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MARROWS OF TRADITION: CHESNUTT, HANSBERRY, AND WILMINGTON 1898

North Carolina literary review, 2024-01 (33), p.80-87

Browner, Stephanie

2024

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Marginalized: Southern Women Playwrights Confront Race, Region, and Gender

Theatre History Studies, 2023, Vol.42, p.161-163

Black, Cheryl

2023

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Communities Close-Up: An Exhumation of Newtown, Virginia

Theatre symposium, 2023, Vol.30 (1), p.91-103

2023

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Migrating Banda/Bandera Sonoras: Musical Affiliation and Performances of Passing in Indocumentados…el otro merengue

Revista canadiense de estudios hispánicos, 2017-01, Vol.41 (3), p.473

Baker, Christina

2017

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Plays

Back stage East, 2021-01, Vol.62 (3), p.20

2021

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The Good Imperialists: Empire National Identity and Gender in British Theater 1660-1790

Ryer, Jennifer

2015

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Casting

Back Stage, 2024-07, Vol.65 (12), p.19-27

National edition, 2024

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Casting

Back Stage, 2024-06, Vol.65 (10), p.19-27

National edition, 2024

Volltextzugriff (PDF)

Casting

Back Stage, 2024-06, Vol.65 (11), p.19-27

National edition, 2024

Volltextzugriff (PDF)

New York Tristate

Back Stage, 2024-08, Vol.65 (13), p.19-22

National edition, 2024

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The Gift of Living in Whitney White's Oueendom: An intrepid, in-demand force in the American theatre, this writer-director is finding more to say through Shakespeares onty recurring femate character, Queen Margaret

American theatre, 2024-06, p.COV16

Samuel, Brittani

2024

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Joshua Allen: Coming Home Again: As the Chicago playwright's newest work hits the Raven Theatre stage, Allen revisits the gestation and meaning of his South Side-set Grand Boulevard Trilogy

American theatre, 2024-05

Pierce, Jerald Raymond

2024

Volltextzugriff (PDF)

Macbeth in Harlem: Black Theater in America From The Beginning to Raisin in the Sun by Clifford Mason (review)

Theatre Journal, 2024, Vol.76 (1), p.116-118

Black, Cheryl

2024

Volltextzugriff (PDF)

Samm-Art Williams, Gentle Giant, Is Called Home: Colleagues and friends of the actor-playwright recall his legacy as a dramatist, poet, producer, mentor, truth teller, and friend

American theatre, 2024-06, p.COV13

Authors, Various

2024

Volltextzugriff (PDF)

Introduction: Blazing the Trail, Pioneering the Way

Black camera : the newsletter of the Black Film Center/Archives, 2024-03, Vol.15 (2), p.COV16

Ellerson, Beti

2024

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National/Regional

Back stage East, 2024-07, Vol.65 (12), p.25

2024

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This Has Not Happened: African American Performances at the Edge of the Century

Berry, Andie

2024

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Ignorance is Bliss: Aphra Behn's Paradise Lost Featuring Black Characters Falling from African Heaven/Nevednost je blazenost: izgubljeni raj Aphre Behn s crnskimi liki, ki padajo iz afriskih nebes

Acta neophilologica, 2024-05, Vol.57 (1), p.63

Yildiz, Nazan

2024

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Of Gaines and Genre: Plotting the Racial Borders in Southern Louisiana

The Mississippi quarterly, 2024, Vol.76 (2), p.193-213

Griffin, Martin

2024

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'Deep River Did It': Fuenteovejuna, Harlem Suitcase Theater, and the Performative Potential of Archival Marginalia

Shakespeare bulletin, 2024-07, Vol.42 (2), p.199-221

Seremet, Molly Beth

2024

Volltextzugriff (PDF)

Journeying and Researching Ghanaian/Diaspora Women's Filmmaking Practices

Black camera : the newsletter of the Black Film Center/Archives, 2024-03, Vol.15 (2), p.COV37

Owusu, Joyce Osei

2024

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Still in the Making: The Culture of Improvisation in American Modernism

Hagino, Ryo

2024

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Arts & Humanities

Library Journal, 2024, Vol.149 (8), p.92

2024

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The Memetic Form of Bret Harte's Ah Sin: From the American West to The Way We Live Now

Victorian studies, 2023-09, Vol.66 (1), p.83-106

Valdez, Jessica R

2023

Volltextzugriff (PDF)

Lorraine Hansberry, Sean O'Casey, and the Common Space of the Theater

The Routledge History of Irish America, 2024, p.380-393

1, 2024

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MARROWS OF TRADITION: CHESNUTT, HANSBERRY, AND WILMINGTON 1898

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender

Communities Close-Up: An Exhumation of Newtown, Virginia

Migrating Banda/Bandera Sonoras: Musical Affiliation and Performances of Passing in Indocumentados…el otro merengue

Plays

The Good Imperialists: Empire National Identity and Gender in British Theater 1660-1790

Casting

Casting

Casting

New York Tristate

The Gift of Living in Whitney White's Oueendom: An intrepid, in-demand force in the American theatre, this writer-director is finding more to say through Shakespeares onty recurring femate character, Queen Margaret

Joshua Allen: Coming Home Again: As the Chicago playwright's newest work hits the Raven Theatre stage, Allen revisits the gestation and meaning of his South Side-set Grand Boulevard Trilogy

Macbeth in Harlem: Black Theater in America From The Beginning to Raisin in the Sun by Clifford Mason (review)

Samm-Art Williams, Gentle Giant, Is Called Home: Colleagues and friends of the actor-playwright recall his legacy as a dramatist, poet, producer, mentor, truth teller, and friend

Introduction: Blazing the Trail, Pioneering the Way

National/Regional

This Has Not Happened: African American Performances at the Edge of the Century

Ignorance is Bliss: Aphra Behn's Paradise Lost Featuring Black Characters Falling from African Heaven/Nevednost je blazenost: izgubljeni raj Aphre Behn s crnskimi liki, ki padajo iz afriskih nebes

Of Gaines and Genre: Plotting the Racial Borders in Southern Louisiana

'Deep River Did It': Fuenteovejuna, Harlem Suitcase Theater, and the Performative Potential of Archival Marginalia

Journeying and Researching Ghanaian/Diaspora Women's Filmmaking Practices

Still in the Making: The Culture of Improvisation in American Modernism

Arts & Humanities

The Memetic Form of Bret Harte's Ah Sin: From the American West to The Way We Live Now

Lorraine Hansberry, Sean O'Casey, and the Common Space of the Theater

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