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Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Modern drama, 2017-06, Vol.60 (2), p.189-211

Orem, Sarah

2017

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Fixating on and Fixing the African American Woman's Representation of Self in Modern Periodicals

Canadian review of comparative literature, 2017-06, Vol.44 (2), p.231-248

Arciniega, Lourdes

2017

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'Why I Wrote the Phyllis Wheatley Pageant-Play': Mary Church Terrell's Bicentennial Activism

Theatre history studies, 2018, Vol.37 (1), p.225-255

O'Malley, Lurana Donnels

2018

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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Texas studies in literature and language, 2017-06, Vol.59 (2), p.234-267

VANHOUTTE, JACQUELINE

2017

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A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home

Theatre history studies, 2012, Vol.32 (1), p.120-140

Robson, Tom -- (Thomas M.)

2012

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A Journal for Adrienne Kennedy (after People Who Led to My Plays)

Modern drama, 2012-03, Vol.55 (1), p.55-69

Jefferson, Margo

2012

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Lorraine Hansberry: Defining the Line Between Integration and Assimilation

Women's studies, 2010-07, Vol.39 (5), p.451-469

SABER, YOMNA

2010

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The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

Modern drama, 2007-03, Vol.50 (1), p.77-97

Tucker-Abramson, Myka

2007

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'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

Theatre history studies, 2007, Vol.27 (1), p.86-109

Macki, Adrienne C

2007

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From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Journal of international women's studies, 2015-01, Vol.16 (2), p.297-311

Sarada, Thallam

2015

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Adrienne Kennedy: A Fragile but Ferocious African-American Playwright

The Journal of blacks in higher education, 2000-07, Vol.28 (28), p.112-113

Hartigan, Patti

2000

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Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

Es (Valladolid), 2011, Vol.32 (32), p.283-300

Ramón, Emilio

2011

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"I'M BLACK WHEN I'M SINGING, I'M BLUE WHEN I AIN'T" AND OTHER PLAYS

Theatre Journal, 2012, Vol.64 (1), p.141-142

MORIAH, KRISTIN

2012

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Seers on the Rim

American Theatre, 1994-03, Vol.11 (3), p.22

Mahone, Sydné

1994

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Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

College English, 2023-01, Vol.85 (3), p.243-259

Shahbaaz, Zeba

2023

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Senses of Place: The Black Community in Alice Childress's Wedding Band

Journal of modern literature, 2023-06, Vol.46 (4), p.132-145

Shih, Yi-chin

2023

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Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Frontiers (Boulder), 2021, Vol.42 (1), p.58-91

Burrell, Julie

2021

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"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Frontiers (Boulder), 2021-01, Vol.42 (1), p.27-57

Hammer, K Allison

2021

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The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

The Mississippi quarterly, 2015-12, Vol.68 (1-2), p.277-294

MURRAY, WILLIAM

2015

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White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

The Comparatist, 2018-10, Vol.42 (1), p.98-114

PETERS, MEG

2018

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Staging Creolization: Women's Theater and Performance From the French Caribbean by Emily Sahakian (review)

Theatre Journal, 2018-09, Vol.70 (3), p.432-433

Adell, Sandra

2018

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Theorizing Connectivities: African American Women in Concert Dance

The Journal of Pan African studies, 2011-09, Vol.4 (6), p.56-74

DeFrantz, Thomas F

2011

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SUGAR IN OUR WOUNDS

Theatre journal (Washington, D.C.), 2019-06, Vol.71 (2), p.233

Payne, Detra

2019

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PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Callaloo, 2017-01, Vol.40 (2), p.157-173

Colbert, Soyica

2017

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Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

Language in India, 2024-03, Vol.24 (3), p.89

2024

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Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Fixating on and Fixing the African American Woman's Representation of Self in Modern Periodicals

'Why I Wrote the Phyllis Wheatley Pageant-Play': Mary Church Terrell's Bicentennial Activism

Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home

A Journal for Adrienne Kennedy (after People Who Led to My Plays)

Lorraine Hansberry: Defining the Line Between Integration and Assimilation

The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Adrienne Kennedy: A Fragile but Ferocious African-American Playwright

Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

"I'M BLACK WHEN I'M SINGING, I'M BLUE WHEN I AIN'T" AND OTHER PLAYS

Seers on the Rim

Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

Senses of Place: The Black Community in Alice Childress's Wedding Band

Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

Staging Creolization: Women's Theater and Performance From the French Caribbean by Emily Sahakian (review)

Theorizing Connectivities: African American Women in Concert Dance

SUGAR IN OUR WOUNDS

PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

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