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Lorraine Hansberry: Defining the Line Between Integration and Assimilation

Women's studies, 2010-07, Vol.39 (5), p.451-469

SABER, YOMNA

2010

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Politics, Passion, Prejudice: Alice Childress's Wedding Band: A Love/Hate Story in Black and White

Journal of American studies, 2009-12, Vol.43 (3), p.407-423

CASHMAN, NICKY

2009

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The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

International journal of English studies, 2023-01, Vol.23 (1), p.147-162

Cuder-Dominguez, Pilar

2023

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Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

International journal of English studies, 2017-01, Vol.17 (1), p.83

Cucarella-Ramon, Vicent

2017

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“Mouths on Fire”: August Wilson’s Blueswomen

Melus, 2010-12, Vol.35 (4), p.165-185

Davis, Doris

2010

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The Writer's Racial Paradox: August Wilson, Choosing the Black Route

Journal of humanistic and social studies, 2021-01, Vol.12 (1), p.21-37

Albulanee, Alwan Hassan Khalaf

2021

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modern literature: crossing the color-line

Radical teacher (Cambridge), 2016-06 (105), p.69

Brown, David Sterling

2016

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"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

Melus, 2012-09, Vol.37 (3), p.71-95

Davis, Carol Bunch

2012

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"The Colored Man Can't Fix Nothing with the Law": Carceral Spaces in August Wilson's "The Piano Lesson"

Journal of African American studies (New Brunswick, N.J.), 2013-12, Vol.17 (4), p.506-517

Wardi, Anissa Janine

2013

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From mainstream theatres to Synergy theatre project: black men's participation in 'urban' plays in prison

Research in drama education, 2013-11, Vol.18 (4), p.332-345

Goddard, Lynette

2013

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Punished Bodies in Soyinka's The Bacchae of Euripides and Morrison's Beloved

Journal of black studies, 2010-09, Vol.41 (1), p.89-107

Hafi, Fethia El

2010

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Fractured Identity and Agency and the Plays of Adrienne Kennedy

Feminist review, 2006-01, Vol.84 (84), p.84-103

Boucher, Georgie

2006

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Darkness Made Visible: Miscegenation, Masquerade and the Signified Racial Other in Tennessee Williams' Baby Doll and A Streetcar Named Desire

Journal of American studies, 2001-08, Vol.35 (2), p.203-215

VAN DUYVENBODE, RACHEL

2001

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'Why Macbeth?' looking back on uMabatha after forty years. An interview with Welcome Msomi

Shakespeare in Southern Africa, 2009, Vol.21, p.73-103

Newstok, Scott L

2009

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August Wilson on a Century of Black Worklife

New labor forum, 2004-07, Vol.13 (2), p.111-121

Shannon, Sandra G.

2004

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Unmaking Mimesis: Essays on Feminism and Theatre. By Elin Diamond. Abingdon: Routledge, 1997. Pp. xvi + 226. £96 Hb; £27.99 Pb

Theatre Research International, 2021, Vol.46 (3), p.407-410

McGuinness, Caoimhe Mader

2021

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A Sourcebook of African-American Performance: Plays, People, Movements

Journal of American Studies, 2001, Vol.35 (1), p.135-136

Bernier, Celeste-Marie

2001

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The Fiction of Postmodern Autobiography: Adrienne Kennedy’s People Who Led to My Plays and Deadly Triplets

Melus, 1997-12, Vol.22 (4), p.61-76

Thompson, Deborah

1997

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Approaches to teaching the plays of August Wilson

South African Theatre Journal, 2018, Vol.31 (2-3), p.222-225

Hofer, Alison

2018

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Dance Scenes in Lorraine Hansberry's A RAISIN IN THE SUN

The Explicator, 2014-10, Vol.72 (4), p.278-281

Shih, Yi-chin

2014

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Contemporary African American Women Playwrights: A Casebook

Journal of American studies, 2009-04, Vol.43 (1)

2009

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Wanted: Debt or Alive in Suzan-Lori Parks's "FA"

Journal of black studies, 2016-11, Vol.47 (8), p.822-845

Ghasemi, Mehdi

2016

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The Refusal of Motherhood in African American Women’s Theater

Melus, 2000-09, Vol.25 (3-4), p.117-139

Meier, Joyce

2000

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Visions of Love and Manliness in a Blackening World: Dramas of Black Life Since 1953

The Black scholar, 1995-03, Vol.25 (2), p.2-12

Turner, Darwin T.

1995

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'The Birth of Black Consciousness on the Screen'?: The African American Historical Experience, Blaxploitation, and the Production and Reception of Sounder (1972)

Historical journal of film, radio, and television, 2015-04, Vol.35 (2), p.277-299

Symmons, Tom

2015

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Lorraine Hansberry: Defining the Line Between Integration and Assimilation

Politics, Passion, Prejudice: Alice Childress's Wedding Band: A Love/Hate Story in Black and White

The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

“Mouths on Fire”: August Wilson’s Blueswomen

The Writer's Racial Paradox: August Wilson, Choosing the Black Route

modern literature: crossing the color-line

"Ghost[s] in the House!": Black Subjectivity and Cultural Memory in Howard Sackler's "The Great White Hope"

"The Colored Man Can't Fix Nothing with the Law": Carceral Spaces in August Wilson's "The Piano Lesson"

From mainstream theatres to Synergy theatre project: black men's participation in 'urban' plays in prison

Punished Bodies in Soyinka's The Bacchae of Euripides and Morrison's Beloved

Fractured Identity and Agency and the Plays of Adrienne Kennedy

Darkness Made Visible: Miscegenation, Masquerade and the Signified Racial Other in Tennessee Williams' Baby Doll and A Streetcar Named Desire

'Why Macbeth?' looking back on uMabatha after forty years. An interview with Welcome Msomi

August Wilson on a Century of Black Worklife

Unmaking Mimesis: Essays on Feminism and Theatre. By Elin Diamond. Abingdon: Routledge, 1997. Pp. xvi + 226. £96 Hb; £27.99 Pb

A Sourcebook of African-American Performance: Plays, People, Movements

The Fiction of Postmodern Autobiography: Adrienne Kennedy’s People Who Led to My Plays and Deadly Triplets

Approaches to teaching the plays of August Wilson

Dance Scenes in Lorraine Hansberry's A RAISIN IN THE SUN

Contemporary African American Women Playwrights: A Casebook

Wanted: Debt or Alive in Suzan-Lori Parks's "FA"

The Refusal of Motherhood in African American Women’s Theater

Visions of Love and Manliness in a Blackening World: Dramas of Black Life Since 1953

'The Birth of Black Consciousness on the Screen'?: The African American Historical Experience, Blaxploitation, and the Production and Reception of Sounder (1972)

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