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Rose McClendon's Playbill: The Vagabond Modernism of New Negro Theater

Modernism/modernity (Baltimore, Md.), 2017, Vol.2 (2)

Sherrard-Johnson, Cherene

2017

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Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Modern drama, 2017-06, Vol.60 (2), p.189-211

Orem, Sarah

2017

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Under Lynching's Shadow: Grimké's Call for Domestic Reconfiguration in "Rachel"

African American review, 2014-06, Vol.47 (2/3), p.391-402

Jansen, Anne Mai Yee

2014

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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Texas studies in literature and language, 2017-06, Vol.59 (2), p.234-267

VANHOUTTE, JACQUELINE

2017

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A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Legacy (Amherst, Mass.), 2013-01, Vol.30 (1), p.151-171

Fox, Ann M

2013

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Africa as Voices and Vibes: Musical Routes in Toni Morrison'sMargaret Garnerand Desdemona

Research in African literatures, 2015, Vol.46 (4), p.56

Guarracino, Serena

2015

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"Speakin Arms" and Dancing Bodies in Ntozake Shange

African American review, 2013-07, Vol.46 (2/3), p.329-343

Mahurin, Sarah

2013

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Alice Dunbar-Nelson's "An Hawaiian Idyll" as Hawaiian Imaginary

Comparative drama, 2013-04, Vol.47 (1), p.1-30

O'Malley, Lurana Donnels

2013

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Black Women Playwrights in American Theatre

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.541-545

2010

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A Journal for Adrienne Kennedy (after People Who Led to My Plays)

Modern drama, 2012-03, Vol.55 (1), p.55-69

Jefferson, Margo

2012

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Thinking Through Things: Labors of Freedom in James McCune Smith's 'The Washerwoman'

ESQ, 2013, Vol.59 (2), p.291-328

Banner, Rachel

2013

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Emancipated Spectatorship in Adrienne Kennedy's Plays

Modern drama, 2012-03, Vol.55 (1), p.19-39

Spencer, Jenny S

2012

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A Racial Concern: Adrienne Kennedy's Diary of Lights

Modern drama, 2012-03, Vol.55 (1), p.40-54

2012

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Taking the Long View

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.547-551

Catanese, Brandi Wilkins

2010

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Mary Turner's Blues

African American review, 2011-03, Vol.44 (1/2), p.207-220

Armstrong, Julie Buckner

2011

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Interview

TDR : Drama review, 2005, Vol.49 (3), p.162-164

2005

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The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

Modern drama, 2007-03, Vol.50 (1), p.77-97

Tucker-Abramson, Myka

2007

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"Venus" and White Desire

Transition (Kampala, Uganda), 2008-01, Vol.99 (99), p.80-93

Osha, Sanya

2008

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From Seeking One's Voice to Uttering the Scream: The Pioneering Journey of African American Playwrights through the 1960s and 1970s: Document View

African American review, 2003, Vol.37 (4), p.611

Barrios, Olga

2003

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Cast a Wide Net

Theatre journal (Washington, D.C.), 2005-12, Vol.57 (4), p.598-600

2005

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Migration, Fragmentation, and Identity: Zora Neale Hurston's "Color Struck" and the Geography of the Harlem Renaissance

Theatre journal (Washington, D.C.), 2001-12, Vol.53 (4), p.533-550

Krasner, David

2001

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The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Modern drama, 1998-12, Vol.41 (4), p.533-545

Gourdine, Angeletta K. M

1998

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Anti-Lynch Plays by African American Women: Race, Gender, and Social Protest in American Drama

African American review, 1992-07, Vol.26 (2), p.329-339

Stephens, Judith L.

1992

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"I'M BLACK WHEN I'M SINGING, I'M BLUE WHEN I AIN'T" AND OTHER PLAYS

Theatre Journal, 2012, Vol.64 (1), p.141-142

MORIAH, KRISTIN

2012

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Senses of Place: The Black Community in Alice Childress's Wedding Band

Journal of modern literature, 2023-06, Vol.46 (4), p.132-145

Shih, Yi-chin

2023

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Rose McClendon's Playbill: The Vagabond Modernism of New Negro Theater

Signifyin(g) When Vexed: Black Feminist Revision, Anger, and A Raisin in the Sun

Under Lynching's Shadow: Grimké's Call for Domestic Reconfiguration in "Rachel"

Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Africa as Voices and Vibes: Musical Routes in Toni Morrison'sMargaret Garnerand Desdemona

"Speakin Arms" and Dancing Bodies in Ntozake Shange

Alice Dunbar-Nelson's "An Hawaiian Idyll" as Hawaiian Imaginary

Black Women Playwrights in American Theatre

A Journal for Adrienne Kennedy (after People Who Led to My Plays)

Thinking Through Things: Labors of Freedom in James McCune Smith's 'The Washerwoman'

Emancipated Spectatorship in Adrienne Kennedy's Plays

A Racial Concern: Adrienne Kennedy's Diary of Lights

Taking the Long View

Mary Turner's Blues

Interview

The Money Shot: Economies of Sex, Guns, and Language in Topdog/Underdog

"Venus" and White Desire

From Seeking One's Voice to Uttering the Scream: The Pioneering Journey of African American Playwrights through the 1960s and 1970s: Document View

Cast a Wide Net

Migration, Fragmentation, and Identity: Zora Neale Hurston's "Color Struck" and the Geography of the Harlem Renaissance

The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Anti-Lynch Plays by African American Women: Race, Gender, and Social Protest in American Drama

"I'M BLACK WHEN I'M SINGING, I'M BLUE WHEN I AIN'T" AND OTHER PLAYS

Senses of Place: The Black Community in Alice Childress's Wedding Band

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