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Traumatic Utopias: Holding Hope in Bridgforth's love conjure/blues

Text and performance quarterly, 2015-07, Vol.35 (2-3), p.119-141

Reed, Alison

2015

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Lorraine Hansberry: Defining the Line Between Integration and Assimilation

Women's studies, 2010-07, Vol.39 (5), p.451-469

SABER, YOMNA

2010

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Experimental Language Deconstructing Patriarchal Discourse in Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf

American, British, and Canadian studies, 2015-12, Vol.25 (1), p.155-170

Tellini, Silvia Mara

2015

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Metaphorical Mirrors and Subverting Selves in Adrienne Kennedy's One-Act Plays

Gender studies (Timişoara), 2012, Vol.1 (11), p.267

Tóth, Gabriella

2012

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Politics, Passion, Prejudice: Alice Childress's Wedding Band: A Love/Hate Story in Black and White

Journal of American studies, 2009-12, Vol.43 (3), p.407-423

CASHMAN, NICKY

2009

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"Venus" and White Desire

Transition (Kampala, Uganda), 2008-01, Vol.99 (99), p.80-93

Osha, Sanya

2008

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The Page Refigured: The Verbal and Visual Language of Suzan-Lori Parks's Venus

Performance research, 2002-01, Vol.7 (1), p.90-100

Lyman, Elizabeth Dyrud

2002

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'For us, about us, near us and by us': american women playwrights and the making of NAACP-Du bois's edutainment agenda

Women's history review, 2002-01, Vol.11 (1), p.49-70

Omodele, Remi

2002

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The Literature of World War I and Conflicting Female Identities

Neohelicon (Budapest), 2003, Vol.30 (1), p.49

Higonnet, Margaret R

2003

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Identity and Difference in Anna Deavere Smith's Performance Art

Wasafiri, 1998, Vol.27, p.29

Murphet, Julian

1998

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Staging Stereotype and Performing the Exotic Erotic: An interrogation of desire in the texts of Parks and Kennedy

South African theatre journal, 2004-01, Vol.18 (1), p.50-64

Marneweck, Aja

2004

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Re/membering Aunt Jemima: Rescuing the secret voice

Women & performance, 1993-01, Vol.6 (1), p.77-94

1993

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Parks's In the Blood

The Explicator, 2006-07, Vol.64 (4), p.245

Kolin, Philip C

2006

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The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

International journal of English studies, 2023-01, Vol.23 (1), p.147-162

Cuder-Dominguez, Pilar

2023

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Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

International journal of English studies, 2017-01, Vol.17 (1), p.83

Cucarella-Ramon, Vicent

2017

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Ciguapas in New York: Transcultural Ethnicity and Transracialization in Dominican American Performance

Journal of American studies, 2012-02, Vol.46 (1), p.139-153

DURÁN-ALMARZA, EMILIA MARÍA

2012

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'I Always Felt I Was Black': cannibalism, race, and desire in Tennessee Williams

Textual practice, 2018-11, Vol.32 (10), p.1721-1740

Lossada, Alexandra Maria

2018

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Lifting the Veil, Breaking Silences: Muslim Women in South Africa Interrogate Multiple Marginalities

Contemporary theatre review, 2011-02, Vol.21 (1), p.20-34

Blumberg, Marcia

2011

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Beyond the 22%: Gender Inequity in Regional Theatres' Show Selections

Women's studies in communication, 2017-04, Vol.40 (2), p.212-228

2017

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TRANSNATIONAL THEATRICAL REPRESENTATION OF THE AGING: velina hasu houston's calligraphy

Angelaki : journal of theoretical humanities, 2017-01, Vol.22 (1), p.93-102

Hara, Eriko

2017

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modern literature: crossing the color-line

Radical teacher (Cambridge), 2016-06 (105), p.69

Brown, David Sterling

2016

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Performing African Canadian Identity: Diasporic Reinvention in "Afrika Solo"

Feminist review, 2006-01, Vol.84 (84), p.104-123

Petropoulos, Jacqueline

2006

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The new technologies and the schism between popular music and elitist/obscure drama in Nigeria: Fela Anikulapo-Kuti and Wole Soyinka on YouTube

Journal of the African Literature Association, 2016-07, Vol.10 (2), p.189-208

Folajimi, Pelumi

2016

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Les Blancs and the Unknown Lorraine Hansberry

Contemporary theatre review, 2016-01, Vol.26 (4), p.529

Lichtenberg, Drew

2016

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Grassroots struggle: The representation of the black voice in Maishe Maponya’s The Hungry Earth (1980)

Literator, 2020-01, Vol.41 (1), p.e1-e8

2020

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Traumatic Utopias: Holding Hope in Bridgforth's love conjure/blues

Lorraine Hansberry: Defining the Line Between Integration and Assimilation

Experimental Language Deconstructing Patriarchal Discourse in Ntozake Shange’s for colored girls who have considered suicide/ when the rainbow is enuf

Metaphorical Mirrors and Subverting Selves in Adrienne Kennedy's One-Act Plays

Politics, Passion, Prejudice: Alice Childress's Wedding Band: A Love/Hate Story in Black and White

"Venus" and White Desire

The Page Refigured: The Verbal and Visual Language of Suzan-Lori Parks's Venus

'For us, about us, near us and by us': american women playwrights and the making of NAACP-Du bois's edutainment agenda

The Literature of World War I and Conflicting Female Identities

Identity and Difference in Anna Deavere Smith's Performance Art

Staging Stereotype and Performing the Exotic Erotic: An interrogation of desire in the texts of Parks and Kennedy

Re/membering Aunt Jemima: Rescuing the secret voice

Parks's In the Blood

The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

Ciguapas in New York: Transcultural Ethnicity and Transracialization in Dominican American Performance

'I Always Felt I Was Black': cannibalism, race, and desire in Tennessee Williams

Lifting the Veil, Breaking Silences: Muslim Women in South Africa Interrogate Multiple Marginalities

Beyond the 22%: Gender Inequity in Regional Theatres' Show Selections

TRANSNATIONAL THEATRICAL REPRESENTATION OF THE AGING: velina hasu houston's calligraphy

modern literature: crossing the color-line

Performing African Canadian Identity: Diasporic Reinvention in "Afrika Solo"

The new technologies and the schism between popular music and elitist/obscure drama in Nigeria: Fela Anikulapo-Kuti and Wole Soyinka on YouTube

Les Blancs and the Unknown Lorraine Hansberry

Grassroots struggle: The representation of the black voice in Maishe Maponya’s The Hungry Earth (1980)

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