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Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Modern drama, 2017-06, Vol.60 (2), p.189-211

Orem, Sarah

2017

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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Texas studies in literature and language, 2017-06, Vol.59 (2), p.234-267

VANHOUTTE, JACQUELINE

2017

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A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Legacy (Amherst, Mass.), 2013-01, Vol.30 (1), p.151-171

Fox, Ann M

2013

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"Speakin Arms" and Dancing Bodies in Ntozake Shange

African American review, 2013-07, Vol.46 (2/3), p.329-343

Mahurin, Sarah

2013

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A Journal for Adrienne Kennedy (after People Who Led to My Plays)

Modern drama, 2012-03, Vol.55 (1), p.55-69

Jefferson, Margo

2012

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Taking the Long View

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.547-551

Catanese, Brandi Wilkins

2010

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The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

Modern drama, 2007-03, Vol.50 (1), p.77-97

Tucker-Abramson, Myka

2007

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'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

Theatre history studies, 2007, Vol.27 (1), p.86-109

Macki, Adrienne C

2007

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From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Journal of international women's studies, 2015-01, Vol.16 (2), p.297-311

Sarada, Thallam

2015

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Migration, Fragmentation, and Identity: Zora Neale Hurston's "Color Struck" and the Geography of the Harlem Renaissance

Theatre journal (Washington, D.C.), 2001-12, Vol.53 (4), p.533-550

Krasner, David

2001

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Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

Es (Valladolid), 2011, Vol.32 (32), p.283-300

Ramón, Emilio

2011

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Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

College English, 2023-01, Vol.85 (3), p.243-259

Shahbaaz, Zeba

2023

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Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Frontiers (Boulder), 2021, Vol.42 (1), p.58-91

Burrell, Julie

2021

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"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Frontiers (Boulder), 2021-01, Vol.42 (1), p.27-57

Hammer, K Allison

2021

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The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

The Mississippi quarterly, 2015-12, Vol.68 (1-2), p.277-294

MURRAY, WILLIAM

2015

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PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Callaloo, 2017-01, Vol.40 (2), p.157-173

Colbert, Soyica

2017

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Reforming the Chorus: Insurgent Collectivities in Hansberry’s Smug Bohemia

American quarterly, 2023-12, Vol.75 (4), p.859-874

Kastleman, Rebecca R.

2023

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Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

International journal of English studies, 2017-01, Vol.17 (1), p.83

Cucarella-Ramon, Vicent

2017

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Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Journal of African American studies (New Brunswick, N.J.), 2021-09, Vol.25 (3), p.475-493

Vrtis, Catherine Peckinpaugh

2021

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Signifying in the wilderness: Alice Childress and the Black Arts Movement

The Journal of American drama and theatre, 2013, Vol.25 (1), p.27

blackchild, cfrancis

2013

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How to Do Things with Stage Directions: Lessons from Contemporary African American Drama

Theatre topics, 2018-11, Vol.28 (3), p.217-226

Wooden, Isaiah Matthew

2018

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New Histories, Lost Causes, and 'Alternative Facts': Suzan-Lori Parks's The America Play in the Age of Trump

Texas studies in literature and language, 2020-12, Vol.62 (4), p.463-482

Woodard, Helena

2020

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Lorraine Hansberry's Absurdity: The Sign in Sidney Brustein's Window

Contemporary literature, 2009-12, Vol.50 (4), p.742-774

HODIN, MARK

2009

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Performing Ancestry: Reading August Wilson’s The Piano Lesson as a Performative Neo-Slave Narrative

Comparative drama, 2019-03, Vol.53 (1/2), p.59-84

Maley, Patrick

2019

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The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan

Theatre history studies, 2020-01, Vol.39 (1), p.215-224

Burrell, Julie

2020

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Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

"Speakin Arms" and Dancing Bodies in Ntozake Shange

A Journal for Adrienne Kennedy (after People Who Led to My Plays)

Taking the Long View

The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Migration, Fragmentation, and Identity: Zora Neale Hurston's "Color Struck" and the Geography of the Harlem Renaissance

Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Reforming the Chorus: Insurgent Collectivities in Hansberry’s Smug Bohemia

Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Signifying in the wilderness: Alice Childress and the Black Arts Movement

How to Do Things with Stage Directions: Lessons from Contemporary African American Drama

New Histories, Lost Causes, and 'Alternative Facts': Suzan-Lori Parks's The America Play in the Age of Trump

Lorraine Hansberry's Absurdity: The Sign in Sidney Brustein's Window

Performing Ancestry: Reading August Wilson’s The Piano Lesson as a Performative Neo-Slave Narrative

The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan

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