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A Critical Companion to Lynn Nottage

1, 2016

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Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

Texas studies in literature and language, 2017-06, Vol.59 (2), p.234-267

VANHOUTTE, JACQUELINE

2017

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'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

Theatre history studies, 2007, Vol.27 (1), p.86-109

Macki, Adrienne C

2007

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The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Modern drama, 1998-12, Vol.41 (4), p.533-545

Gourdine, Angeletta K. M

1998

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Anti-Lynch Plays by African American Women: Race, Gender, and Social Protest in American Drama

African American review, 1992-07, Vol.26 (2), p.329-339

Stephens, Judith L.

1992

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Seers on the Rim

American Theatre, 1994-03, Vol.11 (3), p.22

Mahone, Sydné

1994

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The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

The Mississippi quarterly, 2015-12, Vol.68 (1-2), p.277-294

MURRAY, WILLIAM

2015

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White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

The Comparatist, 2018-10, Vol.42 (1), p.98-114

PETERS, MEG

2018

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ProQuest

Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment

Comparative drama, 2023-06, Vol.57 (1-2), p.29-56

Corredera, Vanessa I

2023

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"CHECK WITH YO' MAN FIRST; CHECK WITH YO' MAN": Tyler Perry Appropriates Drag as a Tool to Re-Circulate Patriarchal Ideology

Callaloo, 2011-07, Vol.34 (3), p.943-958

Lyle, Timothy

2011

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Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Meridians (Middletown, Conn.), 2017-01, Vol.15 (2), p.330-352

Batra, Kanika

2017

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Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

International journal of English studies, 2017-01, Vol.17 (1), p.83

Cucarella-Ramon, Vicent

2017

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Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Journal of African American studies (New Brunswick, N.J.), 2021-09, Vol.25 (3), p.475-493

Vrtis, Catherine Peckinpaugh

2021

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“Mouths on Fire”: August Wilson’s Blueswomen

Melus, 2010-12, Vol.35 (4), p.165-185

Davis, Doris

2010

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Women's Contribution to the Development of Anglophone Cameroonian Drama: The Plays of Anne Tanyi-Tang

Research in African literatures, 2014-06, Vol.45 (2), p.122-134

Nkealah, Naomi

2014

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People Know Him by Name: Time, Justice, and Memory in Toni Morrison’s Dreaming Emmett

College literature, 2020-09, Vol.47 (4), p.721-751

Williams, Rhaisa

2020

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New Histories, Lost Causes, and 'Alternative Facts': Suzan-Lori Parks's The America Play in the Age of Trump

Texas studies in literature and language, 2020-12, Vol.62 (4), p.463-482

Woodard, Helena

2020

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In Solidarity With Home: Transculturation as a Reconciliation of African Ethnic Binarism in Ama Ata Aidoo's The Dilemma of a Ghost

Theory and practice in language studies, 2023-08, Vol.13 (8), p.1947-1954

2023

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Interrogating Misconceptions of Feminism in Tracy Chima Utoh's Our Wives Have Gone Mad Again and Stella 'Dia Oyedepo's The Rebellion of the Bumpy-chested

The Journal of Pan African studies, 2017-04, Vol.10 (2), p.126-141

Adeleke, E.B

2017

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Failed Futurity: Performing Abortion in Merrill Denison's Marsh Hay

Canadian literature, 2017-03, Vol.232 (232), p.100-186

Wright, Kailin

2017

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Swap and Formation of Diasporic Identities in Amiri Baraka’s Theater: from Afrocentric Leanings to a Pan-Africanist Worldview

Journal of African American studies (New Brunswick, N.J.), 2020-03, Vol.24 (1), p.116-128

Azouz, Samy

2020

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The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan

Theatre history studies, 2020-01, Vol.39 (1), p.215-224

Burrell, Julie

2020

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"Whiteness as Property" in As You Like It

Shakespeare studies (Columbia), 2022-01, Vol.50, p.24-9

Bozio, Andrew

2022

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'Envisioning the future, remembering the past': A Neo-Abolitionist Reading of Suzan-Lori Parks's Fucking A

African American review, 2020-03, Vol.53 (1), p.9-24

Serraes, Allison

2020

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Staging a New Literary History: Suzan-Lori Parks's Venus, In the Blood, and Fucking A

Comparative drama, 2008-07, Vol.42 (2), p.181-203

Schafer, Carol

2008

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A Critical Companion to Lynn Nottage

Suzan-Lori Parks's "Venus" and the Petrarchan Tradition

'Talking B(l)ack': Construction of Gender and Race in the Plays of Eulalie Spence

The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun

Anti-Lynch Plays by African American Women: Race, Gender, and Social Protest in American Drama

Seers on the Rim

The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment

"CHECK WITH YO' MAN FIRST; CHECK WITH YO' MAN": Tyler Perry Appropriates Drag as a Tool to Re-Circulate Patriarchal Ideology

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

“Mouths on Fire”: August Wilson’s Blueswomen

Women's Contribution to the Development of Anglophone Cameroonian Drama: The Plays of Anne Tanyi-Tang

People Know Him by Name: Time, Justice, and Memory in Toni Morrison’s Dreaming Emmett

New Histories, Lost Causes, and 'Alternative Facts': Suzan-Lori Parks's The America Play in the Age of Trump

In Solidarity With Home: Transculturation as a Reconciliation of African Ethnic Binarism in Ama Ata Aidoo's The Dilemma of a Ghost

Interrogating Misconceptions of Feminism in Tracy Chima Utoh's Our Wives Have Gone Mad Again and Stella 'Dia Oyedepo's The Rebellion of the Bumpy-chested

Failed Futurity: Performing Abortion in Merrill Denison's Marsh Hay

Swap and Formation of Diasporic Identities in Amiri Baraka’s Theater: from Afrocentric Leanings to a Pan-Africanist Worldview

The Robert A. Schanke Award-Winning Essay, MATC 2019: Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan

"Whiteness as Property" in As You Like It

'Envisioning the future, remembering the past': A Neo-Abolitionist Reading of Suzan-Lori Parks's Fucking A

Staging a New Literary History: Suzan-Lori Parks's Venus, In the Blood, and Fucking A

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