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I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays

1, 2010

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Suzan-Lori Parks: Rearticulating the Laws of Race and Gender in African American History

South Atlantic review, 2011-03, Vol.76 (2), p.65-91

Guran, Letitia

2011

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Redefining the Way Theatre is Created and Performed: The Radical Inclusion of Suzan-Lori Parks’s 365 Days/365 Plays

Journal of dramatic theory and criticism, 2007, Vol.22 (1), p.65-83

Kolin, Philip C

2007

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'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

Theatre history studies, 2007, Vol.27 (1), p.86-109

Macki, Adrienne C

2007

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Beyond Identity Politics: National and Transnational Dialogues in Anna Deavere Smith's Twilight: Los Angeles, 1992 and Chay Yew's A Beautiful Country

Journal of dramatic theory and criticism, 2005-10, Vol.20 (1), p.65-82

Cho, Nancy

2005

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The refusal of motherhood in African American women's theater: Document View

Melus, 2000, Vol.25 (3/4), p.117

Meier, Joyce

2000

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The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Modern drama, 1998-12, Vol.41 (4), p.533-545

Gourdine, Angeletta K. M

1998

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Telling women's lives: African-American one-person plays

American drama, 1997-04, Vol.6 (2), p.58

Vacca, V. John

1997

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Rodney King, shifting modes of vision, and Anna Deavere Smith's Twilight, Los Angeles, 1992

Journal of dramatic theory and criticism, 2000-04, Vol.14 (2), p.121-134

Bernstein, Robin

2000

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From mule bones to funny bones: the plays of Zora Neale Hurston

The Southern quarterly, 1995, Vol.33 (2/3), p.65

Lowe, John

1995

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Conflicting Impulses in the Plays of Ntozake Shange

Black American literature forum, 1983-07, Vol.17 (2), p.73-78

Richards, Sandra L.

1983

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Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

International journal of English studies, 2017-01, Vol.17 (1), p.83

Cucarella-Ramon, Vicent

2017

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Colorism in Dael Orlandersmith's Yellowman: the effect of intraracial racism on Black identity and the concept of Black community

The Southern quarterly, 2013-04, Vol.50 (3), p.32

Turner, Beth

2013

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An autoethnographic reading of Djanet Sears's The Adventures of a Black Girl in Search of God

Theatre research in Canada, 2015-03, Vol.36 (1), p.73-88

Keleta-Mae, Naila

2015

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Signifying in the wilderness: Alice Childress and the Black Arts Movement

The Journal of American drama and theatre, 2013, Vol.25 (1), p.27

blackchild, cfrancis

2013

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"PORNOGRAPHY OF VIOLENCE": STRATEGIES OF REPRESENTATION IN PLAYS BY NAOMI WALLACE, STEFANIE ZADRAVEC, AND LYNN NOTTAGE

The Journal of American drama and theatre, 2011, Vol.23 (1), p.67

Ozieblo, Barbara

2011

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Rewriting the Corpse in Suzan-Lori Parks’s Getting Mother’s Body

The Southern quarterly, 2015-10, Vol.53 (1), p.41-56

Armstrong, Rhonda Jenkins

2015

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Black Women on Broadway: The Duality of Lorraine Hansberry's A Raisin in the Sun and Ntozake Shange's for colored girls

American drama, 2006-06, Vol.15 (2), p.30

Mafe, Diana Adesola

2006

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From seeking one's voice to uttering the scream: the pioneering journey of African American women playwrights through the 1960s and 1970s: Document View

African American review, 2003, Vol.37 (4), p.611

Barrios, Olga

2003

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Unnatural conception: (per)forming history and historical subjectivity in Suzan-Lori Parks's The America Play and Venus

The Journal of American drama and theatre, 2007, Vol.19 (1), p.5

Lee, Sun Hee Teresa

2007

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modern literature: crossing the color-line

Radical teacher (Cambridge), 2016-06 (105), p.69

Brown, David Sterling

2016

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The Black Arts Movement (1965-1976): An Interview with Playwright J. E. Franklin

Callaloo, 2014, Vol.37 (5), p.1139

Forsgren, La Donna L

2014

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Surviving the after-shocks of Racism: Reading Adrienne Kennedy and Suzan-Lori Parks after Katrina

Journal of dramatic theory and criticism, 2008-10, Vol.23 (1), p.47-67

Spencer, Jenny

2008

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An Interview with Marouba Fall: Premier Senegalese Novelist, Poet and Dramatist

The Journal of Pan African studies, 2008-06, Vol.2 (4), p.128-134

Braunstein, Tamara-Diana

2008

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Dramatic Trans-Formations: The Surrealism of Being Black and Female in Adrienne Kennedy's The Owl Answers

The Journal of American drama and theatre, 2005-04, Vol.17 (2), p.59

Kumar, Nita N

2005

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I'm Black When I'm Singing, I'm Blue When I Ain't and Other Plays

Suzan-Lori Parks: Rearticulating the Laws of Race and Gender in African American History

Redefining the Way Theatre is Created and Performed: The Radical Inclusion of Suzan-Lori Parks’s 365 Days/365 Plays

'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

Beyond Identity Politics: National and Transnational Dialogues in Anna Deavere Smith's Twilight: Los Angeles, 1992 and Chay Yew's A Beautiful Country

The refusal of motherhood in African American women's theater: Document View

The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Telling women's lives: African-American one-person plays

Rodney King, shifting modes of vision, and Anna Deavere Smith's Twilight, Los Angeles, 1992

From mule bones to funny bones: the plays of Zora Neale Hurston

Conflicting Impulses in the Plays of Ntozake Shange

Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

Colorism in Dael Orlandersmith's Yellowman: the effect of intraracial racism on Black identity and the concept of Black community

An autoethnographic reading of Djanet Sears's The Adventures of a Black Girl in Search of God

Signifying in the wilderness: Alice Childress and the Black Arts Movement

"PORNOGRAPHY OF VIOLENCE": STRATEGIES OF REPRESENTATION IN PLAYS BY NAOMI WALLACE, STEFANIE ZADRAVEC, AND LYNN NOTTAGE

Rewriting the Corpse in Suzan-Lori Parks’s Getting Mother’s Body

Black Women on Broadway: The Duality of Lorraine Hansberry's A Raisin in the Sun and Ntozake Shange's for colored girls

From seeking one's voice to uttering the scream: the pioneering journey of African American women playwrights through the 1960s and 1970s: Document View

Unnatural conception: (per)forming history and historical subjectivity in Suzan-Lori Parks's The America Play and Venus

modern literature: crossing the color-line

The Black Arts Movement (1965-1976): An Interview with Playwright J. E. Franklin

Surviving the after-shocks of Racism: Reading Adrienne Kennedy and Suzan-Lori Parks after Katrina

An Interview with Marouba Fall: Premier Senegalese Novelist, Poet and Dramatist

Dramatic Trans-Formations: The Surrealism of Being Black and Female in Adrienne Kennedy's The Owl Answers

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