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The Life of a Playwright: An Interview with Steve Carter

New England review (1990), 2016-06, Vol.37 (2), p.137-150

Nesmith, Nathaniel G.

2016

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A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home

Theatre history studies, 2012, Vol.32 (1), p.120-140

Robson, Tom -- (Thomas M.)

2012

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Lorraine Hansberry: Defining the Line Between Integration and Assimilation

Women's studies, 2010-07, Vol.39 (5), p.451-469

SABER, YOMNA

2010

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From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Journal of international women's studies, 2015-01, Vol.16 (2), p.297-311

Sarada, Thallam

2015

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Beyond Identity Politics: National and Transnational Dialogues in Anna Deavere Smith's Twilight: Los Angeles, 1992 and Chay Yew's A Beautiful Country

Journal of dramatic theory and criticism, 2005-10, Vol.20 (1), p.65-82

Cho, Nancy

2005

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The Page Refigured: The Verbal and Visual Language of Suzan-Lori Parks's Venus

Performance research, 2002-01, Vol.7 (1), p.90-100

Lyman, Elizabeth Dyrud

2002

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The Possession of Suzan-Lori Parks

American Theatre, 2000-10, Vol.17 (8), p.22-22

Garrett, Shawn-Marie

2000

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Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

College English, 2023-01, Vol.85 (3), p.243-259

Shahbaaz, Zeba

2023

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The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

The Mississippi quarterly, 2015-12, Vol.68 (1-2), p.277-294

MURRAY, WILLIAM

2015

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White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

The Comparatist, 2018-10, Vol.42 (1), p.98-114

PETERS, MEG

2018

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Theorizing Connectivities: African American Women in Concert Dance

The Journal of Pan African studies, 2011-09, Vol.4 (6), p.56-74

DeFrantz, Thomas F

2011

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Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

Language in India, 2024-03, Vol.24 (3), p.89

2024

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Ntozake Shange: A Cultural War Correspondent—An Interview

CLA journal, 2019-09, Vol.62 (2), p.111-131

Brown-Guillory, Elizabeth

2019

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Performing Gender Violence. Plays by Contemporary American Women Dramatists. Eds Barbara Ozieblo & Noelia Hernando-Real

European Journal of American Studies, 2012-11

Maufort, Marc

2012

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The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

International journal of English studies, 2023-01, Vol.23 (1), p.147-162

Cuder-Dominguez, Pilar

2023

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Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

Meridians (Middletown, Conn.), 2017-01, Vol.15 (2), p.330-352

Batra, Kanika

2017

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On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Storytelling, self, society, 2021, Vol.17 (1), p.71-85

Burch, Milbre

2021

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Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

Theatre history studies, 2021, Vol.40 (1), p.103-109

Dail, Chrystyna

2021

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Hansberry Offstage: The playwright's lesbian writings

The Yale review, 2023-09, Vol.111 (3), p.60-75

Pollak, Alec

2023

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A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

The Arthur Miller journal, 2017-04, Vol.12 (1), p.42-51

Palmer, David

2017

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Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

International journal of English studies, 2017-01, Vol.17 (1), p.83

Cucarella-Ramon, Vicent

2017

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“Mouths on Fire”: August Wilson’s Blueswomen

Melus, 2010-12, Vol.35 (4), p.165-185

Davis, Doris

2010

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Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Journal of African American studies (New Brunswick, N.J.), 2021-09, Vol.25 (3), p.475-493

Vrtis, Catherine Peckinpaugh

2021

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Versuche: African-American Women Playwrights' Use of "Mother Courage and Her Children": Ntozake Shange, Lynn Nottage, Suzan-Lori Parks

Communications from the International Brecht Society, 2010-01, p.203-206

Moriarty, Julia

2010

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An Endless Capacity for Dissembling: Representing Teenage Girls on the American Stage from The Children's Hour through If Pretty Hurts Ugly Must Be a Muhfucka

Theatre survey, 2024-01, Vol.65 (1), p.37-59

Rowen, Bess

2024

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The Life of a Playwright: An Interview with Steve Carter

A More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home

Lorraine Hansberry: Defining the Line Between Integration and Assimilation

From aporia to identity formation: the perilous passage of African American women's dramatic discourse

Beyond Identity Politics: National and Transnational Dialogues in Anna Deavere Smith's Twilight: Los Angeles, 1992 and Chay Yew's A Beautiful Country

The Page Refigured: The Verbal and Visual Language of Suzan-Lori Parks's Venus

The Possession of Suzan-Lori Parks

Bag Lady: Unpacking Black Women’s Experiences in African American Literature and Black Popular Music Using bell hooks’s Healing Practice and Teaching Praxis

The Roof of a Southern Home: A Reimagined and Usable South in Lorraine Hansberry's A Raisin in the Sun

White on White and Black: The Terror of Whiteness in Sarah Kane’s Crave

Theorizing Connectivities: African American Women in Concert Dance

Resemblance in Themes of Flays by Alice Childress: A Critical Analysis

Ntozake Shange: A Cultural War Correspondent—An Interview

Performing Gender Violence. Plays by Contemporary American Women Dramatists. Eds Barbara Ozieblo & Noelia Hernando-Real

The Shifting Profile of Africa in Twenty-First Century Black Canadian Writing

Polygamous Postcolonialism and Transnational Critique in Tess Onwueme’s The Reign of Wazobia

On Developing Notes from a Pandemic Pothole: A Personal Reflection on the Co-creation of New Work in Storytelling

Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances

Hansberry Offstage: The playwright's lesbian writings

A Note on the Limits of Interpretation: Thoughts on Recent Miller Productions

Decolonizing Othello in Search of Black Feminist North American Identities: Djanet Sears' Harlem Duet and Toni Morrison's Desdemona

“Mouths on Fire”: August Wilson’s Blueswomen

Proletarian Plays for a Proletarian Audience: Langston Hughes and Harvest

Versuche: African-American Women Playwrights' Use of "Mother Courage and Her Children": Ntozake Shange, Lynn Nottage, Suzan-Lori Parks

An Endless Capacity for Dissembling: Representing Teenage Girls on the American Stage from The Children's Hour through If Pretty Hurts Ugly Must Be a Muhfucka

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