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I'm Black when I'm singing, I'm blue when I ain't and other plays

2010

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Migrating Banda/Bandera Sonoras: Musical Affiliation and Performances of Passing in Indocumentados…el otro merengue

Revista canadiense de estudios hispánicos, 2017-01, Vol.41 (3), p.473

Baker, Christina

2017

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Performing the In-Between: Caridad Svich's Iphigenia (A Rave Fable)

Gestos (Irvine, Calif.), 2009-11, Vol.24 (48), p.89

d, Katherine

2009

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'La música ha sido hereje': Pastoral Performance, Moorishness, and Cultural Hybridity in Los baños de Argel

Bulletin of the Comediantes, 2010-07, Vol.62 (2), p.45-62

Irigoyen-García, Javier

2010

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What Does Mr. Swanzy Want-Shaping or Reflecting? An assessment of Henry Swanzy's contribution to the development of Caribbean Literature

Caribbean quarterly, 2000-03, Vol.46 (1), p.61-72

Nanton, Philip

2000

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Resistance retold: historical and mythical narratives in plays by Romero, Resino, Pascual and de Paco Serrano

Feminismo/s (Universidad de Alicante), 2017-12 (30), p.47-68

Freear-Papio, Helen

2017

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From Exile to Double Minority: Women Writers in Cuban Exile Theater

Cuba, 2019, Vol.22, p.69-80

2019

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Introduction: Transformed Spaces, Translated Discourses, and New Dialogues in Contemporary Latin American and Latinx Theater

Review (Americas Society), 2022-01, Vol.55 (1), p.3-6

Meléndez, Priscilla

2022

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The Quixotic Template in Contemporary American Theater

Confluencia (Greeley, Colo.), 2015-03, Vol.30 (2), p.2-16

Friedman, Edward H.

2015

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Bibliografía

De las dos orillas: Teatro cubano, 2019, Vol.5, p.203-224

2019

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PUBLICACIONES SOBRE FILOLOGÍA INGLESA EN ESPAÑA (2009)

Epos (Madrid, Spain), 2010-01 (26), p.319

2010

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Writing to be Seen and Heard, Equal Citizens, and Black

Confluencia, 2017-03, Vol.32 (2), p.235-238

Elise, Sharon

2017

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David Savran 2009: Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class

Atlantis, revista de la Asociación Española de Estudios Anglo-Norteamericanos, 2010, Vol.32 (1), p.185

Ozieblo, Barbara

2010

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THE MAGIC CIRCLE: ELUCIDATIONS ON A THEME

Caribbean Quarterly, 1980, Vol.26 (1/2), p.97-102

HEARNE, JOHN

1980

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The Black Legend and the Golden Age Dramatic Canon

La Leyenda Negra en el crisol de la comedia, 2019, Vol.51, p.219-236

2019

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Unindexed Back Matter

Hispanic review, 1998-10, Vol.66 (4)

1998

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I'm Black when I'm singing, I'm blue when I ain't and other plays

Migrating Banda/Bandera Sonoras: Musical Affiliation and Performances of Passing in Indocumentados…el otro merengue

Performing the In-Between: Caridad Svich's Iphigenia (A Rave Fable)

'La música ha sido hereje': Pastoral Performance, Moorishness, and Cultural Hybridity in Los baños de Argel

What Does Mr. Swanzy Want-Shaping or Reflecting? An assessment of Henry Swanzy's contribution to the development of Caribbean Literature

Resistance retold: historical and mythical narratives in plays by Romero, Resino, Pascual and de Paco Serrano

From Exile to Double Minority: Women Writers in Cuban Exile Theater

Introduction: Transformed Spaces, Translated Discourses, and New Dialogues in Contemporary Latin American and Latinx Theater

The Quixotic Template in Contemporary American Theater

Bibliografía

PUBLICACIONES SOBRE FILOLOGÍA INGLESA EN ESPAÑA (2009)

Writing to be Seen and Heard, Equal Citizens, and Black

David Savran 2009: Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class

THE MAGIC CIRCLE: ELUCIDATIONS ON A THEME

The Black Legend and the Golden Age Dramatic Canon

Unindexed Back Matter

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