UB Paderborn / Katalog / Suche / in CDI

1 – 25 von 244

Sortiert nach

Alice Dunbar-Nelson's "An Hawaiian Idyll" as Hawaiian Imaginary

Comparative drama, 2013-04, Vol.47 (1), p.1-30

O'Malley, Lurana Donnels

2013

Link zum Volltext

Verfügbarkeit prüfen

A Pedagogical Approach to Understanding Rioting as Revolutionary Action in Alice Childress’s Wine in the Wilderness

Theatre topics, 2009-03, Vol.19 (1), p.77-85

Colbert, Soyica Diggs

2009

Link zum Volltext

Verfügbarkeit prüfen

From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Journal of international women's studies, 2015-01, Vol.16 (2), p.297-311

Sarada, Thallam

2015

Link zum Volltext

Verfügbarkeit prüfen

The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Modern drama, 1998-12, Vol.41 (4), p.533-545

Gourdine, Angeletta K. M

1998

Link zum Volltext

Verfügbarkeit prüfen

Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

Es (Valladolid), 2011, Vol.32 (32), p.283-300

Ramón, Emilio

2011

Link zum Volltext

Verfügbarkeit prüfen

Seers on the Rim

American Theatre, 1994-03, Vol.11 (3), p.22

Mahone, Sydné

1994

Link zum Volltext

Verfügbarkeit prüfen

Senses of Place: The Black Community in Alice Childress's Wedding Band

Journal of modern literature, 2023-06, Vol.46 (4), p.132-145

Shih, Yi-chin

2023

Link zum Volltext

Verfügbarkeit prüfen

Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

Frontiers (Boulder), 2021, Vol.42 (1), p.58-91

Burrell, Julie

2021

Link zum Volltext

Verfügbarkeit prüfen

"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Frontiers (Boulder), 2021-01, Vol.42 (1), p.27-57

Hammer, K Allison

2021

Link zum Volltext

Verfügbarkeit prüfen

Staging Creolization: Women's Theater and Performance From the French Caribbean by Emily Sahakian (review)

Theatre Journal, 2018-09, Vol.70 (3), p.432-433

Adell, Sandra

2018

Link zum Volltext

Verfügbarkeit prüfen

Theorizing Connectivities: African American Women in Concert Dance

The Journal of Pan African studies, 2011-09, Vol.4 (6), p.56-74

DeFrantz, Thomas F

2011

Link zum Volltext

Verfügbarkeit prüfen

Forum: Black Women Playwrights in American Theatre

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.541-545

Perkins, Kathy A

2010

Link zum Volltext

Verfügbarkeit prüfen

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Meridians (Middletown, Conn.), 2017-01, Vol.15 (2), p.330-352

Batra, Kanika

2017

Link zum Volltext

Verfügbarkeit prüfen

Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

Theatre history studies, 2021, Vol.40 (1), p.103-109

Dail, Chrystyna

2021

Link zum Volltext

Verfügbarkeit prüfen

“Set Your Blackness Free”: Barbara Ann Teer’s Art and Activism during the Black Arts Movement

Frontiers (Boulder), 2015, Vol.36 (1), p.136-159

Forsgren, La Donna L

2015

Link zum Volltext

Verfügbarkeit prüfen

Brief Notices

Comparative drama, 2013-04, Vol.47 (1), p.143

2013

Link zum Volltext

Verfügbarkeit prüfen

Versuche: African-American Women Playwrights' Use of "Mother Courage and Her Children": Ntozake Shange, Lynn Nottage, Suzan-Lori Parks

Communications from the International Brecht Society, 2010-01, p.203-206

Moriarty, Julia

2010

Link zum Volltext

Verfügbarkeit prüfen

Forum: Taking the Long View

Theatre journal (Washington, D.C.), 2010-12, Vol.62 (4), p.547-551

Catanese, Brnadi Wilkins

2010

Link zum Volltext

Verfügbarkeit prüfen

Colorism in Dael Orlandersmith's Yellowman: the effect of intraracial racism on Black identity and the concept of Black community

