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Evoking the "Holy and the Horrible":...Joyce Carol Thomas

African American review, 1998-01, p.139-146

1998

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Senses of Place: The Black Community in Alice Childress's Wedding Band

Journal of modern literature, 2023-06, Vol.46 (4), p.132-145

Shih, Yi-chin

2023

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Black Women Playwrights in American Theatre

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.541-545

2010

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Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Frontiers (Boulder), 2021, Vol.42 (1), p.58-91

Burrell, Julie

2021

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Staging Creolization: Women's Theater and Performance From the French Caribbean by Emily Sahakian (review)

Theatre Journal, 2018-09, Vol.70 (3), p.432-433

Adell, Sandra

2018

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A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Legacy (Amherst, Mass.), 2013-01, Vol.30 (1), p.151-171

Fox, Ann M

2013

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Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment

Comparative drama, 2023-06, Vol.57 (1), p.29-56

Corredera, Vanessa I

2023

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Under Lynching's Shadow: Grimké's Call for Domestic Reconfiguration in "Rachel"

African American review, 2014-06, Vol.47 (2/3), p.391-402

Jansen, Anne Mai Yee

2014

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PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Callaloo, 2017-01, Vol.40 (2), p.157-173

Colbert, Soyica

2017

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Ethics and Human Rights in Anglophone African Women's Literature: Feminist Empathy

Research in African Literatures, 2018-06, Vol.49 (2), p.213-218

Nkealah, Naomi

2018

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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Texas studies in literature and language, 2017-06, Vol.59 (2), p.234-267

VANHOUTTE, JACQUELINE

2017

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Forum: Black Women Playwrights in American Theatre

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.541-545

Perkins, Kathy A

2010

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A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

The Arthur Miller journal, 2017-04, Vol.12 (1), p.42-51

Palmer, David

2017

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Reforming the Chorus: Insurgent Collectivities in Hansberry’s Smug Bohemia

American quarterly, 2023-12, Vol.75 (4), p.859-874

Kastleman, Rebecca R

2023

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Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Meridians (Middletown, Conn.), 2017-01, Vol.15 (2), p.330-352

Batra, Kanika

2017

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On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Storytelling, self, society, 2021, Vol.17 (1), p.71-85

Burch, Milbre

2021

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Seeing Race in Post-Racial America: Spectatorship and Visibility of the Racial Experience in Branden Jacobs-Jenkins’ An Octoroon (2014)

CEA critic, 2024-03, Vol.86 (1), p.59-74

Jeon, Bomi

2024

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“Set Your Blackness Free”: Barbara Ann Teer’s Art and Activism during the Black Arts Movement

Frontiers (Boulder), 2015, Vol.36 (1), p.136-159

Forsgren, La Donna L

2015

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The Unfinishedness & Untimeliness of A Raisin in the Sun

Texas studies in literature and language, 2022-12, Vol.64 (4), p.396-415

Schwartz, Benjamin

2022

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Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Journal of African American studies (New Brunswick, N.J.), 2021-09, Vol.25 (3), p.475-493

Vrtis, Catherine Peckinpaugh

2021

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Brief Notices

Comparative drama, 2013-04, Vol.47 (1), p.143

2013

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Alice Dunbar-Nelson's "An Hawaiian Idyll" as Hawaiian Imaginary

Comparative drama, 2013-04, Vol.47 (1), p.1-30

O'Malley, Lurana Donnels

2013

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Forum: Taking the Long View

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.547-551

Catanese, Brnadi Wilkins

2010

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'A New Form of Black Genre Communication': Video, Urban Development, and the Ensemblic Production of a Black Soap Opera

Film history (New York, N.Y.), 2022-09, Vol.34 (3), p.104-134

Forster, Nicholas

2022

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"CHECK WITH YO' MAN FIRST; CHECK WITH YO' MAN": Tyler Perry Appropriates Drag as a Tool to Re-Circulate Patriarchal Ideology

Callaloo, 2011-07, Vol.34 (3), p.943-958

Lyle, Timothy

2011

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Evoking the "Holy and the Horrible":...Joyce Carol Thomas

Senses of Place: The Black Community in Alice Childress's Wedding Band

Black Women Playwrights in American Theatre

Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Staging Creolization: Women's Theater and Performance From the French Caribbean by Emily Sahakian (review)

A Different Integration: Race and Disability in Early-Twentieth-Century African American Drama by Women

Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment

Under Lynching's Shadow: Grimké's Call for Domestic Reconfiguration in "Rachel"

PRACTICES OF FREEDOM: Lorraine Hansberry, Freedom Writer

Ethics and Human Rights in Anglophone African Women's Literature: Feminist Empathy

Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Forum: Black Women Playwrights in American Theatre

A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

Reforming the Chorus: Insurgent Collectivities in Hansberry’s Smug Bohemia

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Seeing Race in Post-Racial America: Spectatorship and Visibility of the Racial Experience in Branden Jacobs-Jenkins’ An Octoroon (2014)

“Set Your Blackness Free”: Barbara Ann Teer’s Art and Activism during the Black Arts Movement

The Unfinishedness & Untimeliness of A Raisin in the Sun

Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Brief Notices

Alice Dunbar-Nelson's "An Hawaiian Idyll" as Hawaiian Imaginary

Forum: Taking the Long View

'A New Form of Black Genre Communication': Video, Urban Development, and the Ensemblic Production of a Black Soap Opera

"CHECK WITH YO' MAN FIRST; CHECK WITH YO' MAN": Tyler Perry Appropriates Drag as a Tool to Re-Circulate Patriarchal Ideology

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