.61 (2), p.107-146

Cook, J. English

2020

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The Toxic Body Politic: Ethnicity, Gender, and Corrective Eco-Justice in Ruth Ozeki’s My Year of Meats and Judith Helfand and Daniel Gold’s Blue Vinyl

Melus, 2009-06, Vol.34 (2), p.43-62

Fish, Cheryl J.

2009

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A Comparative Analysis of Text and Music and Gender and Audience in Duke Bluebeard's Castle

CLCWeb : Comparative literature and culture, 1999-12, Vol.1 (4)

Fábry, Andrea

1999

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The Evolution of Mediated Youth Culture: OTT as “New Television” in India

Offscreen, 2021-02, Vol.25 (2-3)

Parmar, Kajal

2021

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Viewing the Iconic Mississippi: Strategies of Reenactment in River Panoramas and Bill Morrison’s The Great Flood (2013)

The Southern quarterly, 2015-04, Vol.52 (3), p.121-136

Gentile, Phillip

2015

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Godard Gets the Blues: Movies, Music, and Baraka

White Woods and "Blue Jasmine": Woody Allen Rewrites "A Streetcar Named Desire"

How Belfast Got the Blues: A Cultural History of Popular Music in the 1960s

Kurt Weill's The River Is Blue: “Film-Opera” and Politics in 1930s Hollywood

Spain in My Heart: Songs of the Spanish Civil War

Woody Allen’s Blue Jasmine: A Streetcar sans Desire

Artist as Savior, Artist in Need of Salvation: Val Xavier’s Evolution from Jesus to Orpheus

I am the Blues (2016, Daniel Cross): Keeping the Blues Alive With Daniel Cross

The Qatsi Trilogy. Godfrey Reggio, dir. Criterion Collection CC2211BD, 2012, Blue-ray Disc

Deep Blue Geomediations: Following Lapis Lazuli in Three Ecological Assemblages

“As Usual, I'll Have to Take an IOU”: W. E. B. Du Bois, the Gift of Black Music and the Cultural Politics of Obligation

Take the Money and Run—1968

Their Satanic Majesties' Celluloid Regret

Wild Things: Music and Masculinity in Something Wild and Blue Velvet

The Beatles and Film: From Youth Culture to Counterculture

ETHER TODAY, GONE TOMORROW: 21ST CENTURY SOUND RECORDING COLLECTION IN CRISIS

O brother, let's go down home: loss, nostalgia and the blues

Flickers of the Spirit:“Black Independent Film,” Reflexive Reception, and a Blues Cinema Sublime

Feelin' bad this morning: why the British blues?

The Transnationalism of American Culture: Literature, Film, and Music

Red Films, Blue Prints: Early Soviet Cinema's Architectural Imaginary

The Toxic Body Politic: Ethnicity, Gender, and Corrective Eco-Justice in Ruth Ozeki’s My Year of Meats and Judith Helfand and Daniel Gold’s Blue Vinyl

A Comparative Analysis of Text and Music and Gender and Audience in Duke Bluebeard's Castle

The Evolution of Mediated Youth Culture: OTT as “New Television” in India

Viewing the Iconic Mississippi: Strategies of Reenactment in River Panoramas and Bill Morrison’s The Great Flood (2013)

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