The Southern quarterly, 2013-04, Vol.50 (3), p.32

Turner, Beth

2013

Link zum Volltext

Verfügbarkeit prüfen

Signifying in the wilderness: Alice Childress and the Black Arts Movement

The Journal of American drama and theatre, 2013, Vol.25 (1), p.27

blackchild, cfrancis

2013

Link zum Volltext

Verfügbarkeit prüfen

Interrogating Misconceptions of Feminism in Tracy Chima Utoh's Our Wives Have Gone Mad Again and Stella 'Dia Oyedepo's The Rebellion of the Bumpy-chested

The Journal of Pan African studies, 2017-04, Vol.10 (2), p.126-141

Adeleke, E.B

2017

Link zum Volltext

Verfügbarkeit prüfen

Books of Interest

The Journal of Pan African studies, 2014-06, Vol.6 (10), p.280-289

Anonymous

2014

Link zum Volltext

Verfügbarkeit prüfen

THROUGH A WOMAN'S EYES: NON-REALISTIC DIRECTING STRATEGIES FOR STAGING PLAYS BY IRISH FEMALE DRAMATISTS

DQR studies in literature, 2015, Vol.56, p.171

Headrick, Charlotte J

2015

Link zum Volltext

Verfügbarkeit prüfen

"Whiteness as Property" in As You Like It

Shakespeare studies (Columbia), 2022-01, Vol.50, p.24-9

Bozio, Andrew

2022

Link zum Volltext

Verfügbarkeit prüfen

GRIMKE, ANGELINA WELD (1880-1958)

Applebaum, Jessica Kaplow

2007

Link zum Volltext

Verfügbarkeit prüfen

1 – 25 von 244

Suche als RSS-Feed

Aktive Filter

ThemaArts & Humanities

ThemaWomen

Suchergebnisse filtern

Filter anzeigen

Nur zeigen

Geprüft (Peer-Review)
(147)
Mit Volltextzugriff
(214)

Publikationsform

3 weitere anzeigen...

Weniger anzeigen...

Sprache

Englisch
(244)

Erscheinungsjahr

n.n

Thema

14 weitere anzeigen...

Weniger anzeigen...

Zeitschrift / Serie

5 weitere anzeigen...

Weniger anzeigen...

Neu hinzugefügt

... seit 90 Tagen
(2)

Menü

Weitere Dienste

Einstellungen

Alice Dunbar-Nelson's "An Hawaiian Idyll" as Hawaiian Imaginary

A Pedagogical Approach to Understanding Rioting as Revolutionary Action in Alice Childress’s Wine in the Wilderness

From aporia to identity formation: the perilous passage of African American women's dramatic discourse

The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Funnyhouse of a Negro: Rejection of Womanness and Blackness as a 'Melancholic' Cry for a True Diversity in American Society

Seers on the Rim

Senses of Place: The Black Community in Alice Childress's Wedding Band

Postindustrial Futurities in Contemporary Black Feminist Theater: Lynn Nottage’s Sweat, Dominique Morisseau’s Skeleton Crew, and Lisa Langford’s The Art of Longing

"Blood at the Root": Cultural Abjection and Th warted Desire in the Lynching Plays and Poetry of Angelina Weld Grimké

Staging Creolization: Women's Theater and Performance From the French Caribbean by Emily Sahakian (review)

Theorizing Connectivities: African American Women in Concert Dance

Forum: Black Women Playwrights in American Theatre

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

“Set Your Blackness Free”: Barbara Ann Teer’s Art and Activism during the Black Arts Movement

Brief Notices

Versuche: African-American Women Playwrights' Use of "Mother Courage and Her Children": Ntozake Shange, Lynn Nottage, Suzan-Lori Parks

Forum: Taking the Long View

Colorism in Dael Orlandersmith's Yellowman: the effect of intraracial racism on Black identity and the concept of Black community

Signifying in the wilderness: Alice Childress and the Black Arts Movement

Interrogating Misconceptions of Feminism in Tracy Chima Utoh's Our Wives Have Gone Mad Again and Stella 'Dia Oyedepo's The Rebellion of the Bumpy-chested

Books of Interest

THROUGH A WOMAN'S EYES: NON-REALISTIC DIRECTING STRATEGIES FOR STAGING PLAYS BY IRISH FEMALE DRAMATISTS

"Whiteness as Property" in As You Like It

GRIMKE, ANGELINA WELD (1880-1958)

Aktive Filter

Suchergebnisse filtern